In another exclusive circus double-bill, Efecto Chopped and Out of Order present two tender and beautiful pieces.

In an elegant and graceful fusion of two artforms, Cul de Sac features international juggler Jose Triguero and Chinese pole artist Gemma Palomar.

Meeting Point combines contemporary dance and aerial straps and hand to hand in order to create original, powerful and innovating physical performances. It tells the story of a journey; the paths we choose as individuals and the moments our paths cross with others.

Click here to see the full programme of Postcards 2015.

Fresh from our acclaimed 40th birthday production Throwback, and continuing our partnership with the rising stars of UK circus, Silver Lining returns for this one-off special fusion of live music and stunning circus. Featuring a host of multi-talented musical circus artists, expect singers on handstands, torch songs on cyr wheels and arias in the air.

On roller-skates and in the air, two women revisit the interweaving stories of their past lives and loves – from the post-war optimism of the late 1940s to the domestic realities of the 1950s and beyond.

Bella Kinetica’s circus theatre show has physical feats that will take your breath away as they skate, spin and fly across the stage.

Featuring the recorded experiences of real women and with a fabulous soundtrack of 40s and 50s music; Life on Wheels is a gentle, moving look back in time.

8PM & 3PM (Sat matinee)

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Myths remixed: the classic story of Persephone is retold with live music, aerial acrobatics, fire, dance and mime. A high impact show full of hope and sorrow, it’s Greek mythology but not as you know it as this tale of love, choice and empowerment gets a contemporary circus twist. Chivaree Circus will take you on a journey and leave you ready to embrace an eternity in Hades.

—

We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

David Bowie loved the circus, and we love David Bowie.

Jacksons Lane pays its respects with a once-in-a-lifetime night of spectacular sound and vision that we think will blow your minds. Performers from across the globe come together to celebrate Ziggy, the Thin White Duke, and maybe even Jareth the Goblin King as they choose their favourite Bowie look and song for a night of spaceman-inspired circus that’s out of this world.

—

We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.  For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,  Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.  Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.  Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.

The predictability of Chaos and the uncertainty of Order are the focus for this dynamic and colourful exhibition of paintings and drawings at Highgate Gallery from May 18^th until May 31^st.

Order and Chaos philosophies have peppered religious and scientific history for millennia with ideas formed around the ‘Chaos Theory’ coming to the fore in the middle of last century.  These are the subject matter for playful new works, many executed in low relief which adds to the visual uncertainty – a change in the angle of view reveals aspects that cannot be seen from elsewhere.

Slade trained Stephen Brooks has often played with ideas and questions that have created ideological dilemmas.  This was also the case in a previous exhibition, ‘Ptolemy’s Mythtake’ at Highgate Gallery in 2008.

www.stephenjbrooks.co.uk

For further information please contact:     steve@stephenjbrooks.co.uk

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5.   Closed Mon.

Exhibition continues until 31 May.

Steve Brooks trained in Fine Art at the Harris College of Art, Preston, and the Slade School of Fine Art UCL.

For several years he was the Studio Assistant to Richard Hamilton, a founder of the British Pop Art Movement, who lived in Highgate before moving to Oxfordshire,

Alongside Steve’s fine art career he taught Design and Drawing in Oxfordshire, Bournemouth and London whilst also being involved in a graphic design business with his wife.

Having lived and worked in various parts of the UK including The Orkney Isles, Dorset, London, Oxfordshire and Wales, he is now based in Herefordshire.

He has held one man shows in London, the Home Counties and Herefordshire, and was chosen to represent Herefordshire as the Three Choirs Festival Artist in 2006.  His paintings and drawings are in collections in the UK, Europe and overseas.

Steve’s connection with Highgate goes back to the 70s where he lived and worked.  He had two one man shows at the Highgate Society building, one being an exhibition of Drawings and Etchings of Highgate Cemetery in an effort to raise awareness and funds for the then neglected site.

Chaos² is his third Exhibition at Highgate Literary and Scientific Institution’s Highgate Gallery.