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Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015

Dear Friends and Supporters,

The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads.   The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.

Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’).  His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him.  Many find him desperately attractive regardless of his reputation.   Some are brave – or foolhardy – enough to think they can resist him.  A few are deluded into believing they can reform him.   So far, nobody has blown the whistle and called ‘time’ on him.  But I can reveal that this is about to change.   The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni.    You just have to come and see this, for all sorts of reasons.

·         The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton.  This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.

·       The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France.   Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April.   In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.

·       We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station.   Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.

UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD

Evenings:   November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm

Matinées:  Saturday November 14 @ 2.30 pm:  Sundays November 8 & 15 @ 4.0 pm

Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)

BOX OFFICE – 020 8340 3488

ON-LINE – upstairsatthegatehouse.com

See also www.hgo.org.uk

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

Combining high-level circus skills with pathos, humour and beauty, Jess Love creates a vision that is at once delicately touching, visually enchanting and heart-warmingly playful. Dark clowning, dirty acrobatics and surreal sideshow feats go hand-in-hand with slapstick, roller-skating, hula hoops, skipping and hopscotch acrobatics – phew! With crafted storytelling and awe inspiring images on a bed of roses and broken glass, it’s so sweet you’ll want to squeal!

“LIVELY AND ENTERTAINING…SERIOUSLY WACKY…EXCITING…CHARISMATIC”★★★★ THE AGE

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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

Myths remixed: the classic story of Persephone is retold with live music, aerial acrobatics, fire, dance and mime. A high impact show full of hope and sorrow, it’s Greek mythology but not as you know it as this tale of love, choice and empowerment gets a contemporary circus twist. Chivaree Circus will take you on a journey and leave you ready to embrace an eternity in Hades.

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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

If you like food, you’ll love this…

Internationally acclaimed comedian George Egg is also a rather fanatical self-taught cook with a somewhat anarchic approach to making meals. As obsessed with culinary matters as he is with comedic ones, and finding himself dissatisfied with the quality and cost of takeaways and room-service meals while touring the stand-up comedy clubs of the world, George embarks on a project to take matters into his own surprisingly capable hands.

A surreal and absurd mix of stand-up comedy and striking innovation – in the words of Jay Rayner – “You’ll never look at a Corby trouser press in the same way again”

“It’s an hilarious show, with surprisingly good food.” The Times

“It is refreshing to encounter a performer who really is unique.” The Telegraph

“Absolutely glorious.” The Scotsman

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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

If Kraftwerk made circus it would look something like this: comedy meets electro-robotic-vogueing in an epic feat of handstand endurance!

Natalie Reckert is a German hand balancer who loves to dance to electronic beats and read Wikipedia articles about load experiments. In her highly skilled one-woman experiment, she tests the limits of the body and the stability of quite a lot of eggs. Brilliantly absurd and totally unique.

“PURE CIRCUS MAGIC” REVIEWS HUB

—

We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

David Bowie loved the circus, and we love David Bowie.

Jacksons Lane pays its respects with a once-in-a-lifetime night of spectacular sound and vision that we think will blow your minds. Performers from across the globe come together to celebrate Ziggy, the Thin White Duke, and maybe even Jareth the Goblin King as they choose their favourite Bowie look and song for a night of spaceman-inspired circus that’s out of this world.

—

We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

Closing the festival in screwball style, join Ireland’s most emotional dancers as they share their bullet proof secret to life and happiness! A motivational, semi-nude, breathtakingly funny show, Sean and Seamus dance and bicker their way through an hour of physical and meta-physical comedy.

“if Michael Flatley and Jim Carey had a sadomasochistic love child they would be it” Elle Magazine

“THIS SHOW WILL CHANGE YOUR LIFE; OR AT LEAST MAKE YOU LAUGH. WHAT MORE COULD YOU WANT?”
THE IRISH TIMES

—

We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.

You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.

This summer sees the return of Postcards Festival. For two weeks in July, Highgate will be home to a whole host of weird and wonderful acts as we present an eclectic mix of circus, cabaret and extraordinary performance.

What’s more, Postcards 2016 is breaking the mould: for the first time at a London festival, all ticket prices are up to you with the launch of our new Pay What You Decide scheme! Tickets can be reserved in advance (maximum four per booking) and after the performance you’ll have the opportunity to make a donation, either by cash on the door or card at the Box Office.

Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.

Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*

*Warning: may contain some f**king strong language.

Ages 14+

Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.

Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*

*Warning: may contain some f**king strong language.

Ages 14+

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’

Directed by Sinéad O’Neill

Music Director Chris Hopkins

With the HGO Orchestra.

Jacksons Lane Theatre,  269A Archway Rd, London N6  AA

Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only

General Admission £22

Premium Seats £27

16, 19, 20, 21, 22, 23, 24 November at 19:30

17 and 25 November at 16:00

24 November at 14:30

AROUND THE WORLD WITH HGO
A perfect summer evening – Sparkling opera, song and musical theatre from around the world with stars from HGO, North London’s leading opera company  – Mozart, Handel, Puccini, Delibes and much much more!

Luci Briginshaw (soprano) – Donna Anna in ‘Don Giovanni’ (HGO 2015)
Beth Moxon (mezzo-soprano) – Nancy in ‘Albert Herring’ (HGO 2014)
Nick Pritchard (tenor) – Ferrando in ‘Così fan tutte’ (HGO 2012)
Dan D’Souza (baritone) – Count Robinson in ‘The Secret Marriage’ (HGO 2018)

with Juliane Gallant at the Steinway

“There are few more lovely places to present an informal concert…excellent acoustic…delightful interval….an immensely enjoyable evening” (Ham and High review of our 2016 concert)

Tickets: £25 (front nave/gallery), £20 (rear nave/gallery), £15 (side-aisles) on-line or at the door.
Wine and soft drinks available at the interval