Suitable for ages 3 – 5
Two hapless storytellers with their big boxes of story and their terrible rhymes share
the magic of shadows, live songs and the unique, loveable puppets TouchedTheatre are renowned for in this totally unique tale of friendship and courage. Join us on a brilliant puppetry adventure to find the mysterious monster that’s made everyone else run away.
Created specially for younger audiences by an award-winning team.
A sure-fire hit for all your little monsters and their friends.
Suitable for ages 3 – 5
Two hapless storytellers with their big boxes of story and their terrible rhymes share
the magic of shadows, live songs and the unique, loveable puppets TouchedTheatre are renowned for in this totally unique tale of friendship and courage. Join us on a brilliant puppetry adventure to find the mysterious monster that’s made everyone else run away.
Created specially for younger audiences by an award-winning team.
A sure-fire hit for all your little monsters and their friends.
Snapshot Photography and Highgate School’s Collection
Elaine Woodbridge has been a volunteer archivist at Highgate School for the last two years working on the school’s photographic slide collection and other projects. Elaine has been fascinated with mid-century slide photographs since she began collecting them more than twenty years ago in South Africa. In her journey with old slides, she has digitised and creatively edited them, shared them on social media, made art and given public talks about them.
Found photographs have an enthusiastic following in popular culture where people do everything from collecting, blogging and making art with them, to trying to reunite them with their original owners. The snapshots of yesterday have also influenced mainstream photography and given rise to new aesthetic traditions. They have great creative potential and have been used by artists in a myriad of ways. But they also contain an intimate and important record of people’s lives and society in past decades, as well as the worlds of work and education. Elaine has read widely on this subject which finds itself at the meeting place of technology, history, popular culture, fine art and archives.
Elaine is completing a Masters degree in Archives and Records Management at the University of Dundee and previously studied Archaeology, Anthropology and Sociology at the University of Cape Town. She is not averse to scratching around in flea markets and dusty drawers for lost photographs. Elaine was delighted to be given the task of working with Highgate’s slide collections, showing school life in the 1960s and 1980s, which she says is a treasure trove of surprising images that open a window on decades past, and is a valuable component of the school’s archive holdings. She asks what we can learn from them and how to understand the collection against the backdrop of British vernacular photography.
Elaine will discuss concepts of snapshot photography and offer behind-the-scenes insights into caring for and archiving a slide collection, covering storage and preservation, copyright and digitisation. Her talk will be illustrated with stunning images from her South African collection, as well as those of Highgate School. She will comment on the value of the collection for bringing to light the school’s changing education technology, built environment and way of life. The 1960s to 1980s was a period on the brink of great technological and digital change. It is a world still cherished in the living memories of many parents and alumni.
Join Elaine Woodbridge online on September 26 to hear more about this intriguing topic and see a glimpse of life at the school back in the day.
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
Baby Gospel is an uplifting family concert of soul, Motown and gospel music, featuring the astonishing vocal talents of London’s CK Gospel Choir.
The whole family can enjoy singing and clapping along to hits by Marvin Gaye, Bob Marley, Adele, Jackie Wilson, Pharrell and more – as well as some traditional Gospel songs and nursery rhymes. Concerts are baby-friendly and open to all ages from newborns to school age to grandparents.
CK Gospel Choir are a versatile professional group from London who are united by their love of gospel music and have provided backing for artists such as Beverley Knight, Peter Andre and Alfie Boe.
“The most uplifting and relaxing activity we have ever done together as a family” Curious Life of a Mummy
Suitable for newborns and up
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
Baby Gospel is an uplifting family concert of soul, Motown and gospel music, featuring the astonishing vocal talents of London’s CK Gospel Choir.
The whole family can enjoy singing and clapping along to hits by Marvin Gaye, Bob Marley, Adele, Jackie Wilson, Pharrell and more – as well as some traditional Gospel songs and nursery rhymes. Concerts are baby-friendly and open to all ages from newborns to school age to grandparents.
CK Gospel Choir are a versatile professional group from London who are united by their love of gospel music and have provided backing for artists such as Beverley Knight, Peter Andre and Alfie Boe.
“The most uplifting and relaxing activity we have ever done together as a family” Curious Life of a Mummy
Suitable for newborns and up
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
UTOPIAN (t&c’s apply) is a surrealistic circus pop-culture queer positive experience. And it’s
absolute trash. Joined by their accomplice, Symoné takes you on an expedition inspired by
raves and power play, with a big pink pole, 6 inch skates, and gender nonconformity.
Join the world of psychedelic pilgrimage. You’ll be safe with us.
WARNING: This show may or may not contain autobiographical references about cults.
Suitable for ages 16+
Content warning: sexual content, nudity, drug references and language.
UTOPIAN (t&c’s apply) is a surrealistic circus pop-culture queer positive experience. And it’s
absolute trash. Joined by their accomplice, Symoné takes you on an expedition inspired by
raves and power play, with a big pink pole, 6 inch skates, and gender nonconformity.
Join the world of psychedelic pilgrimage. You’ll be safe with us.
WARNING: This show may or may not contain autobiographical references about cults.
Suitable for ages 16+
Content warning: sexual content, nudity, drug references and language.
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30