By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

In another exclusive circus double-bill, Efecto Chopped and Out of Order present two tender and beautiful pieces.

In an elegant and graceful fusion of two artforms, Cul de Sac features international juggler Jose Triguero and Chinese pole artist Gemma Palomar.

Meeting Point combines contemporary dance and aerial straps and hand to hand in order to create original, powerful and innovating physical performances. It tells the story of a journey; the paths we choose as individuals and the moments our paths cross with others.

Click here to see the full programme of Postcards 2015.

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

Mama’s Kitchen is a place for experimentation and curious concoctions, serving up a menu of pioneering performance.

The brainchild of Shunt artist Layla Rosa and curated especially for Postcards, expect circus artists, theatre makers, musicians, visual artists and a whole heap of other exciting performances that we’re not entirely sure about just yet.

But if previous outings at The Shunt Lounge are anything to go by, Mama’s Kitchen will be unexpected and hugely memorable.

Click here to see the full programme of Postcards 2015.

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

Culture-clash meets circus in this explosive new night that fuses hip-hop, punk, electro and anything else your parents would hate. Jacksons Lane’s global call out sees circus artists from all over the world choosing their ultimate heavy playlist to go alongside their incredible performances.

In a promenade spectacular, live music, DJs and lots of bodies collide in this one-off night.

Image by Hannah Daisy

Click here to see the full programme of Postcards 2015.

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

If you like your cabaret down and dirty – Las Vegas style – then this is for you. Featuring artists from Cirque du Soleil and the crème of world cabaret, Dirty Mimes is a show without boundaries, without control. They’re here to get into trouble and they want you to join in. There might be some Mime. It might be rude. There’ll be lots of anarchy. But it’s as funny as hell.

Click here to see the full programme of Postcards 2015.

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

For the closing night of this year’s festival prepare for a thrilling adventure into the dark, twisted world of Alfred Hitchcock.

Walking a thin line between hilarity and horror, Hitch! was created by a troupe of international circus and cabaret artists, veterans of NoFit State Circus and the underground live art scene of London.

The audience is terrorised and tantalised as bizarre acts delve into the extraordinary mind of ‘The Master of Suspense’.

Basically, we’re seeing off the festival with a huge, peculiar, slightly terrifying but definitely awesome circus cabaret. Hang around afterwards for a late bar, cocktail concoctions and some post-show performances to die for…

Click here to see the full programme of Postcards 2015.

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

By Eugene Ionesco
Presented by Slip of the Lip Theatre Company

21st July – 1st August 2015

Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm

Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?

“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine

There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.

Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.

Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.

CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:

“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine

“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine

“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre

Running time: 75 minutes with NO interval

Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings

Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online

Join the Latin-inspired dance fitness party with a native dancer! Suitable for all levels – everyone welcome.

Join the Latin-inspired dance fitness party with a native dancer! Suitable for all levels – everyone welcome.

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Term Time Classes 3-5 year olds starting Tuesday 15 September & Saturday 19 September. “Minion Adventure” October Half Term Workshop 26th-28th October 3-10 year olds

Further Details:

Autumn term 2015 – Tuesdays
September 15th to December 8th
12 weeks, excludes half–term October 27th
Tuesdays 4:10–4:55pm
Age 3–5 years, £132.00

Autumn term 2015 – Saturdays
September 19th to December 12th
12 weeks, excludes half–term October 31st
Saturdays 10:10–11:00am
Age 3–5 years, £132.00

Spring term 2016 – Tuesdays
January 12th to March 22nd
10 weeks, excludes half–term February 16th
Tuesdays 4:10–4:55pm
Age 3–5 years, £110.00

Spring term 2016 – Saturdays
January 16th to March 26th
10 weeks, excludes half–term February 20th
Saturdays 10:10–11:00am
Age 3–5 years, £110.00

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

A friendly and fun dance fitness class for children aged 4 years and over. We break down steps, add games and explore different regions of the globe.

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Join the Latin-inspired dance fitness party with a native dancer! Suitable for all levels – everyone welcome.

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village

Elizabeth Hannaford: Less Abstract, More Real – landscapes, soundscapes and more …

11-24 September 2015

including on Friday 18 September at 7.00pm: a Gallery Talk with Music to celebrate the joint venture between artist Elizabeth Hannaford and classical and jazz musician David Gordon.  (Admission £5 on the door.)

Elizabeth Hannaford’s work is a celebration of the worlds of nature and music.  “Her vision is underpinned by intuitive mark-making, a sense of drawing in paint, rich subconscious evocations of sound and place, and a sensuous, exquisite quality of surface.” (Clare Cooper, Director, Art First, London W1).

She does not set out to create abstract works.  The abstraction is a by-product of trying to find marks and colours which communicate more than the visual experience, particularly in her response to music.  Her raw, untouched landscapes are becoming ‘less abstract, more real’, with a new organic figuration emerging from the way she handles paint.  After a recent road trip to Namibia, animals have been making an appearance.

The work is underpinned by many years of drawing the moving human figure.  Hannaford’s fascination with space, energy and movement, as well as with the power of the drawn line, is evident in this exhibition.  Working predominantly in oil on canvas, she uses thin glazes of paint in a way reminiscent of water colour, sometimes adding sand or grit and occasionally found objects.  For her works on unprimed linens she uses a variety of mixed media, including bleach.  The scale of the work included in this exhibition ranges from large canvases, to tiny postcard drawings and watercolours.

More recently, like Hockney, she has experimented digitally, using her iPhone as an extension of her painting practice.  The iPhone art included in this show was created during a live performance by David Gordon at St Martin-in-the-Fields and later displayed as an installation in concert with his jazz trio at London’s Kings Place.  Hannaford’s idea and method of presenting these images is original.

Together Hannaford and Gordon will host an evening musical event at the gallery to celebrate and describe their joint work.  Two original compositions by Gordon, in response to Hannaford’s art, can also be heard via headphones throughout the course of the exhibition.

Hannaford lives and works locally, having recently moved her studio from Peckham.  She has worked full time as an artist since the late nineties after abandoning two earlier careers to paint –  as City lawyer and state registered art therapist.  Her work has been collected and exhibited widely, including at London’s Royal Academy of Arts, Royal College of Art and leading London commercial galleries, and can be viewed at www.elizabethhannaford.com.

Hannaford’s first show, “The Moving Figure”, was at The Square Gallery, Pond Square, Highgate in 1991, while she was still a lawyer.  We are delighted to see her back in Highgate for this evocative, intriguing and strong show.

The exhibition includes collaborative work with musician DAVID GORDON.  “I have played with many great musicians, but tonight I have shared the stage with one of England’s finest musicians and composers, David Gordon”.  (Christopher Warren-Green, Music Director/Conductor London Chamber Orchestra )

Open Tuesday-Friday 13:00-17:00, Saturday 11:00-16:00; Sunday 11:00-17:00.  Closed Monday.

Tube:  Archway or Highgate; Buses 143, 210, 271 from Archway tube to Highgate Village