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Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Fun evening with great questions and team spirit please come along

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

You are cordially invited to tea, a talk and a private viewing of an exhibition on The story of the Great Mansions of the Highgate Ridge and the visionaries who lived in them – Witanhurst, Athlone House, Beechwood, Holly Lodge and Kenwood House.

Using seldom seen material from the HLSI archives the exhibition focuses on the lifestyles of the early owners of these houses and the pioneering reforms for which many of them fought and from which many of us still benefit.

Now that London has because a location of choice for the global rich, the exhibition asks what we can learn from the similarities and differences between the lifestyles of the new occupiers of these mansions and of their inhabitants a hundred years ago.

The talk – at 10A – will be given by Prof Richard Webber who has designed the exhibition – which is in the HLSI gallery. It is jointly funded by the HLSI, the Economic and Social Research Council, Highgate School and the Highgate Society.
RSVP to richardwebber@originsinfo(dot)eu
(Alternatively you can attend the exhibition
launch at HLSI on Tuesday, 31st May, 7.30)

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Join us for our HLSI Antiques & Craft Fair on Sat 25th June, 11-5. Admission £1.50, children free. Refreshments including cream teas on the terrace. 25 eclectic stalls.

Address: Highgate Literary & Scientific Institution, 11 South Grove, London N6 6BS

There are no parking restrictions.

Tubes: Archway,Kentish Town. Buses to Highgate Village: 271 210 143 214. Bus W5 to the end of Hornsey Lane/Waterlow Park.

Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.

Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.

Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.

It is the story of the battle for hope and the survival of a community in a small wooden shed.

It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.

The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.

Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.

Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.

It is the story of the battle for hope and the survival of a community in a small wooden shed.

It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.

The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

The oh so hot right now Plastic Boom have created Water on Mars – a meteoric whiz of a show. Take three out of this world skillful young jugglers, six hands and thousands of catches. Add chocolate flies, back flips, giant card castles and magnetic jump ropes. Result: better than sex and as good as chocolate.

Think virtuoso juggling gone wild in this extrinsic playground experiment. Designed for spaceships and distant planets, Water On Mars is the future of juggling!

Co produced with Gandini Juggling, the fringe-storming producers of 4×4 andSmashed.

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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

It’s girls on top in this rip-roaring, trail-blazing night to remember! Hosted by the inimitable and award-winning Sh!t Theatre, Flappers brings together some of the most exciting talent from circus, comedy and live art. A range of acts will be announced over the coming weeks (keep your eyes fixed on us) and oh yes, did we mention they’re all female?

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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Combining high-level circus skills with pathos, humour and beauty, Jess Love creates a vision that is at once delicately touching, visually enchanting and heart-warmingly playful. Dark clowning, dirty acrobatics and surreal sideshow feats go hand-in-hand with slapstick, roller-skating, hula hoops, skipping and hopscotch acrobatics – phew! With crafted storytelling and awe inspiring images on a bed of roses and broken glass, it’s so sweet you’ll want to squeal!

“LIVELY AND ENTERTAINING…SERIOUSLY WACKY…EXCITING…CHARISMATIC”★★★★ THE AGE

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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Newly announced as Associate Artists at Jacksons Lane, Alula are a phenomenon. Three strong, skilled young women with a rapport like no other; their main discipline – the Cyr Wheel – has astounded audiences the world over. Now they return to their home for this very special one-off event, combining stylish group work, astonishing solos, acrobatics and live music, with a special guest or two thrown in to the mix. Come join Alula’s world!

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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.