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Escape Artists Theatre Company presents
Bess – The Other Houdini

The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?

It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.

Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.

When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.

As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?

Running Time: TBC

Escape Artists Theatre Company presents
Bess – The Other Houdini

The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?

It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.

Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.

When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.

As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?

Running Time: TBC

               LEARN TRADITIONAL KUNG FU & TAI CHI

                  from  Three-Time International Gold Medallist

                                DANIEL SHAW-ABULAFIA

             at The Highgate Society, 10A South Grove, London N6 6BS

         Children:  Mondays weekly, 17.45 to 18.30 from September 26th

         Adults:      Mondays weekly, 18.30 to 19.30 from September 26^th

                            COME TO A FREE TRIAL CLASS!

Research suggests that laughter can offer stress relief, soothe tension, improve mood and even relieve pain. This charity comedy event will put that to the test, and endeavour to show case that Laughter is the Best Medicine.

With the genius comedy stylings of Ali Woods (“In a world of wannabes, Woods is the real deal” – The Evening Standard), Elf Lyons (“Praise her genius” – The Telegraph), Raj Poojara (BBC New Comedy Awards Regional Finalist, 2Northdown Comedian of the Year Finalist) and Markus Birdman (Britain’s Got Talent 2023 Semi-Finalist), the event promises to be a night of laughter and good deeds.

The evening event will be raising money for InspireUK – The Charity, a small charity which offers low-cost and accessible therapy for those who need it, with a particular focus on marginalised communities.

Running Time: TBC

The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility.   Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website 

Hauntings is a spellbinding evening of three tales of the supernatural from two of the world’s greatest writers of ghost stories, E.F. Benson and M.R. James.

From the acknowledged master of the ghost story genre, M.R. JAMES, comes Oh, Whistle and I’ll Come to You, My Lad – in which a medieval spirit strikes terrorizes an arrogant professor.

With masterful storytelling from the award-winning actor Gerard Logan, Hauntings will transport you to a world of invisible, but terrifyingly present, spirits.

★★★★★
“Logan is astounding….He takes a strong script and flies it to the stars”
 Edinburgh Festival Review 

 ★★★★★
 “Watching Logan work is like being privy to a wonder of nature and remains with you … A true masterpiece of solo performance”
The Edinburgh Guide

The Jive Aces, renowned for their high-energy swinging music and spectacular live show are back Upstairs at the Gatehouse!

Join us for an evening with the UK’s No.1 Jive & Swing band! The Jive Aces strive to spread smiles and cheer with their swinging music and classic vintage style from crooning smooth ballads to blasting honking rhythm and blues.

With their hallmark yellow suits and a repertoire that stretches from the timeless tunes of the swing era to the glitz of the Rat Pack with a dash of classic rock & roll, they perform songs in their unique upbeat style by such great artists as Louis Prima, Bobby Darin, Louis Armstrong, Sammy Davis Jr. and Ella Fitzgerald as well as a selection of superb original tunes.

“The Jive Aces have to be one of the most entertaining and multi-talented acts around. Brilliant musicianship combined with a madcap sense of fun on stage.”
The Stage

“The Jive Aces rocked us, literally. They raised the roof with their quirky suits and energetic moves.” 
The Huffington Post

EMUL8 Theatre presents
Havisham

Who was the woman behind Dickens’ most monstrous female creation? What drove the hopeful young Miss Havisham to her cruel and fractured fate? Experience her heartbreak, as we delve into her childhood trauma and follow her on an intricate journey to a world where she finds herself ‘the leading lady in a drama she can’t comprehend.’ The gaslighting is subtle, the coercive control slick. Can Miss Havisham escape her twisted karma? Or is she destined to impose the devastation of her trauma on a new victim?

Starring Heather Alexander (ROOM, Upstairs at the Gatehouse, 2023) an award-winning actress, writer, and producer with a prodigious list of stage, television, and film credits.

Directed by Dominique Gerrard. Recent credits include award winning production Quintessence (Emily Carding), SOE & A Necessary Woman (both for Clair Obscur Theatre) and Heather’s previous work Room (Emul8).

