22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
Nigel Osner takes an intimate and engaging cabaret journey through a lifetime of yearning, illustrated by original songs and stories. There are a host of quirky characters, male and female. These include the Archangel Gabriel who has quit his job in Heaven to play jazz in New Orleans; a peckish vampire who casts a speculative eye over the audience; and an actor who is bemused at his loss of charisma. The show had an applauded debut at the Edinburgh Fringe 2016. Nigel took it to the Brighton Fringe this May. The show is directed by the actress Janine Wood.
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
Nigel Osner takes an intimate and engaging cabaret journey through a lifetime of yearning, illustrated by original songs and stories. There are a host of quirky characters, male and female. These include the Archangel Gabriel who has quit his job in Heaven to play jazz in New Orleans; a peckish vampire who casts a speculative eye over the audience; and an actor who is bemused at his loss of charisma. The show had an applauded debut at the Edinburgh Fringe 2016. Nigel took it to the Brighton Fringe this May. The show is directed by the actress Janine Wood.
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
Join us for a wreath-making masterclass with F.bombe.
Immerse yourself in the sensory and festive pleasure of making your own wreath for yourself or to give away.
All materials and refreshments are included.
Only eight places available – please book early to avoid disappointment.
A Game of Two Halves presents
Jude is desperate for a child, Terry is lost and looking for company.
In a thought provoking, bitter sweet comedy one of them decides to make the other an offer he can’t refuse.
From the older man’s perspective the play explores fear, loneliness, hope, loss and expectation.
Inspired by the 2011 film ‘England Expects’ Rod Silvers (Terry) and James Petherick (Jude) wish to raise awareness of the rarely discussed issue of childless men.
Twitter: @Terry_and_Jude
Presented by Nonsense Theatre
Earth Tikaia tells the story of three people in the not-so-distant future, in a world gone mad with right wing power and technological advances.
Through their actions, the humans are lured into Tikaia, an ancient land of mythical tradition, inhabited by creatures of wisdom, spirit and guidance – in order to realise the faults of humanity on Earth.
A Game of Two Halves presents
Jude is desperate for a child, Terry is lost and looking for company.
In a thought provoking, bitter sweet comedy one of them decides to make the other an offer he can’t refuse.
From the older man’s perspective the play explores fear, loneliness, hope, loss and expectation.
Inspired by the 2011 film ‘England Expects’ Rod Silvers (Terry) and James Petherick (Jude) wish to raise awareness of the rarely discussed issue of childless men.
Twitter: @Terry_and_Jude
A Game of Two Halves presents
Jude is desperate for a child, Terry is lost and looking for company.
In a thought provoking, bitter sweet comedy one of them decides to make the other an offer he can’t refuse.
From the older man’s perspective the play explores fear, loneliness, hope, loss and expectation.
Inspired by the 2011 film ‘England Expects’ Rod Silvers (Terry) and James Petherick (Jude) wish to raise awareness of the rarely discussed issue of childless men.
Twitter: @Terry_and_Jude
Presented by A Major Theatre Company
New musical Confessions of a Superhero centres around a young girl named Jenny-lee and her quest to discover her true identity in a world where the extraordinary is just… ordinary. Haunted by her own untameable powers, she seeks out a group dedicated to helping Superheroes cope with the daily struggles and pressures that come with the job, in the hope that they will provide her with some much needed guidance. However, it quickly becomes clear that the heroes Jenny once looked up to aren’t as super as she once thought, a realisation made even more worrying by the resurgence of a powerful super villain. Will Jenny be able to find the path destiny has always intended? Or will this lost soul, as so many do, fly too close to the sun?
Twitter: @of_superhero
Presented by Nonsense Theatre
Earth Tikaia tells the story of three people in the not-so-distant future, in a world gone mad with right wing power and technological advances.
Through their actions, the humans are lured into Tikaia, an ancient land of mythical tradition, inhabited by creatures of wisdom, spirit and guidance – in order to realise the faults of humanity on Earth.
