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On roller-skates and in the air, two women revisit the interweaving stories of their past lives and loves – from the post-war optimism of the late 1940s to the domestic realities of the 1950s and beyond.

Bella Kinetica’s circus theatre show has physical feats that will take your breath away as they skate, spin and fly across the stage.

Featuring the recorded experiences of real women and with a fabulous soundtrack of 40s and 50s music; Life on Wheels is a gentle, moving look back in time.

8PM & 3PM (Sat matinee)

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016. Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016. Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Highgate Gallery at the Highgate Literary and Scientific Institution is the perfect venue for hosting this wide-ranging multimedia collection of new artworks by members of the Printmakers Council. With a multitude of techniques on show, visitors will be offered the chance to see some of the very best printmaking in the UK today. ‘Loosely Bound’, as the title suggests, has given the artists an opportunity to respond to this rich theme.

On show will be artworks inspired by literature in all its forms – novels, plays, poetry and much more. Examples of new pieces include those by Invited Artist Liz Collini, whose beautifully printed lettering or word pieces have been commissioned by various corporate organisations and are also part of the V&A Museum collection. Other prints relate to illustration such as the mysterious works combining collage and print by Lynn Hatzius whose clients include Random House, Bloomsbury and Faber and Faber. Pages from handmade linocut artist books by Graham Smith are another highlight. The exhibition will feature many traditional print techniques including etching, lithography, silkscreen, linocut and woodblock plus new contemporary techniques such as photopolymer and computer-based artwork.

The Printmakers Council was established in 1965 with the primary aim of forming a ‘pressure group’ to promote and encourage printmaking, especially experimental and contemporary work. Eminent artist Michael Rothenstein, the first Chairman, set up the association with a committee comprising of Anthony Gross, Stanley Jones and other leading artist printmakers of the time. The PMC, a non-profit making organisation run by artists, has exhibited worldwide. It continues to emphasise education through lectures and demonstrations, to promote printmaking in all its forms and to support its members via newsletters and the website: www.printmakerscouncil.com

For further information, please contact: Theresa Pateman, Printmakers Council: printpmc@googlemail.com

18 November – 1 December 2016.  Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Jamaican Intuitives    13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

For further information please contact Charlotte C Mortensson: cmortensson@aol.com

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

Christopher Harris, Jockey Rider

Jamaican Intuitives     13-26 October

This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.

Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.

It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:

‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’

All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.

• Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
• Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
• Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
• Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
• Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.

Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.

Exhibition continues until 26 October.

Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

What are little girls made of?

They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.

They are made of all the tales our Mothers told us.

And all the ones they didn’t dare.

Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.

At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.

What are little girls made of?

They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.

They are made of all the tales our Mothers told us.

And all the ones they didn’t dare.

Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.

At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.