London premiere
A rare chance to see the internationally acclaimed Circolombia in a more intimate setting. Vest-igios fuses stunning physical performance with film to create a remarkable visual journey infused with extravagant visions, terrifying acrobatics and unthinkable magic moments.
In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many. Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.
Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque. Her inspiration comes from Japanese prints as well as 20thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.
When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness. As she says, “There is something really magical about this area of woodland. It’s so unusual, even outside London, to find such ancient trees in non-agricultural land. The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.
It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it. In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.
Rachael Weitzman has lived in North London for most of her life. She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.
For further information please contact rachaelkirkby@yahoo.co.uk
Instagram rachaelweitzman
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many. Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.
Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque. Her inspiration comes from Japanese prints as well as 20thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.
When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness. As she says, “There is something really magical about this area of woodland. It’s so unusual, even outside London, to find such ancient trees in non-agricultural land. The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.
It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it. In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.
Rachael Weitzman has lived in North London for most of her life. She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.
For further information please contact rachaelkirkby@yahoo.co.uk
Instagram rachaelweitzman
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many. Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.
Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque. Her inspiration comes from Japanese prints as well as 20thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.
When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness. As she says, “There is something really magical about this area of woodland. It’s so unusual, even outside London, to find such ancient trees in non-agricultural land. The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.
It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it. In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.
Rachael Weitzman has lived in North London for most of her life. She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.
For further information please contact rachaelkirkby@yahoo.co.uk
Instagram rachaelweitzman
Tue 12 October at 7.30pm
By Matthías Tryggvi Haraldsson
Translated by Philip Roughton
A one-man play about loneliness and Western angst, mass produced furniture and much, much more.
Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.
Part of a week-long festival of new Nordic plays.
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many. Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.
Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque. Her inspiration comes from Japanese prints as well as 20thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.
When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness. As she says, “There is something really magical about this area of woodland. It’s so unusual, even outside London, to find such ancient trees in non-agricultural land. The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.
It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it. In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.
Rachael Weitzman has lived in North London for most of her life. She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.
For further information please contact rachaelkirkby@yahoo.co.uk
Instagram rachaelweitzman
By Lisa Langseth
Translated by Rochelle Wright
A one-woman play about the destructive obsession with other people’s opinions and materialism, loneliness and class.
Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.
Part of a week-long festival of new Nordic plays.
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many. Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.
Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque. Her inspiration comes from Japanese prints as well as 20thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.
When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness. As she says, “There is something really magical about this area of woodland. It’s so unusual, even outside London, to find such ancient trees in non-agricultural land. The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.
It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it. In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.
Rachael Weitzman has lived in North London for most of her life. She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.
For further information please contact rachaelkirkby@yahoo.co.uk
Instagram rachaelweitzman
By Katarina G. Nolsøe / Kristofer Grønskag
Translated by Hans Tórgarð & Bergljót av Skarð / Neil Howard
A series of vivid poems illuminate a struggle with depression and exciting events examine the need to be seen in today’s world in this double-bill of staged readings.
Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.
Part of a week-long festival of new Nordic plays.
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
By Mika Myllyaho
Translated by Eva Buchwald
A dark comedy full of heart, exploring how two very different people can sustain a friendship.
Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.
Part of a week-long festival of new Nordic plays.
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
“ My Spirit Sang All Day” – Sonare Choral Quartet. An exploration of choral music across the centuries, from Renaissance to today, featuring composers from all over Europe & beyond.
We are a new, London based quartet who are excited to bring choral music of all kinds to as wide an audience as possible. We met as choral scholars in Hackney Church back in 2019 & formed “ Sonare “ in early 2021; this will be our inaugural tour across the south east of England. We look forward to sharing our music with you – Mozart, Stravinsky, Parry & many others.
By Vivian Nielsen
Translated by Jonathan Sydenham
Discover where we, as individuals, fit into the climate crisis in this darkly comedic performance-lecture.
Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.
Part of a week-long festival of new Nordic plays.
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
Highgate Watercolour Group’s exhibition – October 20th – November 15th. There is no Private View this year. Please call Lauderdale House to confirm before your visit as they may close at short notice. 020 8348 8716
Highgate Watercolour Group’s exhibition – October 20th – November 15th. There is no Private View this year. Please call Lauderdale House to confirm before your visit as they may close at short notice. 020 8348 8716
Introducing Brain Fools, a new young Jacksons Lane-supported circus company. Lucky Pigeons is ‘soulful stories and stupid circus’ – a bright and infectious experience so fresh-off-the-belt the pigeons haven’t even hatched yet. A mix of absurd and extravagant theatre, impressive acrobatics, empathetic and funny stories, with a pinch of satirical spice, this is their first work-in-progress showing. Brain Fools is Finn & Toffy, recent graduates of National Centre for Circus Arts
Created with the support of Jacksons Lane and the National Centre for Circus Arts. Mentored by Sean Kempton
Highgate Watercolour Group’s exhibition – October 20th – November 15th. There is no Private View this year. Please call Lauderdale House to confirm before your visit as they may close at short notice. 020 8348 8716
Introducing Brain Fools, a new young Jacksons Lane-supported circus company. Lucky Pigeons is ‘soulful stories and stupid circus’ – a bright and infectious experience so fresh-off-the-belt the pigeons haven’t even hatched yet. A mix of absurd and extravagant theatre, impressive acrobatics, empathetic and funny stories, with a pinch of satirical spice, this is their first work-in-progress showing. Brain Fools is Finn & Toffy, recent graduates of National Centre for Circus Arts
Created with the support of Jacksons Lane and the National Centre for Circus Arts. Mentored by Sean Kempton
Highgate Watercolour Group’s exhibition – October 20th – November 15th. There is no Private View this year. Please call Lauderdale House to confirm before your visit as they may close at short notice. 020 8348 8716
Drawing from circus, stand-up and live art, Contra is a solo-cabaret of contradictions. This highly physical show interrogates personal, social and historical occupations of the female body.
Returning after its sell-out run at Jacksons Lane in 2019, Contra is not to be missed.
“Uncompromising, confrontational and thrilling” The List
Suitable for ages 16+
Supported by Jacksons Lane
Highgate Watercolour Group’s exhibition – October 20th – November 15th. There is no Private View this year. Please call Lauderdale House to confirm before your visit as they may close at short notice. 020 8348 8716
Come with us on a bubbly, barmy bath time adventure around the world and home again celebrating all things bath-time. This quirky, vibrant and humorous tale is an uplifting and playful take on the well-loved book by Julia Jarman and Adrian Reynolds.
“A fun, energetic and delightful production” Broadway Baby
Suitable for ages 2 – 5
Come with us on a bubbly, barmy bath time adventure around the world and home again celebrating all things bath-time. This quirky, vibrant and humorous tale is an uplifting and playful take on the well-loved book by Julia Jarman and Adrian Reynolds.
“A fun, energetic and delightful production” Broadway Baby
Suitable for ages 2 – 5
Highgate Watercolour Group’s exhibition – October 20th – November 15th. There is no Private View this year. Please call Lauderdale House to confirm before your visit as they may close at short notice. 020 8348 8716
Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).
For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.
Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).
For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.Christian Lee is Magic!
Highgate Watercolour Group’s exhibition – October 20th – November 15th. There is no Private View this year. Please call Lauderdale House to confirm before your visit as they may close at short notice. 020 8348 8716
Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).
For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website