Reviews for previous work:

★★★★★

“Alexander, as Room’s writer, delivers a linguistic treat. The language is a joy to hear. As a performer, Alexander is a delight to watch. Her assured performance is pitch perfect, and her nuanced vocal delivery brings the rich language to life” Reviews Hub

★★★★

“A beautiful portrayal by an accomplished actor at the top of her game” British Theatre Guide

Running Time: TBC

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

EMUL8 Theatre presents
Havisham

Who was the woman behind Dickens’ most monstrous female creation? What drove the hopeful young Miss Havisham to her cruel and fractured fate? Experience her heartbreak, as we delve into her childhood trauma and follow her on an intricate journey to a world where she finds herself ‘the leading lady in a drama she can’t comprehend.’ The gaslighting is subtle, the coercive control slick. Can Miss Havisham escape her twisted karma? Or is she destined to impose the devastation of her trauma on a new victim?

Starring Heather Alexander (ROOM, Upstairs at the Gatehouse, 2023) an award-winning actress, writer, and producer with a prodigious list of stage, television, and film credits.

Directed by Dominique Gerrard. Recent credits include award winning production Quintessence (Emily Carding), SOE & A Necessary Woman (both for Clair Obscur Theatre) and Heather’s previous work Room (Emul8).

Reviews for previous work:

★★★★★

“Alexander, as Room’s writer, delivers a linguistic treat. The language is a joy to hear. As a performer, Alexander is a delight to watch. Her assured performance is pitch perfect, and her nuanced vocal delivery brings the rich language to life” Reviews Hub

★★★★

“A beautiful portrayal by an accomplished actor at the top of her game” British Theatre Guide

Running Time: TBC

Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

EMUL8 Theatre presents
Havisham

Who was the woman behind Dickens’ most monstrous female creation? What drove the hopeful young Miss Havisham to her cruel and fractured fate? Experience her heartbreak, as we delve into her childhood trauma and follow her on an intricate journey to a world where she finds herself ‘the leading lady in a drama she can’t comprehend.’ The gaslighting is subtle, the coercive control slick. Can Miss Havisham escape her twisted karma? Or is she destined to impose the devastation of her trauma on a new victim?

Starring Heather Alexander (ROOM, Upstairs at the Gatehouse, 2023) an award-winning actress, writer, and producer with a prodigious list of stage, television, and film credits.

Directed by Dominique Gerrard. Recent credits include award winning production Quintessence (Emily Carding), SOE & A Necessary Woman (both for Clair Obscur Theatre) and Heather’s previous work Room (Emul8).

Reviews for previous work:

★★★★★

“Alexander, as Room’s writer, delivers a linguistic treat. The language is a joy to hear. As a performer, Alexander is a delight to watch. Her assured performance is pitch perfect, and her nuanced vocal delivery brings the rich language to life” Reviews Hub

★★★★

“A beautiful portrayal by an accomplished actor at the top of her game” British Theatre Guide

Running Time: TBC

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Grethe Mangala Jensen returns after multiple sell-out runs with more stories. Prince Baxter von Caramel Slice is very sad, very sad indeed! His biggest wish is to have a girlfriend, well not just a girlfriend but a wife… and she must be a Real Princess!

Suitable for ages 3+

Performances at 11am & 2:30pm

EMUL8 Theatre presents
Havisham

Who was the woman behind Dickens’ most monstrous female creation? What drove the hopeful young Miss Havisham to her cruel and fractured fate? Experience her heartbreak, as we delve into her childhood trauma and follow her on an intricate journey to a world where she finds herself ‘the leading lady in a drama she can’t comprehend.’ The gaslighting is subtle, the coercive control slick. Can Miss Havisham escape her twisted karma? Or is she destined to impose the devastation of her trauma on a new victim?

Starring Heather Alexander (ROOM, Upstairs at the Gatehouse, 2023) an award-winning actress, writer, and producer with a prodigious list of stage, television, and film credits.

Directed by Dominique Gerrard. Recent credits include award winning production Quintessence (Emily Carding), SOE & A Necessary Woman (both for Clair Obscur Theatre) and Heather’s previous work Room (Emul8).

Reviews for previous work:

★★★★★

“Alexander, as Room’s writer, delivers a linguistic treat. The language is a joy to hear. As a performer, Alexander is a delight to watch. Her assured performance is pitch perfect, and her nuanced vocal delivery brings the rich language to life” Reviews Hub

★★★★

“A beautiful portrayal by an accomplished actor at the top of her game” British Theatre Guide

Running Time: TBC

A celebration of the legendary Italian tenor Beniamino Gigli!

