What is Mindfulness?
‘Mindfulness’ is at the very heart of meditational practice and trains us to focus on the present moment. This allows us to gain insight into mental patterns that sometimes cause negative emotions. We also learn, through experience what it means to spend less time with our thoughts and spend more time in our bodies enjoying life. It can be practiced by people from all walks of life and is becoming more and more popular as a means of psychological treatment. There is now a strong evidence base demonstrating that it can be very beneficial for those experiencing depression and anxiety, as well as many other conditions. Mindfulness allows us to make friends with our thinking mind making us less vulnerable to negative mental activity. Such practice can bring about a deep sense of inner peace and a fresh acceptance of reality itself.
The Eight Sessions
This new and innovative group will take place over eight weekly sessions, each of 2-hours duration and covers the fundamentals of mindfulness meditation, applied theory and practice. Some aspects of CBT will also be used within the course syllabus where required to help group members to deal with dysfunctional thought patterns and behaviours. This specific group has been successfully taught in several London universities and also within the NHS. This group will help you to:
- improve your focus and concentration levels
- lower bodily stress and increase relaxation
- explore how your mind works
- explore how your mind habitually creates unhealthy thought processes and worry
- help you to prevent the arising of depressive moods before they spiral
- achieve a robust and healthy mind, accepting reality and the world around you
- work towards acceptance of unhealthy emotions
- achieve a deep sense of calm, patience and stillness
- grow and mature as a true human being and explore what it means to be ‘me’
This will be particularly helpful for those people experiencing stress, depression, anxiety, attention problems or any condition involving a fast-thinking anxious mind.
IMPORTANT NOTE
Commitment to the full x8 weekly sessions is imperative, as is the diligent undertaking of daily life meditation tasks between sessions. Only those people who are willing to make the commitment and complete the between session tasks should attend. Places are limited to ensure a high quality of client support. This course is open to everyone but attendance must be booked in advance and approved by the course leader before the beginning of the programme. All attendees must be 18+ with any exceptions discussed prior to the beginning of the course.
Venues:
* Monday Highgate Class – Jackson’s Lane, 269a Archway Road, London, N6 5AA (directly opposite Highgate tube)
* Tuesday Colchester (Essex) Class – Firstsite, Lewis Gardens, High St, Colchester, Essex, CO1 1JH
Course Start Dates:
* Highgate (North London) Class – Monday evenings beginning on 4th April 2016 for 8 weeks
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Highgate Dates (8-weeks minus bank holidays) |
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04 Apr 2016 – Session 1 |
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11 Apr 2016 – Session 2 |
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18 Apr 2016 – Session 3 |
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25 Apr 2016 – Session 4 |
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09 May 2016 – Session 5 |
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16 May 2016 – Session 6 |
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23 May 2016 – Session 7 |
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06 Jun 2016 – Session 8 |
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* Colchester (Essex) Class – Tuesday evenings – Awaiting New Dates
Times:
* Highgate, North London – 6.30pm to 8.30pm.
Price: £225 (Concessions £195 for OAPS, F/T students, unemployed, if booking as a pair/couple) – please note this can be paid in x2 instalments, with half the payment being made as a deposit prior to the course and the balance being due just before session 1.
HOW TO BOOK? – To book your place please email: info@jamieshavdia.com or call 07792 755132. Booking instructions will then be emailed to you, including how to make your payment online.
A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
This exhibition follows on from a retrospective at Leeds College of Art in 2010 where Richard Downer trained in the 1950s. Trees have been a source of inspiration for Richard throughout his working life – this exhibition captures his fascination for the longevity, endurance and prominence of trees in our environment.
He was born on the Isle of Wight in 1933 and grew up in Yorkshire. Highgate has been him family home for the last 53 years and the ancient woodlands of Highgate and Hampstead Heath have been a constant source of interest.
Richard has had a busy and remarkable working life as a designer. Following his training and two years’ National Service in the Royal Navy, he began a career in advertising as a visualizer and art director before going solo in 1966.
Richard’s many skills as an illustrator, graphic designer and typographer brought him numerous commissions including stamp design, corporate identities, major reports and accounts. As one of Britain’s leading architectural illustrators he travelled the length and breadth of the country capturing, as line drawings, notable and remote locations for the GPO and latterly BT telephone directories (1967-1985). BT also commissioned a
360 degree panoramic drawing of London from the top of the Post Office Tower that was completed in 1970 (a selection of drawings from this period will also be viewable at the exhibition). He has shown at the Royal Academy Summer Exhibition and was a Fellow of the Society of Industrial Artists and Designers and Fellow and Past President of the Society of Typographic Designers.
Since 1998, from his Kentish Town studio, Richard has focused on his private passion and profound respect for the lifespan of trees – their longevity and transience, their demise and regeneration.
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
The oh so hot right now Plastic Boom have created Water on Mars – a meteoric whiz of a show. Take three out of this world skillful young jugglers, six hands and thousands of catches. Add chocolate flies, back flips, giant card castles and magnetic jump ropes. Result: better than sex and as good as chocolate.
Think virtuoso juggling gone wild in this extrinsic playground experiment. Designed for spaceships and distant planets, Water On Mars is the future of juggling!
Co produced with Gandini Juggling, the fringe-storming producers of 4×4 andSmashed.
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.
What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.
It’s girls on top in this rip-roaring, trail-blazing night to remember! Hosted by the inimitable and award-winning Sh!t Theatre, Flappers brings together some of the most exciting talent from circus, comedy and live art. A range of acts will be announced over the coming weeks (keep your eyes fixed on us) and oh yes, did we mention they’re all female?
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.
What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Combining high-level circus skills with pathos, humour and beauty, Jess Love creates a vision that is at once delicately touching, visually enchanting and heart-warmingly playful. Dark clowning, dirty acrobatics and surreal sideshow feats go hand-in-hand with slapstick, roller-skating, hula hoops, skipping and hopscotch acrobatics – phew! With crafted storytelling and awe inspiring images on a bed of roses and broken glass, it’s so sweet you’ll want to squeal!
“LIVELY AND ENTERTAINING…SERIOUSLY WACKY…EXCITING…CHARISMATIC”★★★★ THE AGE
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.
What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Newly announced as Associate Artists at Jacksons Lane, Alula are a phenomenon. Three strong, skilled young women with a rapport like no other; their main discipline – the Cyr Wheel – has astounded audiences the world over. Now they return to their home for this very special one-off event, combining stylish group work, astonishing solos, acrobatics and live music, with a special guest or two thrown in to the mix. Come join Alula’s world!
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.
What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.
What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.