Presented by A Major Theatre Company
New musical Confessions of a Superhero centres around a young girl named Jenny-lee and her quest to discover her true identity in a world where the extraordinary is just… ordinary. Haunted by her own untameable powers, she seeks out a group dedicated to helping Superheroes cope with the daily struggles and pressures that come with the job, in the hope that they will provide her with some much needed guidance. However, it quickly becomes clear that the heroes Jenny once looked up to aren’t as super as she once thought, a realisation made even more worrying by the resurgence of a powerful super villain. Will Jenny be able to find the path destiny has always intended? Or will this lost soul, as so many do, fly too close to the sun?
Twitter: @of_superhero
A Game of Two Halves presents
Jude is desperate for a child, Terry is lost and looking for company.
In a thought provoking, bitter sweet comedy one of them decides to make the other an offer he can’t refuse.
From the older man’s perspective the play explores fear, loneliness, hope, loss and expectation.
Inspired by the 2011 film ‘England Expects’ Rod Silvers (Terry) and James Petherick (Jude) wish to raise awareness of the rarely discussed issue of childless men.
Twitter: @Terry_and_Jude
A Game of Two Halves presents
Jude is desperate for a child, Terry is lost and looking for company.
In a thought provoking, bitter sweet comedy one of them decides to make the other an offer he can’t refuse.
From the older man’s perspective the play explores fear, loneliness, hope, loss and expectation.
Inspired by the 2011 film ‘England Expects’ Rod Silvers (Terry) and James Petherick (Jude) wish to raise awareness of the rarely discussed issue of childless men.
Twitter: @Terry_and_Jude
Presented by A Major Theatre Company
New musical Confessions of a Superhero centres around a young girl named Jenny-lee and her quest to discover her true identity in a world where the extraordinary is just… ordinary. Haunted by her own untameable powers, she seeks out a group dedicated to helping Superheroes cope with the daily struggles and pressures that come with the job, in the hope that they will provide her with some much needed guidance. However, it quickly becomes clear that the heroes Jenny once looked up to aren’t as super as she once thought, a realisation made even more worrying by the resurgence of a powerful super villain. Will Jenny be able to find the path destiny has always intended? Or will this lost soul, as so many do, fly too close to the sun?
Twitter: @of_superhero
Presented by A Major Theatre Company
New musical Confessions of a Superhero centres around a young girl named Jenny-lee and her quest to discover her true identity in a world where the extraordinary is just… ordinary. Haunted by her own untameable powers, she seeks out a group dedicated to helping Superheroes cope with the daily struggles and pressures that come with the job, in the hope that they will provide her with some much needed guidance. However, it quickly becomes clear that the heroes Jenny once looked up to aren’t as super as she once thought, a realisation made even more worrying by the resurgence of a powerful super villain. Will Jenny be able to find the path destiny has always intended? Or will this lost soul, as so many do, fly too close to the sun?
Twitter: @of_superhero
A Game of Two Halves presents
Jude is desperate for a child, Terry is lost and looking for company.
In a thought provoking, bitter sweet comedy one of them decides to make the other an offer he can’t refuse.
From the older man’s perspective the play explores fear, loneliness, hope, loss and expectation.
Inspired by the 2011 film ‘England Expects’ Rod Silvers (Terry) and James Petherick (Jude) wish to raise awareness of the rarely discussed issue of childless men.
Twitter: @Terry_and_Jude
A Game of Two Halves presents
Jude is desperate for a child, Terry is lost and looking for company.
In a thought provoking, bitter sweet comedy one of them decides to make the other an offer he can’t refuse.
From the older man’s perspective the play explores fear, loneliness, hope, loss and expectation.
Inspired by the 2011 film ‘England Expects’ Rod Silvers (Terry) and James Petherick (Jude) wish to raise awareness of the rarely discussed issue of childless men.
Twitter: @Terry_and_Jude
Presented by Sneaky Rhobus Productions
Within an hour of the search, trowel hit bone. Then the thunder rolled in. The archaeologists had disturbed something that should not have been.
