Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
Opening: Saturday 10 July, 5 – 8pm with an opening performance. No booking required.
Acorn (2021) is a new moving image work taking its inspiration from the world and characters in Octavia Butler’s prescient science fiction novel Parable of The Talents, which describes the utopian community of Acorn under siege in a dystopian future dominated by far-right religious populism. Rather than adapting Butler’s story this film utilises the ‘world’ of Parable of the Talents, its conditions and characters to develop new narratives and meanings.
Drawing on tools from Stanislavski’s acting method; his notion of ‘Perezhivanie’ or lived emotional experience; and the methodology of ‘playworlds’, adopted from Vygotskian pedagogy, in which imaginary spaces for improvisation and exchange are created, Acorn is a unique work of ‘event-cinema’, maintaining the liveness of a theatre production through participants’ emotional focus in real time. The resulting collectively produced work explores scenes set in a near future rural Wales, as a group of people living together in a small rural community struggles to survive within a world of economic and ecological breakdown and authoritarianism. It attempts to imagine new forms of collective life and the challenges of creating a utopian community within a dystopian world.
Acorn was devised and performed by Switchers, a theatre/film group and collaborative framework composed of a network of young people from London and Mid Powys, Wales. Its members are Jamie Baker, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Prince Owusu, Mary Yekini and Caitlin Williams. It was directed by Emanuel Almborg the group’s facilitator and filmed in Mid Powys, Wales and at Chats Palace, Hackney, London.
The script was co-written with Melissa Dunne, Set design and costume: Ksenia Pedan, DOP: Ben Marshall. Camera operators: Alex Shipman and Laura Seward, Sound recordist: Jack Cook, Technician: Jordan Wilkes, DOP in Wales: Tom Hall, Production: Pundersons Gardens, Colourist: John Alexander Lowe, Sound design: David Gülich, Music: Hans Appelqvist, Graphic Design: Mia Frostner, Actor training: Lavinia Hollands.
Produced with funding and support from: Kungl. Konsthögskolan, The Elephant Trust and P.G. Film.
Switchers originally developed out of a youth theatre exchange initiated in 2018 by artist Emanuel Almborg. Previous projects include The Nth Degree (2018) a film commissioned by Cell Project Space, and Switch (2018) a play performed at Mid Powys Youth Theatre, Llandrindod Wells, Wales.
The exhibition is presented in collaboration with Almanac Projects who will present the next iteration of the project in Autumn 2021.
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
Baby Broadway is back! Head down to Highgate United Reformed Church for a welcome return to in-person concerts this summer at a perfect post-nap, pre-dinner time.
The whole family can sing and dance along to songs from hit musicals and films plus bubbles, puppets and dance moves in an interactive family concert performed by West End singers.
TICKET INFORMATION
All tickets must be booked online in advance. We are currently unable to offer tickets on the door
Adults – £12.75
Children – free (up to 3 children per paying adult)
If you are unable to attend as you are unwell or have to islolate, tickets are refundable (minus the booking fee) or you can use them to come to a future performance. Unfortunately you can’t give them to a friend to use in your absence.
AGE RECOMMENDATION
Open to all ages but we recommend for ages 0 – 7. Good fun for parents/carers and grandparents too! Children must be accompanied by an adult.
COVID INFORMATION
Please see our website for full information
VENUE & TRANSPORT
There is baby changing at this venue and space to park buggies inside the building (we always appreciate it if you can bring a sling to save space!). Please note there are steps up to the entrance of the church, but we will be on hand to help with buggies! There is disabled access via a wheelchair lift, please let us know if you require use of this.
Unfortunately we are unable to offer refreshments at this venue but there are plenty of cafes nearby.
Highgate station is a 15 minute walk away. Archway station is a 20 minute walk or a short ride on the 143 /210 /271 bus.
On street parking is limited in the area, please check local restrictions.
FURTHER INFORMATION
Doors open 15-20 minutes before start time and we can admit latecomers. Concert lasts approximately 45 minutes. Seating is unreserved.
We welcome adults and children with additional needs. Please contact us for more information.