This concert will feature the talented Yuri Sabatini, accompanied on the piano by the graceful playing of Caroline Jaya-Ratnam.

The program is a mesmerising mix of Gigli’s most iconic pieces, showcasing the tenor’s incredible vocal range and emotional depth. Lauderdale House sets the stage for this special night. It’s a tribute not to be missed for all the music lovers out there!

PROGRAMME:

Buzzi-Peccia – Lolita

Bixio – La canzone dell’amore

Di Chiara – La Spagnola

Bixio – Mamma

Caccini – Amarilli

Boito – Giunto sul passo estremo

Cilea – E’ la solita storia del pastore

Puccini – Che gelida manina

Donizetti – Una furtiva lagrima

Tosti – L’ultima canzone

De Curtis – Non ti scordar di me

Bixio – Parlami d’amore Mariu’

Innocenzi – Addio, Sogni di gloria

Denza – Funiculì Funiculà

Leoncavallo – Mattinata

Verdi – La donna è mobile

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

               LEARN TRADITIONAL KUNG FU & TAI CHI

                  from  Three-Time International Gold Medallist

                                DANIEL SHAW-ABULAFIA

             at The Highgate Society, 10A South Grove, London N6 6BS

         Children:  Mondays weekly, 17.45 to 18.30 from September 26th

         Adults:      Mondays weekly, 18.30 to 19.30 from September 26^th

                            COME TO A FREE TRIAL CLASS!

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility.   Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website 

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Concert 1

Joseph Haydn Piano Trio in Bb Hob XV:20
Richard Strauss Variations on a Bavarian Folk Song for string trio TrV109
Johannes Brahms Sextet No 2 Op.36

Sophia Jaffé, Braimah Kanneh-Mason, Natalie Klouda – violin
Meghan Cassidy, Ruth Gibson – viola
Robert Cohen, Ashok Klouda – cello
Irina Botan – piano

Garden Suburb Theatre presents
Terry Pratchett’s Wyrd Sisters
Stage Adaptation by Stephen Briggs

Pratchett takes Macbeth and turns it up ’till the knob comes off. A kingdom with a wicked duke and duchess, a ghostly king, dim soldiers and indifferent players. Who can save the kingdom from destruction?

Running Time: TBC

Concert 2

Gustav Mahler Piano Quartet in A minor
Vaughan Williams Nocturne & Scherzo
Wolfgang Amadeus Mozart String Quintet No 4 in G minor K.516

Sophia Jaffé, Braimah Kanneh-Mason – violin
Meghan Cassidy, Ruth Gibson – viola
Robert Cohen – cello
Irina Botan – piano

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Concert 3

Maurice Ravel String Quartet in F
Felix Mendelssohn String Quartet No 6 in F minor, Op. 80

Natalie Klouda, Benjamin Nabarro – violin
Meghan Cassidy – viola
Ashok Klouda – cello

Garden Suburb Theatre presents
Terry Pratchett’s Wyrd Sisters
Stage Adaptation by Stephen Briggs

Pratchett takes Macbeth and turns it up ’till the knob comes off. A kingdom with a wicked duke and duchess, a ghostly king, dim soldiers and indifferent players. Who can save the kingdom from destruction?

Running Time: TBC

Concert 4

The first Christmas Bazaar at St Joseph’s since lockdown. Stalls include Crafts, Kids’ Stuff, Bottle Tombola, Cakes, Gifts, Plants, Books, Pre-loved Toys, knitted wear, discounted items from the Church Shop, bric-a-brac. Visit from Santa Claus, Raffle drawn at 3pm with great prizes (vouchers from local restaurants & hairdressers, hampers, guitar, bottles of fizz),  Green Dome Cafe serving curry, shepherd’s pie, hot dogs, turkey sandwiches, tea & coffee, mulled wine and Irish coffee, bar open. Carols with St Joseph’s Choir. Come and join in the fun.

Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.

The planning committee often have someone on hand to answer planning queries.

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Concert 5

Garden Suburb Theatre presents
Terry Pratchett’s Wyrd Sisters
Stage Adaptation by Stephen Briggs

Pratchett takes Macbeth and turns it up ’till the knob comes off. A kingdom with a wicked duke and duchess, a ghostly king, dim soldiers and indifferent players. Who can save the kingdom from destruction?

Running Time: TBC

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Concert 6 - Jazz concert