THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
THE GIRL ON THE TRAIN returns to London this summer in a newly revised production starring Katie Ray (The Mousetrap, Joseph and the Amazing Technicolour Dreamcoat, The Sound of Music) as Rachel Watson.
Based on the bestselling novel by Paula Hawkins and blockbuster DreamWorks film, this new stage adaption by Rachel Wagstaff and Duncan Abel tells the story of Rachel Watson, who longs for a different life, her only escape is the perfect couple she watches through the train window everyday, happy and in love, or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.
Directed by Joseph Hodges, with set design by Richard Cooper, lighting design by Seb Blaber, casting by Jay Gardner and produced by Gardner Hodges Entertainment.
You can find The Girl on the Train on Facebook, Twitter and Instagram at @GirlonTrainUK
On Tuesday 14th June there will be a special post show Q&A with the cast and members of the creative team as part of the Highgate Festival
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Save the date for this wonderful event.
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Highgate Literary and Scientific Institution and LUX present Psychosomatic, a film performance by Richard Layzell as part of the Highgate Festival
Psychosomatic is a new work by artist Richard Layzell, his first feature length film and his 101st performance, using material gathered over a seven-year research period including as creative ecologist based at LUX in Waterlow Park.
Psychosomatic follows an intuitive approach to ecology and art practice, where expectations are confounded and accidents become central to the narrative. As this unfolds, through the voice of Kino Paxton, a (fictional) maverick environmentalist, so does the incalculable grief and loss of First Nations peoples in their relationship to land and the natural world, with their holistic philosophy that predates the Deep Ecology of Arne Naess (Norway) and the Fragments of Heraclitus (Ancient Greece).
Geographies linked to these two philosophers are also explored: the site of the first ever eco-action at Mardalsfossen and the birthplace of Heraclitus in Ephesus. A chance hearing of composer Hollis Taylor speaking on the World Service about the song of the pied butcherbird leads to a meeting in Alice Springs. Oranges drop from street trees in Selcuk outside a supermarket that has no oranges, while the two oranges left as offerings to Artemis at the temple should have been pomegranates. The slope elevates the automobile to a higher plane, up where the action is, and in Montreal the highway concrete crumbles and falls onto car roofs.
There’s an enormity to the scale of this work that’s both impressive and absurd. And this reach was never envisaged at the start. Beginning in the back streets of New Malden in 2017 and concluding with a return visit to Ephesus in 2022, the film crosses five continents, and becomes a record of the artist as traveller, performer, photographer, and hearer of voices.
To mark the upcoming screening of ‘Psychosomatic’, we are pleased to bring back Layzell’s 2021 film ‘Marvell Park’ online for a month.
Tracking the extraordinary ups and downs of 2020, ‘Marvell Park’ is a playful and personal meditation on a state of being, of how to move and interact with nature and the space of the park in a time when the world was so tangibly in flux. It takes a long view of the changing seasons and the puzzling activities of humans and other wildlife.
Richard Layzell has worked with most of the major UK public galleries and museums. He is a writer, performer, sculptor, filmmaker and the author of Enhanced Performance (ed Deborah Levy) and Cream Pages (ed Joshua Sofaer). After an extended period as an artist in industry, in the role of ‘visionaire’, he fed this experience back into the public sector, working with many diverse communities nationally and internationally.
www.thenaming.org @Layzell_Paxton
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30
Maggie Jennings: Verdance at the Highgate Gallery
These vibrant drawings and paintings from nature are active celebrations of the energy and urgency of life, and life’s transformation and decay. They develop themes from Jennings successful show at Highgate Gallery 5 years ago. The shock of Covid lockdown caused the artist to experience both claustrophobia and a liberating freedom from established routine. She spent time sketching her garden’s wild proliferation; the mass and tangle of plant growth studied up-close giving rise to a wealth of visual information, resulting in some paintings being worked like tapestry. These shown alongside her delicate prints of individual plant studies.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00 Sundays 11:00-17:00, Mondays & Tuesdays Closed
Private View: Friday 09 June 2023 18:00-20:30