Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Mama’s Kitchen is a place for experimentation and curious concoctions, serving up a menu of pioneering performance.
The brainchild of Shunt artist Layla Rosa and curated especially for Postcards, expect circus artists, theatre makers, musicians, visual artists and a whole heap of other exciting performances that we’re not entirely sure about just yet.
But if previous outings at The Shunt Lounge are anything to go by, Mama’s Kitchen will be unexpected and hugely memorable.
Click here to see the full programme of Postcards 2015.
Closing the festival in screwball style, join Ireland’s most emotional dancers as they share their bullet proof secret to life and happiness! A motivational, semi-nude, breathtakingly funny show, Sean and Seamus dance and bicker their way through an hour of physical and meta-physical comedy.
“if Michael Flatley and Jim Carey had a sadomasochistic love child they would be it” Elle Magazine
“THIS SHOW WILL CHANGE YOUR LIFE; OR AT LEAST MAKE YOU LAUGH. WHAT MORE COULD YOU WANT?”
THE IRISH TIMES
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We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Hazel will be running an exciting mixed media art class with a different focus and theme each 6 week term beginning with botanical art. You will develop formal art skills and explore painting, drawing and collage media surrounded by the beautiful gardens of the North London Bowls club on the edge of Hampstead Heath.
Classes will run from 10.00am to 1.00pm each Thursday.
Beginners and experienced artists welcome as Hazel has taught art for almost 25 years and is able to break down learning to make art accessible for all.
Alongside creating your own artwork, Hazel will connect your learning with the work of known artists.
Concession fees and drop in classes available. Please see www.hlwfineart.com
Hazel will be running an exciting mixed media art class with a different focus and theme each 6 week term beginning with botanical art. You will develop formal art skills and explore painting, drawing and collage media surrounded by the beautiful gardens of the North London Bowls club on the edge of Hampstead Heath.
Classes will run from 10.00am to 1.00pm each Thursday.
Beginners and experienced artists welcome as Hazel has taught art for almost 25 years and is able to break down learning to make art accessible for all.
Alongside creating your own artwork, Hazel will connect your learning with the work of known artists.
Concession fees and drop in classes available. Please see www.hlwfineart.com
Hazel will be running an exciting mixed media art class with a different focus and theme each 6 week term beginning with botanical art. You will develop formal art skills and explore painting, drawing and collage media surrounded by the beautiful gardens of the North London Bowls club on the edge of Hampstead Heath.
Classes will run from 10.00am to 1.00pm each Thursday.
Beginners and experienced artists welcome as Hazel has taught art for almost 25 years and is able to break down learning to make art accessible for all.
Alongside creating your own artwork, Hazel will connect your learning with the work of known artists.
Concession fees and drop in classes available. Please see www.hlwfineart.com
Hazel will be running an exciting mixed media art class with a different focus and theme each 6 week term beginning with botanical art. You will develop formal art skills and explore painting, drawing and collage media surrounded by the beautiful gardens of the North London Bowls club on the edge of Hampstead Heath.
Classes will run from 10.00am to 1.00pm each Thursday.
Beginners and experienced artists welcome as Hazel has taught art for almost 25 years and is able to break down learning to make art accessible for all.
Alongside creating your own artwork, Hazel will connect your learning with the work of known artists.
Concession fees and drop in classes available. Please see www.hlwfineart.com
Hazel will be running an exciting mixed media art class with a different focus and theme each 6 week term beginning with botanical art. You will develop formal art skills and explore painting, drawing and collage media surrounded by the beautiful gardens of the North London Bowls club on the edge of Hampstead Heath.
Classes will run from 10.00am to 1.00pm each Thursday.
Beginners and experienced artists welcome as Hazel has taught art for almost 25 years and is able to break down learning to make art accessible for all.
Alongside creating your own artwork, Hazel will connect your learning with the work of known artists.
Concession fees and drop in classes available. Please see www.hlwfineart.com
Hazel will be running an exciting mixed media art class with a different focus and theme each 6 week term beginning with botanical art. You will develop formal art skills and explore painting, drawing and collage media surrounded by the beautiful gardens of the North London Bowls club on the edge of Hampstead Heath.
Classes will run from 10.00am to 1.00pm each Thursday.
Beginners and experienced artists welcome as Hazel has taught art for almost 25 years and is able to break down learning to make art accessible for all.
Alongside creating your own artwork, Hazel will connect your learning with the work of known artists.
Concession fees and drop in classes available. Please see www.hlwfineart.com
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.