CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
SOPHIA STARLING
STUDIO OBSTACLES
49a Gallery (pop up)
49 Highgate Highstreet
London N6 5JX
A solo exhibition of prints (amongst other studio obstacles), by London-based artist Sophia Starling. The body of work was created as part of a fellowship at the Vermont Studio Center, US in 2016. These prints are a response to her abstract painting practice and the physical shifting process and gestural language that is defined by the interaction of the physical elements from which a painting is made.
Opening 3rd February 6-9pm and the exhibition continues until the 12th February
Open SAT & SUN 11am – 5pm or by appointment.
Please email 49agallery@gmail.com (for appointments)
Sophia Starling, b. 1988, Norfolk, UK. Lives and works in London.
Graduated from Camberwell College of Art, London, in 2011.
Exhibitions include: Painting & Structure, Kennington Residency, London (2017). Summer Mix, Turps Banana Gallery, London (2016) Solo, Horatio Jr, London (2015), UK/RAINE, Saatchi Gallery, London (2015), Corporeality, Objects and Other Stuff, FOLD, London, (2014). Time to Hit the Road, Leila Heller Gallery, New York (2014). Jerwood Painting Fellowship Award Winner, Jerwood Visual Arts, London (2013).
sophiastarling.co.uk
SOPHIA STARLING
STUDIO OBSTACLES
49a Gallery (pop up)
49 Highgate Highstreet
London N6 5JX
A solo exhibition of prints (amongst other studio obstacles), by London-based artist Sophia Starling. The body of work was created as part of a fellowship at the Vermont Studio Center, US in 2016. These prints are a response to her abstract painting practice and the physical shifting process and gestural language that is defined by the interaction of the physical elements from which a painting is made.
Opening 3rd February 6-9pm and the exhibition continues until the 12th February
Open SAT & SUN 11am – 5pm or by appointment.
Please email 49agallery@gmail.com (for appointments)
Sophia Starling, b. 1988, Norfolk, UK. Lives and works in London.
Graduated from Camberwell College of Art, London, in 2011.
Exhibitions include: Painting & Structure, Kennington Residency, London (2017). Summer Mix, Turps Banana Gallery, London (2016) Solo, Horatio Jr, London (2015), UK/RAINE, Saatchi Gallery, London (2015), Corporeality, Objects and Other Stuff, FOLD, London, (2014). Time to Hit the Road, Leila Heller Gallery, New York (2014). Jerwood Painting Fellowship Award Winner, Jerwood Visual Arts, London (2013).
sophiastarling.co.uk
SOPHIA STARLING
STUDIO OBSTACLES
49a Gallery (pop up)
49 Highgate Highstreet
London N6 5JX
A solo exhibition of prints (amongst other studio obstacles), by London-based artist Sophia Starling. The body of work was created as part of a fellowship at the Vermont Studio Center, US in 2016. These prints are a response to her abstract painting practice and the physical shifting process and gestural language that is defined by the interaction of the physical elements from which a painting is made.
Opening 3rd February 6-9pm and the exhibition continues until the 12th February
Open SAT & SUN 11am – 5pm or by appointment.
Please email 49agallery@gmail.com (for appointments)
Sophia Starling, b. 1988, Norfolk, UK. Lives and works in London.
Graduated from Camberwell College of Art, London, in 2011.
Exhibitions include: Painting & Structure, Kennington Residency, London (2017). Summer Mix, Turps Banana Gallery, London (2016) Solo, Horatio Jr, London (2015), UK/RAINE, Saatchi Gallery, London (2015), Corporeality, Objects and Other Stuff, FOLD, London, (2014). Time to Hit the Road, Leila Heller Gallery, New York (2014). Jerwood Painting Fellowship Award Winner, Jerwood Visual Arts, London (2013).
sophiastarling.co.uk
SOPHIA STARLING
STUDIO OBSTACLES
49a Gallery (pop up)
49 Highgate Highstreet
London N6 5JX
A solo exhibition of prints (amongst other studio obstacles), by London-based artist Sophia Starling. The body of work was created as part of a fellowship at the Vermont Studio Center, US in 2016. These prints are a response to her abstract painting practice and the physical shifting process and gestural language that is defined by the interaction of the physical elements from which a painting is made.
Opening 3rd February 6-9pm and the exhibition continues until the 12th February
Open SAT & SUN 11am – 5pm or by appointment.
Please email 49agallery@gmail.com (for appointments)
Sophia Starling, b. 1988, Norfolk, UK. Lives and works in London.
Graduated from Camberwell College of Art, London, in 2011.
Exhibitions include: Painting & Structure, Kennington Residency, London (2017). Summer Mix, Turps Banana Gallery, London (2016) Solo, Horatio Jr, London (2015), UK/RAINE, Saatchi Gallery, London (2015), Corporeality, Objects and Other Stuff, FOLD, London, (2014). Time to Hit the Road, Leila Heller Gallery, New York (2014). Jerwood Painting Fellowship Award Winner, Jerwood Visual Arts, London (2013).
sophiastarling.co.uk
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.