CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
Making its UK premiere as part of our Sirkus Finnish showcase, Taival blends contemporary dance, circus and visual theatre to paint a bold and blistering portrait of the human body. The multi-disciplined, hyper-talented cast explore themes of control, manipulation, beauty and pain, using light and sound to manipulate the barrier between artist and audience. A physical, versatile, vibrant piece of contemporary circus.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
We are delighted to present the UK Premiere of BL CK B X artist Morgan Quaintance’s latest work Batakhalou Dakar (Letter from Dakar). The screening will be followed by a discussion between the artist and curator Amanprit Sandhu.
Batakhalou Dakar (Letter from Dakar) (2019)
A documentary film focusing on arts, culture and politics in Dakar, Senegal.
In another little step back to the ethos of the London Novello Ensemble – which is the presentation of great music outside the formal constraints of the concert hall – Murray and Gavin present the two opposites of late 19th century romanticism along with music by Delius, Vitali and Sarasate, and a selection of popular tangos including Piazzolla’s famous ‘Libertango’
Gavin Davies studied the violin with Marta Eitler and at the Royal College of Music with Jaroslav Vanecek and Natasha Boyarsky. He combines a freelance orchestral career with ensembles such as the London Philharmonic and BBC Concert orchestras with regular chamber music and solo performances.
Murray Hipkin is a fulltime member of the music staff at English National Opera, where he has conducted The Mikado, The Gondoliers, The Pirates of Penzance, Kismet, Carousel, Chess and Man of la Mancha. He is musical director of the Pink Singers and the North London Chorus and he recently finished filming Anyone Can Sing for ENO/Sky Arts in the role of music supervisor and accompanist.
Programme to include:
Brahms – Sonata No. 1 in G
Liszt – Romance
Delius – Sonata No. 3
Vitali – Chaconne
Sarasate – Zigeunerweisen
Tangos by Albeniz, Gade, and Piazzolla
Advanced booking is advised as we will be limiting capacity in order to ensure socially distanced seating is available for those who require it. In accordance with normal practice, we respectfully ask that you do a lateral flow test – available free from www.gov.uk/order-coronavirus-lateral-flow-tests.com in the 48 hours prior to the concert – but please do get in touch for a full refund if you get a positive result!
This page is for the performance at Pond Square Chapel, Highgate on 9th December.
To buy tickets for the performance at St Paul’s Lorrimore Square, Kennington on 6th December, please click on this link: Brahms and Liszt in Kennington 6 December
