Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
It’s girls on top in this rip-roaring, trail-blazing night to remember! Hosted by the inimitable and award-winning Sh!t Theatre, Flappers brings together some of the most exciting talent from circus, comedy and live art. A range of acts will be announced over the coming weeks (keep your eyes fixed on us) and oh yes, did we mention they’re all female?
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Closing the festival in screwball style, join Ireland’s most emotional dancers as they share their bullet proof secret to life and happiness! A motivational, semi-nude, breathtakingly funny show, Sean and Seamus dance and bicker their way through an hour of physical and meta-physical comedy.
“if Michael Flatley and Jim Carey had a sadomasochistic love child they would be it” Elle Magazine
“THIS SHOW WILL CHANGE YOUR LIFE; OR AT LEAST MAKE YOU LAUGH. WHAT MORE COULD YOU WANT?”
THE IRISH TIMES
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We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
AROUND THE WORLD WITH HGO
A perfect summer evening – Sparkling opera, song and musical theatre from around the world with stars from HGO, North London’s leading opera company – Mozart, Handel, Puccini, Delibes and much much more!
Luci Briginshaw (soprano) – Donna Anna in ‘Don Giovanni’ (HGO 2015)
Beth Moxon (mezzo-soprano) – Nancy in ‘Albert Herring’ (HGO 2014)
Nick Pritchard (tenor) – Ferrando in ‘Così fan tutte’ (HGO 2012)
Dan D’Souza (baritone) – Count Robinson in ‘The Secret Marriage’ (HGO 2018)
with Juliane Gallant at the Steinway
“There are few more lovely places to present an informal concert…excellent acoustic…delightful interval….an immensely enjoyable evening” (Ham and High review of our 2016 concert)
Tickets: £25 (front nave/gallery), £20 (rear nave/gallery), £15 (side-aisles) on-line or at the door.
Wine and soft drinks available at the interval
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.