Poor, poor Richard. Dug up, he now must endlessly repeat the events that led to his inevitably gruesome death.
Both helmets and hard hats combine: Join us for a fusion of modern and 15th century slander.
Presented by Sneaky Rhobus Productions
Within an hour of the search, trowel hit bone. Then the thunder rolled in. The archaeologists had disturbed something that should not have been.
Poor, poor Richard. Dug up, he now must endlessly repeat the events that led to his inevitably gruesome death.
Both helmets and hard hats combine: Join us for a fusion of modern and 15th century slander.
Presented by Sneaky Rhobus Productions
Within an hour of the search, trowel hit bone. Then the thunder rolled in. The archaeologists had disturbed something that should not have been.
Poor, poor Richard. Dug up, he now must endlessly repeat the events that led to his inevitably gruesome death.
Both helmets and hard hats combine: Join us for a fusion of modern and 15th century slander.
Presented by Sneaky Rhobus Productions
Within an hour of the search, trowel hit bone. Then the thunder rolled in. The archaeologists had disturbed something that should not have been.
Poor, poor Richard. Dug up, he now must endlessly repeat the events that led to his inevitably gruesome death.
Both helmets and hard hats combine: Join us for a fusion of modern and 15th century slander.
Presented by Sneaky Rhobus Productions
Within an hour of the search, trowel hit bone. Then the thunder rolled in. The archaeologists had disturbed something that should not have been.
Poor, poor Richard. Dug up, he now must endlessly repeat the events that led to his inevitably gruesome death.
Both helmets and hard hats combine: Join us for a fusion of modern and 15th century slander.
Thomas Edison’s last words were “It’s very beautiful over there”.
In this new piece of writing, the audience is presented with a powerful story of a young adult’s effort to cope with the unexpected death of a close friend.
A one-woman show about understanding death and grief, the importance of telling stories, and the ways in which we live on through the legacy we leave behind in our names and our memories. And how to fold origami swans.
Stephanie Greenwood is a British-South African writer and actress living in London who has recently completed the first UK tour of Jonathan Lewis’ play Soldier On.
Twitter: @stephmgreenwood
Thomas Edison’s last words were “It’s very beautiful over there”.
In this new piece of writing, the audience is presented with a powerful story of a young adult’s effort to cope with the unexpected death of a close friend.
A one-woman show about understanding death and grief, the importance of telling stories, and the ways in which we live on through the legacy we leave behind in our names and our memories. And how to fold origami swans.
Stephanie Greenwood is a British-South African writer and actress living in London who has recently completed the first UK tour of Jonathan Lewis’ play Soldier On.
Twitter: @stephmgreenwood
It’s 1969 and a woman looks back on her life lived in London. From The Boer War to The Summer of Love, Flo Smith, mother, widow and grandmother, recalls with horror and humour, tears and joy, the turbulent times at home and in the world beyond her front door.
“Incredibly vivid. Spunky. Gossipy. Human. Relatable. Magical.” Stratford Herald.
Twitter: @flonowandthen
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
UTOPIAN (t&c’s apply) is a surrealistic circus pop-culture queer positive experience. And it’s
absolute trash. Joined by their accomplice, Symoné takes you on an expedition inspired by
raves and power play, with a big pink pole, 6 inch skates, and gender nonconformity.
Join the world of psychedelic pilgrimage. You’ll be safe with us.
WARNING: This show may or may not contain autobiographical references about cults.
Suitable for ages 16+
Content warning: sexual content, nudity, drug references and language.
UTOPIAN (t&c’s apply) is a surrealistic circus pop-culture queer positive experience. And it’s
absolute trash. Joined by their accomplice, Symoné takes you on an expedition inspired by
raves and power play, with a big pink pole, 6 inch skates, and gender nonconformity.
Join the world of psychedelic pilgrimage. You’ll be safe with us.
WARNING: This show may or may not contain autobiographical references about cults.
Suitable for ages 16+
Content warning: sexual content, nudity, drug references and language.