Qi Gong with Eda. A small friendly group in Waterlow Park meeting by the tree in the grass near the new playground if it is sunny and under the north shelter,(near the statue of Sir Sydney Waterlow) if it is wet.
Qi Gong with Eda. A small friendly group in Waterlow Park meeting by the tree in the grass near the new playground if it is sunny and under the north shelter,(near the statue of Sir Sydney Waterlow) if it is wet.
Qi Gong with Eda. A small friendly group in Waterlow Park meeting by the tree in the grass near the new playground if it is sunny and under the north shelter,(near the statue of Sir Sydney Waterlow) if it is wet.
Qi Gong with Eda. A small friendly group in Waterlow Park meeting by the tree in the grass near the new playground if it is sunny and under the north shelter,(near the statue of Sir Sydney Waterlow) if it is wet.
Qi Gong with Eda. A small friendly group in Waterlow Park meeting by the tree in the grass near the new playground if it is sunny and under the north shelter,(near the statue of Sir Sydney Waterlow) if it is wet.
Qi Gong with Eda. A small friendly group in Waterlow Park meeting by the tree in the grass near the new playground if it is sunny and under the north shelter,(near the statue of Sir Sydney Waterlow) if it is wet.
“A History Of Gardening In 40 Objects” A talk by Christopher Woodward, Director of the Garden Museum
Monday 9th May at 6.45pm at The Highgate Society 10a South Grove
Followed by the Friends of Waterlow Park AGM.
Curated by Lucy Loves Circus
Doffing our cap to the traditions of vaudeville and the origins of circus and cabaret, acclaimed circus blogger Lu Cyrcus curates this very special night, led by Cirque du Soleil’s lead clown Sean Kempton. New and old combine in this evening of contemporary varieté, featuring everything from pole dancing to aerial rope and trapeze, where burlesque meets juggling kettle bells, with a dash of musical saw thrown in for good measure.
A night to tease, whisper and gasp – Ssshhh!
—
We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Find out about about all the changes in your park
Brief presentations from:
✦ Waterlow Park Trust
✦ Camden Parks Department
✦ Lauderdale House
✦ The Friends of Waterlow Park
✦ Lux
✦ Pink Food
✦ The Conservation Volunteers
Followed by refreshments and an opportunity to meet those involved.
All Welcome
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
See Waterlow Park like you’ve never seen it before through the expert eyes of local historian Pam Cooper, who wrote the definitive history book on the Park.
In 1889 Waterlow Park was given as a ‘garden for the gardenless’ but it was a long journey from the Tudor nobles who claimed the area for country residences until the Victorian Sir Sydney Waterlow brought it together in a grand act of philanthropy.
Meet in the central internal Courtyard at Lauderdale House.
8.30pm (doors open 8pm)
£15 / £12 concession / £7 student
concessions limited to disability, people on benefits (not over 60’s)
The Tina May Quintet
Tina May (voice), Karen Sharp (saxes), Robin Aspland (piano), Arnie Somogyi (d. bass) & Winston Clifford (drums)
This very swinging quintet is led by the incredibly versatile and talented Tina May who was breathtakingly exciting on the Swanage Festival main stage last year. Tonight her jazz soul is the guiding force and one glance at her line up tells you that this will be a very special evening. It’s the first appearance at Lauderdale by British Jazz Award winner Karen Sharp who first worked with Tina when they were both with the Humphrey Lyttelton Band. Since then they have collaborated and recorded together extensively.
Expect some straight ahead jazz and ….always some forgotten gems alongside standards – but swung and sung in Tina’s inimitable style.
Our programmer Brian Blain compares her appearance at Swanage to Anita O’Day’s sensational contribution to that classic 1960 documentary Jazz On a Summer’s Day and tell us that ‘we could not start our Spring season in any better way’.
‘that great rarity…a singer who enhances a song.’ Dave Gelly, the Observer.
Discover some of Highgate’s twentieth century housing developments in this historic walk through Highgate. We will pass Lubetkin’s iconic High Point flats, learn about Highgate’s early history, walk through Waterlow Park and learn of it conception, pass Highgate Cemetery where Karl Marx is buried and explore Abrahmam Davis’s Holly Lodge Estate and Walter Segal’s 1950s St Anne’s Close.
Starts Opposite the Woodman Pub, Archway Road, finishes at Parliament Hill Fields at the bottom of Swain’s Lane.
Violin and Piano Concert, featuring Jack Liebeck, in aid of Waterlow park and Noah’s Ark Children’s Hospice
Tickets including a glass of wine, £15
5.30 for 6.00 pm
Dyne House is the Highgate School red brick building on Southwood Lane,
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
“I think very few people are completely normal really deep down in their private lives.”
Join us on Waterlow Park’s beautiful Tea Lawn this summer as Shooting Stars Theatre Company return for Lauderdale House’s Open Air Summer Season.
This year’s Theatre on the Tea Lawn performance is Private Lives, Noël Coward’s classic comedy of passion, romance, anger, laughter and love… The stage is set for a battle of the sexes when divorced couple, Amanda and Elyot, find themselves unwittingly thrown together again. Bring a picnic and enjoy the wit of one of England’s most famous playwrights whilst relaxing in the summer sunshine!
Early Bird Tickets
Book by 24 June to enjoy discounted Early Bird ticket prices; standard tickets for just £14, concessions for £12 and family tickets for £45.
Private Lives will be performed outside on the Tea Lawn on 18, 19, 20, 22, 25, 26 and 28 July. The Tea Lawn will be open from 6pm for pre theatre picnic/drinks, with performances kicking off at 7pm. Tickets on the door: standard at £17, concession at £15, family tickets at £57.
Guest speaker – Alicia Pivaro “The Power of Parks”.
The Conservatory, Lauderdale House – Please use the new north side entrance.
Daisy is doing her best to keep her chin up and her head down – but as the first anniversary of her mum’s death approaches she begins to realise grief isnʼt something she can put aside indefinitely, and whether she’s willing to admit it or not, things aren’t fine.
From the silly to the sublime to the scary to the ridiculous, Daisy wrestles (sometimes literally) with her grief – Ian, a 6-foot invisible bald guy with a lot of luggage – eventually discovering that by letting him into her world she is able to reconnect with the memory of her mother.
Combining physical comedy with striking aerial acrobatics and an original, constantly moving aerial set, the debut live show from She Said Jump draws on theatre clown, circus and puppetry to tackle the themes of grief and bereavement with a light and playful touch.
Suitable for ages 8+
Our super spooky Halloween walks are back for the first time since the pandemic this October.
Join a host of creepy characters on an adventure around Lauderdale House and Waterlow Park on the most sinister night of the year!
For more information and tickets please visit our website.