Using key works from the LUX archive – the largest collection of artists film and video in the country – this short introductory course will trace and discuss artists’ engagement with the moving image throughout the 20th and 21st centuries, from the early pioneers of the 1920s to contemporary practitioners. We will explore through active discussion the relationship between art and cinema and the place and role of the moving image within contemporary visual arts today.
No previous knowledge is required, just a curiosity to see and find out more about this fascinating area of art practice.
Led by Maria Palacios Cruz, LUX Deputy Director.
LUX Deputy Director Maria Palacios Cruz is a curator and lecturer of avant-garde cinema and artists’ moving image. She has lectured at Kingston University, Central Saint Martins, Academie Royale des Beaux-Arts de Bruxelles and Ecole de Recherche Graphique.
This course is limited to 20 participants; please reserve your place by booking.
World class chamber music in the heart of North London! With the theme ‘Ode to Joy!’ this year’s festival focuses on the positive sides of human nature including Humour, Love, Gifts,Youthful energy and Celebrations. This concert includes works by Clara Schumann, Janáček and Dvořák’s wonderful Piano Quintet No.2 in A major, Op.81.
Highgate Choral Society‘s annual Christmas concert invites the whole community to join us, with the St Michael’s School junior choir and also the New London Children’s Choir and make merry. Carols and music will include some old favourites as well as some you may not know. It’s just the event to begin the run up to Christmas, so join us!
Join the Godwine Choir for stunning a cappella works to celebrate International Women’s Day. Featuring music and poetry by female writers across seven centuries, this programme is guaranteed to uplift and inspire at the start of Spring. St. Michael’s Church is a magnificent venue, conveniently located just a few minutes walk from Archway or Highgate Northern line stations.
2018 marks the centenary of the birth of composer, conductor, author, music lecturer and pianist Leonard Bernstein, whose most famous scores include West Side Story, On the Town, Candide and On the Waterfront.
Commissioned from Bernstein by the Dean of Chichester Cathedral for the 1965 Southern Cathedrals Festival, the Chichester Psalms received its UK premiere on 31st July 1965 and has gone on to become a highly popular staple of choral societies to this day. Consisting of three short movements, the Chichester Psalms is sung in Hebrew.
Our programme of 20th- and 21st-century compositions is completed with choral works by Janacek, Morten Lauridsen and Vaughan Williams.
6 -9pm
‘The day before Tomorrow;
Dreams of a summer
evening’ – film screening and
pop-up café event by LUX
and local Transition Towns
LUX, then Waterlow Park
Kitchen Garden
Free
www.transitionkentishtown.org.uk
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
A festive selection of carols and music to get you in the mood for Christmas. The award winning Highgate Choral Society Choir will be joined by New London Children’s Choir and New London Performing Arts Centre.
Edward Batting on the organ and Alexander Wells will be accompanying on the piano all conducted by the illustrious Ronald Corp OBE.
Meera Maharaj (flute) and Dominic Degavino (piano) present a recital of music by Vitali, Karg-Elert, Scott and Jongen as part of St Michael’s Saturdays at Six concert series. Refreshments are available. Entry by donation.
Paul Dean (Director of Music, St Michael’s, Highgate) presents an organ recital of music by J. S. Bach as part of St Michael’s Saturdays at Six concert series. Refreshments are available. Entry by donation.
AROUND THE WORLD WITH HGO
A perfect summer evening – Sparkling opera, song and musical theatre from around the world with stars from HGO, North London’s leading opera company – Mozart, Handel, Puccini, Delibes and much much more!
Luci Briginshaw (soprano) – Donna Anna in ‘Don Giovanni’ (HGO 2015)
Beth Moxon (mezzo-soprano) – Nancy in ‘Albert Herring’ (HGO 2014)
Nick Pritchard (tenor) – Ferrando in ‘Così fan tutte’ (HGO 2012)
Dan D’Souza (baritone) – Count Robinson in ‘The Secret Marriage’ (HGO 2018)
with Juliane Gallant at the Steinway
“There are few more lovely places to present an informal concert…excellent acoustic…delightful interval….an immensely enjoyable evening” (Ham and High review of our 2016 concert)
Tickets: £25 (front nave/gallery), £20 (rear nave/gallery), £15 (side-aisles) on-line or at the door.
Wine and soft drinks available at the interval
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Chamber choir Voxcetera returns to St. Michael’s, Highgate, for a thrilling concert featuring Camille Saint-Saëns’ Requiem and four pieces by one of the best-loved and most distinctive composers of the 20th century, Benjamin Britten.
Saint-Saëns’ compelling and accessibly beautiful 1878 Requiem moves from quiet simplicity to unearthly fortissimi to shake you to the core. Originally scored for a vast orchestra, this version arranged for harp, strings and organ maintains Saint-Saëns’ heightened expression and heartfelt sincerity, but with the intimacy of chamber music. The performance features soprano Angela Henckel who has performed with notable ensembles all over the world, and in UK venues including the Wigmore Hall, Queen Elizabeth Hall, St. Martin’s-in-the Fields and Symphony Hall, Birmingham, as well as on Radio 3.
Britten wrote in 1945, “One of my chief aims is to try to restore to the musical setting of the English Language a brilliance, freedom and vitality that have been curiously rare since the death of Purcell”. That vitality is abundant in his extraordinary cantata Rejoice in the Lamb, by turns as mad and as beautiful as the religious poems by Christopher Smart from which Britten took the text. Other short works on the menu are the joyful Jubilate Deo, the dramatic Missa Brevis in D, and Festival Te Deum which sets ethereal Gregorian chant against a progression of shifting organ chords.
A bar will be open before the concert and during the interval.
