Curated by Lucy Loves Circus
Doffing our cap to the traditions of vaudeville and the origins of circus and cabaret, acclaimed circus blogger Lu Cyrcus curates this very special night, led by Cirque du Soleil’s lead clown Sean Kempton. New and old combine in this evening of contemporary varieté, featuring everything from pole dancing to aerial rope and trapeze, where burlesque meets juggling kettle bells, with a dash of musical saw thrown in for good measure.
A night to tease, whisper and gasp – Ssshhh!
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Once upon a time in a grey, colourless world, someone is scribbling. Follow our brave young heroine as she leaps, splatters, swirls, boogies and paints her world into a brighter place. Can our imaginative young artist vanquish the mighty shadow of greed? This is The Magic Paintbrush as never before.
For ages 3+
Once upon a time in a grey, colourless world, someone is scribbling. Follow our brave young heroine as she leaps, splatters, swirls, boogies and paints her world into a brighter place. Can our imaginative young artist vanquish the mighty shadow of greed? This is The Magic Paintbrush as never before.
For ages 3+
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
Tweedy is the comedy and slapstick legend and star of Gifford’s Circus, Cirque Berserk and the Cheltenham Everyman pantomime! Not knowing who he is anymore, Tweedy gets a job in a Lost Property Office to try and find himself. In this one-man family show, Tweedy illustrates an impressive repertoire of comedic talents which have made him one of the most respected and popular clowns the country has to offer. Tweedy will never get too big for his pants; his pants will always be too big for him. “The best clown I have ever seen.” The Independent.
For ages 3 to 103.
….Pic:Paul Reid/Angus Pictures
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
christine tobin
jazz in the house
Christine Tobin (vocals), Phil Robson (guitar), Dave Whitford (bass)
Now living in New York, with her partner Phil Robson, this is the first date of an extensive tour for the UK’s most individual and moving singer. Winner of the 2014 original singers Jazz Award for Best Jazz Singer, Christine will present a rich mix from her extremely successful Leonard Cohen show, through songs from the Great American Songbook and Milton Nascimento, as well as some of her own material which was rewarded with a British Composer Award in 2012.
“One of the most gifted and original singers in today’s jazz world” BBC Music Magazine
Time: 20:30
Venue: Lauderdale House
Student Concession £7.00
| Price band | A | B |
| Standard | £15.00 | |
| Concession | £13.00 | £7.00 |
| Child |
to book
Box office: 02083488716
Email: enquiries@lauderdale.org.uk
Website: www.lauderdalehouse.org.uk
8.30pm (doors open 8pm)
£15 / £12 concession / £7 student
concessions limited to disability, people on benefits (not over 60’s)
The Tina May Quintet
Tina May (voice), Karen Sharp (saxes), Robin Aspland (piano), Arnie Somogyi (d. bass) & Winston Clifford (drums)
This very swinging quintet is led by the incredibly versatile and talented Tina May who was breathtakingly exciting on the Swanage Festival main stage last year. Tonight her jazz soul is the guiding force and one glance at her line up tells you that this will be a very special evening. It’s the first appearance at Lauderdale by British Jazz Award winner Karen Sharp who first worked with Tina when they were both with the Humphrey Lyttelton Band. Since then they have collaborated and recorded together extensively.
Expect some straight ahead jazz and ….always some forgotten gems alongside standards – but swung and sung in Tina’s inimitable style.
Our programmer Brian Blain compares her appearance at Swanage to Anita O’Day’s sensational contribution to that classic 1960 documentary Jazz On a Summer’s Day and tell us that ‘we could not start our Spring season in any better way’.
‘that great rarity…a singer who enhances a song.’ Dave Gelly, the Observer.
Daisy is doing her best to keep her chin up and her head down – but as the first anniversary of her mum’s death approaches she begins to realise grief isnʼt something she can put aside indefinitely, and whether she’s willing to admit it or not, things aren’t fine.
From the silly to the sublime to the scary to the ridiculous, Daisy wrestles (sometimes literally) with her grief – Ian, a 6-foot invisible bald guy with a lot of luggage – eventually discovering that by letting him into her world she is able to reconnect with the memory of her mother.
Combining physical comedy with striking aerial acrobatics and an original, constantly moving aerial set, the debut live show from She Said Jump draws on theatre clown, circus and puppetry to tackle the themes of grief and bereavement with a light and playful touch.
Suitable for ages 8+