Jacksons Lane summons you to a ghoulish feast of blood-curdling burlesque, macabre music, spectral circus and eerie illusion with some horrifically talented artists in this frighteningly fantastic night.
Overseen by the dark lord of comedy magic Christian Lee, expect vampires on ropes, tantalising terrors of tease, ghouls on your lap and gothic glamour all around, including the queen of erotic neo-burlesque, the sensational MisSa Blue.
The ticket includes a chiller cocktail on arrival, with a late bar and special medicinal concoctions to get your fangs into. Book early!
We encourage attendees to dress to distress.
18+ adult content and nudity
04 October, 10:30-12:30 – SAVE THE DATE!
The Highgate Coffee & Computers volunteers
Advice will be on hand from Phillipa Newman and Camilla Jacques.
See also November 16th and December 14th.
Call for more information.
Party commemorating the lives of Hetty Bechler & Esther Singer.
singing for humanity
sunday songfest
We are currently living in a refugee crisis unseen since the Second World War with approximately 65.3 million people now refugees, seeking asylum or internally displaced. Therefore we have decided to give these 2 concerts in aid of one of the most important charities in the world at the moment, working with refugees, Help Refugees.
1st concert 5pm:
Rachel Mildon – Soprano
Antoine Carrier – Tenor
Mozart, Purcell, Haydn, Beethoven, Brahms, Massenet, Verdi, Debussy, Chausson, Faure, Delius, Albeniz, Britten and more
2nd concert 7.45:
Lana Quaid, Ashley Racov – Soprano,
Roy Neilie – Tenor
Marcus Andrew Brentley – Baritone,
Anthony Philips – Bass baritone
Mozart, Bach, Mendelsohn, Schubert, Verdi, Donizetti, Offenbach, Bizet, Gurney, Ravel, Bernstein, Sondheim and more
Pianist – Richard Black
Musical direction – Idit Arad
From Help Refugees’ mission statement:
“Help Refugees is not simply another aid organisation. We work where governmental and other non-governmental bodies can (or will) not, filling the gaps and providing emergency aid and vital services to those affected by the global refugee crisis. We act fast to get aid and services directly and immediately to the people who need it most by identifying the most effective grassroots groups, local people, individual volunteers and refugees themselves active in the crisis and providing them with funding and support, enabling them to focus their time and energy on the vital work they do every day. Help Refugees are also operational where needed across Europe providing our experienced teams to maintain quality services and uphold dignity for refugees.”
To read more please go to their official website: www.helprefugees.org.uk
“For many years I have admired Idit as both a singer and a teacher of singing: she brings to all her musicmaking a lively professionalism and integrity, coupled with the gift of communication which inspires others to aspire to the same high standards. I have witnessed her in action as a teacher and have seen how quickly she can achieve positive results with committed students by pinpointing the specific areas of development relevant to each individual singer – the singers themselves are frequently surprised at the speed of their progress under Idit’s tuition. I enthusiastically recommend Idit as an exceptional teacher who commands international respect.”
Michael Pollock. (Consultant coach: English National Opera Harewood Artists; regular guest coach for National Opera Studio, Royal Academy Opera, Royal College of Music International Opera School (London); Royal Welsh College of Music and Drama (Cardiff, Wales); North Sea Vocal Academy (Denmark), etc)
http://singingteacherinlondon.co.uk/
Time: 17:00 to 19:45
Venue: Lauderdale House
Tickets are valid for one or both of the concerts
| Price band | A | B |
| Standard | £10.00 | |
| Concession | £5.00 | |
| Child |
to book
Box office: 0798230943
Email: idit.arad.0925@gmail.com
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.