It’s girls on top in this rip-roaring, trail-blazing night to remember! Hosted by the inimitable and award-winning Sh!t Theatre, Flappers brings together some of the most exciting talent from circus, comedy and live art. A range of acts will be announced over the coming weeks (keep your eyes fixed on us) and oh yes, did we mention they’re all female?
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Closing the festival in screwball style, join Ireland’s most emotional dancers as they share their bullet proof secret to life and happiness! A motivational, semi-nude, breathtakingly funny show, Sean and Seamus dance and bicker their way through an hour of physical and meta-physical comedy.
“if Michael Flatley and Jim Carey had a sadomasochistic love child they would be it” Elle Magazine
“THIS SHOW WILL CHANGE YOUR LIFE; OR AT LEAST MAKE YOU LAUGH. WHAT MORE COULD YOU WANT?”
THE IRISH TIMES
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We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Join us for the Annual Fundraising Concert in aid of the Harington Scheme and Noah’s Ark Children’s Hospice.
The Haydn Chamber Orchestra, conducted by Jonathan Bloxham with pianist Charles Owen, will be performing on Saturday 27th January 2018 at 7.30pm.
Tickets ( £25, £20, £15, £10) and further information from Pauline Treen 020 8340 5643.
Violin and Piano Concert, featuring Jack Liebeck, in aid of Waterlow park and Noah’s Ark Children’s Hospice
Tickets including a glass of wine, £15
5.30 for 6.00 pm
Dyne House is the Highgate School red brick building on Southwood Lane,
Haydn Chamber Orchestra Concert – Saturday 26th January 2019, 7:30pm
St. Michael’s Church, South Grove, Highgate, N6 6BJ
In aid of Noah’s Ark Children’s Hospice and The Harington Scheme
Information and tickets please call 020 8340 5643
Tickets: £25, £20, £15 reserved and £10 unreserved.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.