Dr Jonathan Black, Senior Research Fellow in History of Art at Kingston University and co-author of Abstraction and Reality: The Sculpture of Ivor Roberts-Jones is to give the seventh KW lecture on Monday 2nd February at 8.00 p.m. in the AV Room in the Mills Centre. Book here: https://highgateoc.org.uk/kw2015-lecture
“Hornsey Wood House” talk by John Hinshelwood. 8pm, Union Church Hall www.hornseyhistorical.org.uk
Dr David McAllister will discuss attitudes to burial in the years leading up to the birth of the Garden Cemetery movement in the early nineteenth century and the establishment of Highgate Cemetery itself. His talk will focus on attempts by a series of writers including Wordsworth, Burke, Godwin and Bentham to identify the value of buried bodies, and to establish whether the grave was anything more than an inefficient dumping ground for human remains.
David McAllister is a lecturer in Victorian Literature at Birkbeck, University of London, and course director of its MA in Victorian Studies.
It’s girls on top in this rip-roaring, trail-blazing night to remember! Hosted by the inimitable and award-winning Sh!t Theatre, Flappers brings together some of the most exciting talent from circus, comedy and live art. A range of acts will be announced over the coming weeks (keep your eyes fixed on us) and oh yes, did we mention they’re all female?
—
We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Mondays @ the Mills Lectures – Michaelmas Term 2016
7th November 2016, Mills Centre AV Room
The hidden wildlife of Provence
Will Atkins, Highgate School
Following in the footsteps of that peculiar Victorian species, ‘the British Naturalist on the Riviera’, biology teacher Will (whose photos have appeared on The One Show, in Country Life magazine and in the British Wildlife Photography Awards) has chronicled some of the unexpected, colourful and wonderful fauna that can be seen only a small distance from the packed beaches of Provence. In showing the results of his photographic safaris, he will be aiming to add an extra dimension to your future visits to the south of France.
Tickets can be booked through Ticketsource, by clicking here
Refreshments, including wine, are available from 6.30 pm and afterwards.
Mondays @ the Mills Lectures – Michaelmas Term 2016
28th November 2016
The Francis Crick Institute
Clare Davy and Professor Julian Downward, FRS
The Francis Crick Institute conducts ground-breaking medical research to understand why disease develops and to find new ways to prevent and treat illnesses such as cancer, heart disease, stroke, infections and neurodegenerative diseases. These talks will survey the history of the Crick and introduce its new home next to St Pancras, before focussing on some of the cancer research being conducted there.
Refreshments, including wine, are available from 6.30 pm and afterwards.
16th January
The New Junior School and Fibonacci
David Smith, former Head of Physics
Highgate’s magnificent new Junior School opened for business in September of last year. After exploring the history of the Junior School, David will describe the philosophy behind the new structure, making particular mention of the Leonardo Bonacci – known as Fibonacci – and the features around the building that his sequence inspired.
Why do whales sing? Why do humans wail? Last year, Little Bulb Theatre embarked on a quest to discover the answers to these perplexing questions and more. Now, they share their findings in an aquatic cabaret of songs, science and soundscapes with chances to win cheap prizes galore! Little Bulb Theatre return to their lo-fi roots in this haphazard two-hander that’s sure to be a whale of a time. Part gig, part lecture, part your lips and WAIL!
Why do whales sing? Why do humans wail? Last year, Little Bulb Theatre embarked on a quest to discover the answers to these perplexing questions and more. Now, they share their findings in an aquatic cabaret of songs, science and soundscapes with chances to win cheap prizes galore! Little Bulb Theatre return to their lo-fi roots in this haphazard two-hander that’s sure to be a whale of a time. Part gig, part lecture, part your lips and WAIL!
Why do whales sing? Why do humans wail? Last year, Little Bulb Theatre embarked on a quest to discover the answers to these perplexing questions and more. Now, they share their findings in an aquatic cabaret of songs, science and soundscapes with chances to win cheap prizes galore! Little Bulb Theatre return to their lo-fi roots in this haphazard two-hander that’s sure to be a whale of a time. Part gig, part lecture, part your lips and WAIL!
Mondays @ the Mills: Women and revolution from the bluestockings to Virginia Woolf |
|||
18 September 2017
In an exciting and engaging lecture illustrated by contemporary cartoons, Highgate’s Head of History and Foundation Historian Dr Benjamin Dabby will draw upon his ground-breaking research into the culture of Britain’s ‘long nineteenth century’ to overturn the conventional account that women were confined to the domestic sphere and excluded from public life. In revealing a world in which public debate about the progress of the nation was shaped increasingly by women, he will show how women’s and men’s gendered identities were as hotly debated then as they are today. Dr Dabby’s latest book: Women as Public Moralists in Britain has been published recently by the Royal Historical Society, and copies will be on sale for £30. Talks take place on Mondays at 7pm in the AV Room in the Mills Centre. Refreshments, including wine, are available from 6.30 pm and afterwards. |
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+