Les Femmes Circus are an all-female circus troupe who combine circus with theatre, dance, singing and percussion to create work that is exciting, moving and breathtaking.
The company are all graduates of the National Centre for Circus Arts and use a range of circus disciplines in their work including aerial, acrobatics, hula hoop and juggling.
With an aesthetic based in the 1950s, Les Femmes Circus use comedy and manipulation to create a world where circus is the norm, playing with fear, love and fantasy, and revealing how fun it can be to misbehave.
Fierce and full of power, the company want to connect with their audiences – and to do so not only by performing tricks, but by telling a story, revealing their feelings, and allowing the audience to fully experience the performance, both visually and emotionally.
Les Femmes Circus are an all-female circus troupe who combine circus with theatre, dance, singing and percussion to create work that is exciting, moving and breathtaking.
The company are all graduates of the National Centre for Circus Arts and use a range of circus disciplines in their work including aerial, acrobatics, hula hoop and juggling.
With an aesthetic based in the 1950s, Les Femmes Circus use comedy and manipulation to create a world where circus is the norm, playing with fear, love and fantasy, and revealing how fun it can be to misbehave.
Fierce and full of power, the company want to connect with their audiences – and to do so not only by performing tricks, but by telling a story, revealing their feelings, and allowing the audience to fully experience the performance, both visually and emotionally.
Beethoven’s Sonata in E major Op.109 Nocturnes Op. 15 N.1 and Op.27 N.1
Chopin’s Scherzo Op.39 N.3
and a selection from Albeniz’s The Iberia Suite
St. Michael’s welcomes Alexander in a break from his busy schedule as an internationally renowned soloist and chamber musician, to bring us this special event as part of our Stewardship Campaign.
About Alexander-
Appreciated for the sensitivity and integrity of his interpretations,
Alexander Boyd enjoys a busy career as both soloist and chamber
Born in 1972 he made his Concerto debut in 1983 with the BBC Scottish
Symphony Orchestra, and since his London Wigmore Hall debut in 2001
he has frequently performed at the UK and Australia’s leading recital
halls, as well as giving concerts and appearing in international music
festivals in the US, Canada and throughout Europe.
Recordings include works by Chopin, Debussy and Schumann for the
Abbas and Chartreuse record labels and more recently a recording of
the Iberia Suite by Albeniz for Claudio Records and Naxos, due to be
released in late 2015. He has also broadcast on numerous occasions for
ABC and BBC Radio amongst others.
2015/16 includes recital engagements in the UK, Australia and the USA
as well as performances with cellist and brother Nathaniel Boyd, cellist
Richard Jenkinson, and the Navarra String Quartet.
Alexander is also passionate about teaching and is on the staff at the
Guildhall School of Music and Drama and is a visiting lecturer at the
University of Birmingham.
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
If you like food, you’ll love this…
Internationally acclaimed comedian George Egg is also a rather fanatical self-taught cook with a somewhat anarchic approach to making meals. As obsessed with culinary matters as he is with comedic ones, and finding himself dissatisfied with the quality and cost of takeaways and room-service meals while touring the stand-up comedy clubs of the world, George embarks on a project to take matters into his own surprisingly capable hands.
A surreal and absurd mix of stand-up comedy and striking innovation – in the words of Jay Rayner – “You’ll never look at a Corby trouser press in the same way again”
“It’s an hilarious show, with surprisingly good food.” The Times
“It is refreshing to encounter a performer who really is unique.” The Telegraph
“Absolutely glorious.” The Scotsman
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Closing the festival in screwball style, join Ireland’s most emotional dancers as they share their bullet proof secret to life and happiness! A motivational, semi-nude, breathtakingly funny show, Sean and Seamus dance and bicker their way through an hour of physical and meta-physical comedy.
“if Michael Flatley and Jim Carey had a sadomasochistic love child they would be it” Elle Magazine
“THIS SHOW WILL CHANGE YOUR LIFE; OR AT LEAST MAKE YOU LAUGH. WHAT MORE COULD YOU WANT?”
THE IRISH TIMES
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We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
World class chamber music in the heart of North London! With the theme ‘Ode to Joy!’ this year’s festival focuses on the positive sides of human nature including Humour, Love, Gifts,Youthful energy and Celebrations. This concert includes works by Clara Schumann, Janáček and Dvořák’s wonderful Piano Quintet No.2 in A major, Op.81.
Highgate Choral Society‘s annual Christmas concert invites the whole community to join us, with the St Michael’s School junior choir and also the New London Children’s Choir and make merry. Carols and music will include some old favourites as well as some you may not know. It’s just the event to begin the run up to Christmas, so join us!
Join the Godwine Choir for stunning a cappella works to celebrate International Women’s Day. Featuring music and poetry by female writers across seven centuries, this programme is guaranteed to uplift and inspire at the start of Spring. St. Michael’s Church is a magnificent venue, conveniently located just a few minutes walk from Archway or Highgate Northern line stations.
2018 marks the centenary of the birth of composer, conductor, author, music lecturer and pianist Leonard Bernstein, whose most famous scores include West Side Story, On the Town, Candide and On the Waterfront.
Commissioned from Bernstein by the Dean of Chichester Cathedral for the 1965 Southern Cathedrals Festival, the Chichester Psalms received its UK premiere on 31st July 1965 and has gone on to become a highly popular staple of choral societies to this day. Consisting of three short movements, the Chichester Psalms is sung in Hebrew.
Our programme of 20th- and 21st-century compositions is completed with choral works by Janacek, Morten Lauridsen and Vaughan Williams.
A festive selection of carols and music to get you in the mood for Christmas. The award winning Highgate Choral Society Choir will be joined by New London Children’s Choir and New London Performing Arts Centre.
Edward Batting on the organ and Alexander Wells will be accompanying on the piano all conducted by the illustrious Ronald Corp OBE.
Meera Maharaj (flute) and Dominic Degavino (piano) present a recital of music by Vitali, Karg-Elert, Scott and Jongen as part of St Michael’s Saturdays at Six concert series. Refreshments are available. Entry by donation.
Paul Dean (Director of Music, St Michael’s, Highgate) presents an organ recital of music by J. S. Bach as part of St Michael’s Saturdays at Six concert series. Refreshments are available. Entry by donation.
Chamber choir Voxcetera returns to St. Michael’s, Highgate, for a thrilling concert featuring Camille Saint-Saëns’ Requiem and four pieces by one of the best-loved and most distinctive composers of the 20th century, Benjamin Britten.
Saint-Saëns’ compelling and accessibly beautiful 1878 Requiem moves from quiet simplicity to unearthly fortissimi to shake you to the core. Originally scored for a vast orchestra, this version arranged for harp, strings and organ maintains Saint-Saëns’ heightened expression and heartfelt sincerity, but with the intimacy of chamber music. The performance features soprano Angela Henckel who has performed with notable ensembles all over the world, and in UK venues including the Wigmore Hall, Queen Elizabeth Hall, St. Martin’s-in-the Fields and Symphony Hall, Birmingham, as well as on Radio 3.
Britten wrote in 1945, “One of my chief aims is to try to restore to the musical setting of the English Language a brilliance, freedom and vitality that have been curiously rare since the death of Purcell”. That vitality is abundant in his extraordinary cantata Rejoice in the Lamb, by turns as mad and as beautiful as the religious poems by Christopher Smart from which Britten took the text. Other short works on the menu are the joyful Jubilate Deo, the dramatic Missa Brevis in D, and Festival Te Deum which sets ethereal Gregorian chant against a progression of shifting organ chords.
A bar will be open before the concert and during the interval.