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
Highgate Horticultural Society Autumn Flower Show – come along and marvel at the amazing exhibits of flowers fruit and vegetables shown by our members and enjoy our famous afternoon teas! New members and exhibitors are always welcome – see our website for details.
www.highgatehorticulturalsociety.org.uk
The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility. Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
Penny Elder’s exhibition, ‘Beyond Confinement’, gives expression to her feelings during the past year or more of lockdown and the consequent longing for social connection again. Her experience of this troubled time is depicted in a series of acrylic paintings and collages of ‘Lockdown’ and a series of screenprints entitled ‘Together Again’ and ‘Closer’.
The theme of ‘Beyond Confinement’ in her printed images is accompanied by colourful abstract and semi-abstract oil paintings of imagined landscapes. Her use of striking colours applied in deepening layers on the canvas gives rise to a hope for future renewal from the natural world. These fantasised landscapes are inspired by the Scottish countryside with which Penny has become familiar over more than thirty years. She has a studio close to the coast in south-west Scotland where she produced many of the screenprints conceived during lockdown.
Some of her landscapes and abstracts are full of movement and exuberance while others are quieter, more peaceful and reflective. Titles such as Rebirth, Out There, What will Emerge, Connecting and Seeing Beyond, describe images which are looking at the future and the importance of connectedness. Penny enjoys the contrast of oil painting and printmaking which lead to very different images. Her layering technique in both mediums is a strong characteristic of her approach.
This exhibition comes at a time when the restrictions of quarantine are being lessened and people are able to meet up again, although still facing a somewhat unknown and uncertain future. The importance of close relationships has been uppermost in Penny’s mind during the pandemic as is illustrated in her exhibited work.
Apart from participating in many group exhibitions over the years, this is Penny’s ninth solo exhibition in London. She is a retired psychoanalytical psychotherapist who has lived and worked in Muswell Hill for nearly 50 years and who has painted all her life. She has a studio with Collage Arts in Wood Green and has had annual Open Studio weekends in the Chocolate Factory and Artspace 3 for twenty years.
See more of Penny’s work at www.pennyelder.co.uk; www.eastfinchleyopen.org.uk/artist-listing and instagram@pennyelder.
Exhibition continues until 23 Sept. Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.
Penny Elder’s exhibition, ‘Beyond Confinement’, gives expression to her feelings during the past year or more of lockdown and the consequent longing for social connection again. Her experience of this troubled time is depicted in a series of acrylic paintings and collages of ‘Lockdown’ and a series of screenprints entitled ‘Together Again’ and ‘Closer’.
The theme of ‘Beyond Confinement’ in her printed images is accompanied by colourful abstract and semi-abstract oil paintings of imagined landscapes. Her use of striking colours applied in deepening layers on the canvas gives rise to a hope for future renewal from the natural world. These fantasised landscapes are inspired by the Scottish countryside with which Penny has become familiar over more than thirty years. She has a studio close to the coast in south-west Scotland where she produced many of the screenprints conceived during lockdown.
Some of her landscapes and abstracts are full of movement and exuberance while others are quieter, more peaceful and reflective. Titles such as Rebirth, Out There, What will Emerge, Connecting and Seeing Beyond, describe images which are looking at the future and the importance of connectedness. Penny enjoys the contrast of oil painting and printmaking which lead to very different images. Her layering technique in both mediums is a strong characteristic of her approach.
This exhibition comes at a time when the restrictions of quarantine are being lessened and people are able to meet up again, although still facing a somewhat unknown and uncertain future. The importance of close relationships has been uppermost in Penny’s mind during the pandemic as is illustrated in her exhibited work.
Apart from participating in many group exhibitions over the years, this is Penny’s ninth solo exhibition in London. She is a retired psychoanalytical psychotherapist who has lived and worked in Muswell Hill for nearly 50 years and who has painted all her life. She has a studio with Collage Arts in Wood Green and has had annual Open Studio weekends in the Chocolate Factory and Artspace 3 for twenty years.
See more of Penny’s work at www.pennyelder.co.uk; www.eastfinchleyopen.org.uk/artist-listing and instagram@pennyelder.
Exhibition continues until 23 Sept. Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
Penny Elder’s exhibition, ‘Beyond Confinement’, gives expression to her feelings during the past year or more of lockdown and the consequent longing for social connection again. Her experience of this troubled time is depicted in a series of acrylic paintings and collages of ‘Lockdown’ and a series of screenprints entitled ‘Together Again’ and ‘Closer’.
