Jacksons Lane summons you to a ghoulish feast of blood-curdling burlesque, macabre music, spectral circus and eerie illusion with some horrifically talented artists in this frighteningly fantastic night.
Overseen by the dark lord of comedy magic Christian Lee, expect vampires on ropes, tantalising terrors of tease, ghouls on your lap and gothic glamour all around, including the queen of erotic neo-burlesque, the sensational MisSa Blue.
The ticket includes a chiller cocktail on arrival, with a late bar and special medicinal concoctions to get your fangs into. Book early!
We encourage attendees to dress to distress.
18+ adult content and nudity
The orchestra of I Maestri ends its 15th season with a programme of Mozart and Beethoven; music written before and after the French Revolution.
Conductor and mentor John Landor of LMA Orchestra collaborates for the third time with I Maestri with his students for a Masterclass workshop and evening performance on Sunday 19th June 2016.
We will be joined by soloists; Chiawen Kiew – Flute and Tomos Xerri – Harp who will perform Mozart’s sublime Flute and Harp Concerto.
I Maestri is a unique organisation that helps talented young conductors and soloists explore their skills and learning with an orchestra through a programme of workshops, masterclasses and public performances.
Evening programme:
Mozart Flute and Harp Concerto in C, K. 299/297c
Beethoven Symphony No. 3 in E – Flat major, Op. 55 “Eroica”
Performance begins at 7pm
Tickets: Adult £12 and Concessions £9 (on the door)
Advance tickets: Adult £9 and Concessions £7
(10% booking fee applicable)
Visit: http://wegottickets.com/event/362365
Box Office opens at 6:15pm
Please note that tickets will not be posted out and need to be collected from the Box Office on the day of the performance.
We hope you can join us for a wonderful performance and to experience different conductors in their making.
The oh so hot right now Plastic Boom have created Water on Mars – a meteoric whiz of a show. Take three out of this world skillful young jugglers, six hands and thousands of catches. Add chocolate flies, back flips, giant card castles and magnetic jump ropes. Result: better than sex and as good as chocolate.
Think virtuoso juggling gone wild in this extrinsic playground experiment. Designed for spaceships and distant planets, Water On Mars is the future of juggling!
Co produced with Gandini Juggling, the fringe-storming producers of 4×4 andSmashed.
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.