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Jul
21
Thu
Natalie Reckert: Selfie with Eggs @ Jacksons Lane
Jul 21 @ 8:00 pm – 9:30 pm

If Kraftwerk made circus it would look something like this: comedy meets electro-robotic-vogueing in an epic feat of handstand endurance!

Natalie Reckert is a German hand balancer who loves to dance to electronic beats and read Wikipedia articles about load experiments. In her highly skilled one-woman experiment, she tests the limits of the body and the stability of quite a lot of eggs. Brilliantly absurd and totally unique.

“PURE CIRCUS MAGIC” REVIEWS HUB

We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

Mar
2
Thu
Wail @ Jacksons Lane
Mar 2 @ 8:00 pm – 9:00 pm

Why do whales sing? Why do humans wail? Last year, Little Bulb Theatre embarked on a quest to discover the answers to these perplexing questions and more. Now, they share their findings in an aquatic cabaret of songs, science and soundscapes with chances to win cheap prizes galore! Little Bulb Theatre return to their lo-fi roots in this haphazard two-hander that’s sure to be a whale of a time. Part gig, part lecture, part your lips and WAIL!

Mar
3
Fri
Wail @ Jacksons Lane
Mar 3 @ 8:00 pm – 9:00 pm

Why do whales sing? Why do humans wail? Last year, Little Bulb Theatre embarked on a quest to discover the answers to these perplexing questions and more. Now, they share their findings in an aquatic cabaret of songs, science and soundscapes with chances to win cheap prizes galore! Little Bulb Theatre return to their lo-fi roots in this haphazard two-hander that’s sure to be a whale of a time. Part gig, part lecture, part your lips and WAIL!

Mar
4
Sat
Wail @ Jacksons Lane
Mar 4 @ 8:00 pm – 9:00 pm

Why do whales sing? Why do humans wail? Last year, Little Bulb Theatre embarked on a quest to discover the answers to these perplexing questions and more. Now, they share their findings in an aquatic cabaret of songs, science and soundscapes with chances to win cheap prizes galore! Little Bulb Theatre return to their lo-fi roots in this haphazard two-hander that’s sure to be a whale of a time. Part gig, part lecture, part your lips and WAIL!

Mar
9
Sat
Highgate Choral Society Spring Concert @ All Hallows' Church
Mar 9 @ 7:00 pm – 9:30 pm

hcs_JGM_A5_2pp March final

Janacek’s Glagolitic Mass, so-named as it uses a ninth century text written in Old Church Slavonic, is also known as the Slavonic Mass. Rather than a traditional sacred piece, Janacek is thought to have conceived his mass as a celebration of Slavic culture and the pan-Slavic movement that he supported.

The Glagolitic Mass was first performed in Brno, Czechoslovakia, in April 1926. It is a highly original work for choir, organ and orchestra that expresses dramatic energy and tenderness in equal measure, and is recognised today as one of most significant contributions to choral music in the twentieth century.

Poulenc’s Gloria is a joyful rendering of the Gloria text from the Catholic Mass, and one of Poulenc’s most celebrated works. Scored for soprano, choir and large orchestra, it was composed in 1959 and first performed in 1961 in Boston to critical acclaim. Poulenc was known for composing music of sharp contrasts and his Gloria, which is jocund as well as solemn, is no exception.


Always Moving On is a brand new work for choir and orchestra, written by newcomer Christopher Ashley. An eight-minute orchestral march of aspiration and healing, it provides a modern twist to the familiar and popular format pioneered by Elgar and Walton in the early 20th century. The piece gives expression to the timeless virtues of hope, joy, patience and tolerance, offering respite from uncertainty and gloom.