The theme of ‘Beyond Confinement’ in her printed images is accompanied by colourful abstract and semi-abstract oil paintings of imagined landscapes. Her use of striking colours applied in deepening layers on the canvas gives rise to a hope for future renewal from the natural world. These fantasised landscapes are inspired by the Scottish countryside with which Penny has become familiar over more than thirty years. She has a studio close to the coast in south-west Scotland where she produced many of the screenprints conceived during lockdown.
Some of her landscapes and abstracts are full of movement and exuberance while others are quieter, more peaceful and reflective. Titles such as Rebirth, Out There, What will Emerge, Connecting and Seeing Beyond, describe images which are looking at the future and the importance of connectedness. Penny enjoys the contrast of oil painting and printmaking which lead to very different images. Her layering technique in both mediums is a strong characteristic of her approach.
This exhibition comes at a time when the restrictions of quarantine are being lessened and people are able to meet up again, although still facing a somewhat unknown and uncertain future. The importance of close relationships has been uppermost in Penny’s mind during the pandemic as is illustrated in her exhibited work.
Apart from participating in many group exhibitions over the years, this is Penny’s ninth solo exhibition in London. She is a retired psychoanalytical psychotherapist who has lived and worked in Muswell Hill for nearly 50 years and who has painted all her life. She has a studio with Collage Arts in Wood Green and has had annual Open Studio weekends in the Chocolate Factory and Artspace 3 for twenty years.
See more of Penny’s work at www.pennyelder.co.uk; www.eastfinchleyopen.org.uk/artist-listing and instagram@pennyelder.
Exhibition continues until 23 Sept. Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
Tickets £19.95, admits one adults and one baby
A sparkling and shimmering immersive journey for babies and their grownups. Explore the world of reflective materials, wrapped up in an ambient soundscape of evocative yet laid-back music. This beautiful show is an intimate and welcoming first theatrical experience. Stay after the 20-minute performance for an interactive free-play session.
Suitable for ages 0 – 18 months
LUX is pleased to announce an exhibition of moving image, sound and ephemera by Onyeka Igwe showing at LUX, Waterlow Park from 8th September to 17th October 2021.
Booking is encouraged but you are welcome to walk-in. Book here
With a forensic lens, Onyeka Igwe’s a so-called archive interrogates the decomposing repositories of Empire. Blending footage shot over 2020 in two separate colonial archive buildings—one in Lagos, Nigeria, and the other in Bristol, United Kingdom—this double portrait considers the ‘sonic shadows’ that colonial images continue to generate, despite the disintegration of their memory and their materials. Igwe’s film imagines what might have been ‘lost’ from these archives. It mixes the genres of the radio play, the corporate video tour, and detective noir, with a haunting and critical approach to the horror of discovery.
a so-called archive depicts the former vaults—along with their histories of hoarding, monetisation, documentation and now abandonment—as metonyms for the enduring entanglements between the UK and its former colonies. These sites were and continue to be home to purulent images that we cannot, will not, or choose not to see. -Mason Leaver-Yap
Igwe’s first solo exhibition at LUX a so-called archive, includes the film of the same name, as well as an outdoor audio piece and ephemeral display in the library expanding on the archives interrogated in the film. A collective reading event will also take place on Saturday 16th October – details to be announced. Audio described and captioned screenings will take place daily.
This exhibition is part of this year’s Curatorial Fellowship programme this broken piece of yard by Cairo Clarke.
Screening Schedule
The runtime of a so-called archive is 20 minutes. The film will screen three times within a one-hour time slot. The first screening will be followed by audio described and captioned screenings. Booking is encouraged but you are welcome to walk in. Please check the screening schedule below. (AD: Audio Description, OC: Open Caption)
12pm | 12.20pm (with AD) | 12.40pm (with OC)
1pm | 1.20pm (with AD) | 1.40pm (with OC)
2pm | 2.20pm (with AD) | 2.40pm (with OC)
3pm | 3.20pm (with AD) | 3.40pm (with OC)
4pm | 4.20pm (with AD) | 4.40pm (with OC)
Tickets £19.95, admits one adults and one baby
A sparkling and shimmering immersive journey for babies and their grownups. Explore the world of reflective materials, wrapped up in an ambient soundscape of evocative yet laid-back music. This beautiful show is an intimate and welcoming first theatrical experience. Stay after the 20-minute performance for an interactive free-play session.
Suitable for ages 0 – 18 months