Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Les Femmes Circus are an all-female circus troupe who combine circus with theatre, dance, singing and percussion to create work that is exciting, moving and breathtaking.
The company are all graduates of the National Centre for Circus Arts and use a range of circus disciplines in their work including aerial, acrobatics, hula hoop and juggling.
With an aesthetic based in the 1950s, Les Femmes Circus use comedy and manipulation to create a world where circus is the norm, playing with fear, love and fantasy, and revealing how fun it can be to misbehave.
Fierce and full of power, the company want to connect with their audiences – and to do so not only by performing tricks, but by telling a story, revealing their feelings, and allowing the audience to fully experience the performance, both visually and emotionally.
Les Femmes Circus are an all-female circus troupe who combine circus with theatre, dance, singing and percussion to create work that is exciting, moving and breathtaking.
The company are all graduates of the National Centre for Circus Arts and use a range of circus disciplines in their work including aerial, acrobatics, hula hoop and juggling.
With an aesthetic based in the 1950s, Les Femmes Circus use comedy and manipulation to create a world where circus is the norm, playing with fear, love and fantasy, and revealing how fun it can be to misbehave.
Fierce and full of power, the company want to connect with their audiences – and to do so not only by performing tricks, but by telling a story, revealing their feelings, and allowing the audience to fully experience the performance, both visually and emotionally.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed. All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed. All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
In the year of the centenary of the Russian Revolution, Highgate Gallery is delighted to host an exhibition of works by members of the Artists’ Union of St Petersburg 1950-1980.
Curator John Barkes has been working with artists in St Petersburg for more than twenty years. A chance meeting in 1993 with a painter with close links to the Repin Academy of Fine Arts resulted in nearly a hundred trips to the city, with visits to more than three hundred studios. The collapse of the Soviet system in 1989 left many elite professions without salaries or resources. Members of Artists’ Unions were no exception, but crucially they retained their studios and the paintings that represented their lives’ work.
To the artists’ surprise, and often severe irritation, John Barkes nearly always ignored their finished exhibited paintings, which tended to be rigid and formal, selecting in preference the vibrantly observant oil sketches and drawings that had no monetary value under the old system. It has thus been possible, by chance and the accidents of history, to exhibit and sell a great number of works by eminent artists and teachers at very accessible prices.
One wall will feature designs for major mosaic and mural projects from the 1960s and 1970s by Evgeni Kazmin. He is most proud of his scheme for the Sochi State Circus building, and is delighted that it survived the depredations associated with the recent Winter Olympics. The main theme of any Socialist Realist exhibition is life under the Soviet system – work, leisure and the family – paintings of a time that has passed into history, brilliantly observed.
All works are for sale, mostly priced from £400 to £4,000.
Gallery Talk:
On Sunday 5th February at 5.30pm. Dr Elizaveta Butakova, visiting lecturer at the Courtauld Institute, will lecture on Socialist Realism. John Barkes will share the platform giving his insights into the Soviet art education system.
Admission £10 (HLSI members £5) on the door.
To reserve your place please eMail admin@hlsi.net or telephone 020 8340 3343.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Exhibition continues until 16 February and is free.
Tired of your t-shirts? Wish you had some different dresses? Save money by bringing along your unwanted (but wearable) clothes to our Swish and Style event and go home with a new-to-you outfit, all for free!
It’s simple. Have a clear out and bring good quality clothes to one of our seven events. For each item you bring, you get a token that you can exchange for another garment (maximum 10 items). Everything is free, everything is clean and everything will be re-worn and re-loved.
How it works
For the first hour (12.30 – 1.30), everyone is invited to drop off their clothes, shoes and accessories that they want to donate. Whilst we busily sort them into style and hang them on hangers, you’ll be free to check out the workshops – learning how to do simple fixes to your clothes and how to upcycle them into something completely different – a jumper becomes a hot water bottle cover, a treasured Babygro becomes a patchwork memory blanket and an old t-shirt becomes a bag. If you have any clothes that need a little TLC, bring them along and our seamstress can fix them for you for free while you wait.
The from 2pm until 3pm, you get to look through all the clothes and choose what you want. If you love it, take it. It’s first come, first served – but no elbows please!
What can you bring?
Please bring along:
- Clean and wearable clothes, shoes and accessories
- No damage, holes and stains
- You can bring women’s, men’s, children’s and baby clothes
- No underwear please, unless in sealed, unworn condition
Anything that we deem unacceptable will be given back to you and you will not be given a token. We have the right to turn away any item.
Please note only adults will be allowed at events. Parents with children under the age of 12 can bring them but they must remain under the parents’ supervision at all times.
Any clothes that are left over at the end of the event will be donated to the Salvation Army.
The Highgate Society Sustainable Homes Group is running a series of talks to help local residents bring their homes into the 21st Century. This talk will be particularly relevant if you are considering installation of renewable energy. Speakers are:
Jon Cowdrill – Joju Solar (Joju have many years experience of domestic and community solar renewables)
Marcus Franck – Franck Energy (Heat pump advisors)