with Steve Lodev (keyboards), Steve Waterman & Martin Shaw (tpts,), Mark Nightingale & Barnaby Dickinson (tmbs)

Ben Crosland, acoustic and electric bass player, is based in Yorkshire and assembled this premier-league brass section to realise a commission from the 2011 Marsden Jazz Festival, inspired by the Yorkshire Sculpture Park, An Open Place. The compositions are inspired by specific pieces, such as Henry Moore’s Reclining Figures, and Barbara Hepworth’s Family of Man, the whole composition is suffused with the gentle, pastoral quality of the Park. A project like this would be easy meat for a classical brass group, but here the fascination is how some of the most technically-brilliant brassmen of the jazz world preserve the excitement of jazz, spontaneity and creativity without ‘raising the roof’, which in other circumstances they could easily do.

See event website.

In this lecture, Professor Gareth Stedman Jones looks at the last decade and a half of Marx’s life, a period in which he effectively gave up further work on Capital and read up instead on the village community and the early history of man. He was interested in particular in the new work on pre-history which developed from the 1860s onwards connecting this with a notion of primitive communism and an epoch in history before patriarchy and political hierarchy.

Professor Gareth Stedman Jones is Director of the Centre for History and Economics, Cambridge, and a Fellow of King’s College, Cambridge University since 1974. He was Professor of Political Science, History Faculty, Cambridge University from 1997 and in 2010 became Professor of the History of Ideas at Queen Mary, University of London. His publications include An End to Poverty? (2004), a long introduction to Karl Marx and Friedrich Engels, The Communist Manifesto (2002), and The Cambridge History of Nineteenth-Century Political Thought, co-edited with Gregory Claeys, 2011.

He is currently working on an intellectual biography of Marx commissioned by Penguin and a more general work on political thought between the French Revolution and the Revolutions of 1848.

Doors open at 7pm and wine and nibbles will be served. The talk starts promptly at 7.30pm and will last about an hour.

Tickets are non-refundable but, as a courtesy to others, please let us know if you cannot attend.

If you’d like to experience the special atmosphere of Highgate Cemetery East in the soft evening light, then now’s your chance. Last admission will be at 8.30pm on the third Thursday of the month in June, July and August.

Entrance: £4. Just turn up before 8.30pm. No need to book.

If you’d like to experience the special atmosphere of Highgate Cemetery East in the soft evening light, then now’s your chance. Last admission will be at 8.30pm on the third Thursday of the month in June, July and August.

Entrance: £4. Just turn up before 8.30pm. No need to book.

If you’d like to experience the special atmosphere of Highgate Cemetery East in the soft evening light, then now’s your chance. Last admission will be at 8.30pm on the third Thursday of the month in June, July and August.

Entrance: £4. Just turn up before 8.30pm. No need to book.

As an introduction to our 175 anniversary series of talks Highgate Cemetery Trustee and Historian to The Royal Horticultural Society Dr Brent Elliot gives an introduction to the development of Victorian Garden Cemeteries.

When the movement to create large-scale nondenominational cemeteries arose in the nineteenth century there was no tradition of cemetery landscapes in this country for designers to follow. The first cemeteries copied the different styles of country house gardens, ranging from the informal park (Norwood) to the first signs of a return to formal design (Kensal Green and Brompton).

In the 1840s John Claudius Loudon called for cemeteries to be laid out on a grid pattern, planted with conifers; and his, the only book on cemetery design ever published in England, was available for local authorities to use after the Burials Acts of the early 1850s. Every large town or city in the country has a cemetery in the Loudon style.
In the later years of the century a reaction set in with a partial return to informal landscaping and the use of deciduous trees. The arrival of cremation at the century’s end reinforced the trend to informal landscaping and allowed the fashion for the Japanese garden to enter the world of the cemetery.

Dr David McAllister will discuss attitudes to burial in the years leading up to the birth of the Garden Cemetery movement in the early nineteenth century and the establishment of Highgate Cemetery itself. His talk will focus on attempts by a series of writers including Wordsworth, Burke, Godwin and Bentham to identify the value of buried bodies, and to establish whether the grave was anything more than an inefficient dumping ground for human remains.

David McAllister is a lecturer in Victorian Literature at Birkbeck, University of London, and course director of its MA in Victorian Studies.

Bringing the ancient art of Falconry to the modern age, with a far-reaching and breath taking display, that is guaranteed to thrill in the beautiful setting of Highgate Cemetery Courtyard.
Filled with audience participation and interaction, the display also shows the natural attributes and abilities of the birds and exhibits how they live, fly and hunt in the wild.
Including Peregrine Falcons, estimated at reaching speeds of up to 242mph, British Barn Owls, spectacularly silent in flight, spell binding as they fly. The Kestrel – We have all seen them hovering at the side of motorways, but have you ever seen them this close?
Gates open at 7pm for the Static display. The Flying display starts promptly at 7.30pm and will last around 45mins followed by Questions and Answers and an opportunity to take photos.

Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.

Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.

Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.

Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.

Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.

Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.

Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.

Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.

Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.

Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.

Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.

Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.

Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.

Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.

Highgate Cemetery Bee-keeper, Ian Creer, will talk about honey bees in general and in particular, those resident in Highgate Cemetery.
Ian will cover the differences between honey bees and other bees native to the UK, our relationship with them (including their importance to agriculture and the environment) and the life-cycles and roles within the honey bee hive. He will also discuss the threats to honey bees, the causes and remedies, and compare honey bees in the countryside to those in the City; in particular, those in the cemetery, their forage and the type of honey they produce compared to honey from other sources.
Ian will be bringing along a demonstration hive.

Battle Field Surgery: Blood Pus and Pain

Discover the gory facts and curious tools used in a time before anesthetics and antiseptics.  Meet Mr King, Crimean Surgeon RN, for an enlightening demonstration of the techniques in the theatre of war (not for the faint hearted).

Geoff King will share his wide knowledge of historic medical technique with his amazing collection of real and replica instruments and a little audience participation.  Discover how an amputation took place, what happened if you had a bladder stone and learn about the kind of injuries occurred during war.

STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015

We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.

Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.

The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.

For more information on the role, visit http://highgatecemetery.org/help/volunteer

and read our Volunteer Tour Guide role description.

To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.

STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015

We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.

Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.

The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.

For more information on the role, visit http://highgatecemetery.org/help/volunteer

and read our Volunteer Tour Guide role description.

To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.

STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015

We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.

Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.

The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.

For more information on the role, visit http://highgatecemetery.org/help/volunteer

and read our Volunteer Tour Guide role description.

To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.

STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015

We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.

Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.

The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.

For more information on the role, visit http://highgatecemetery.org/help/volunteer

and read our Volunteer Tour Guide role description.

To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.

Max Wall, who is buried in Highgate Cemetery East, is one of the great British comedians of the 20th century, as anyone who saw his character Professor Wallofski will attest. Born Maxwell George Lorimer in Brixton, he made his stage debut as Jack in Mother Goose, going on to appear in many musicals and stage comedies in the 1930s. His distinctive facial expressions and mournful voice led to many parts in films after the war including Chitty Chitty Bang Bang. He played serious parts, too: Vladimir in Beckett’s Waiting for Godot being perhaps the best known.
Max’s close friend Michael Pointon, who is writing a personal memoir about him, will regale the audience with anecdotes and insights. Max was a friend of another star buried at Highgate, Leslie ‘Hutch’ Hutchinson, and Michael will tell us about that friendship and play music Max and Hutch recorded together. The talk will be illustrated with film clips and excerpts from Max’s performances.

Sensei Corky Quakenbush (Los Angeles) is back in London to present his unique Aiki-Lab method – at the Highgate Civic and Cultural Centre.

Complete beginners are especially welcome! No Aikido technique, throw, fall or force is strictly necessary!

Corky is the mastermind of the ground-breaking approach to Takemusu Aikido known as AikiLab – a YouTube sensation. Whereas most forms of Aikido are taught through the repetitive emulation of katas or techniques, his approach does not rely on such stereotypes. Instead, the main focus of Aiki-Lab is on the flow of energy arising from the intentions of those involved in a confrontation…

Corky’s re-invention of the Art – the result of more than thirty years of practice and research – his unique gift for teaching, allied to a friendly and open personality, has led to a growing demand for his teaching world-wide.

In this hands-on presentation, you will understand how certain intentional moves which channel beneficent intention towards an opponent, often lead to a safe and harmonious resolution of an attack.

Please book ASAP!

Five £10 concessions  available. Please e-mail us in advance.

if you can’t share no one gets any is an exhibition by Cinenova, a volunteer run feminist film and video distributor based at LUX, Waterlow Park. Cinenova has invited artist Carolyn Lazard and the worker collective Collective Text to share the space of this exhibition to present work which addresses some of the barriers to the access of film and video in its production, distribution and exhibition.

Carolyn Lazard’s video A Recipe for Disaster (2017, USA, 27 mins) uses the first programme shown with captions on US television, a cookery show, The French Chef  (1972), to compose a wider study on the terms of media accessibility, and a call to produce more inclusive communities. Alongside Lazard’s video installation, Cinenova has invited Collective Text, a Glasgow-based worker collective who share skills and expertise to deliver intersectional access projects, specialising in creative Captioning and Audio Description for art and experimental film, to begin a longer-term access project with the titles within the Cinenova collection. Collective Text work in consultation with D/deaf & Hard of Hearing, Blind & Visually Impaired and Disabled artists and audiences.

Please join us for a Breakfast Opening on Wednesday 15th August at LUX, 9am–10.30am, for a special preview of the exhibition with free coffee, tea and pastries. All welcome.

A special breakfast viewing of the exhibition with artist Kathryn Elkin. Coffee, tea and pastries will be provided. All welcome, drop-in anytime between 9am-10.30am.

In this “pregnancy and baby” video—as the artist describes it—Kathryn Elkin tackles, with her usual sense of humour and irreverence, issues around motherhood, labour and creation, personal biography, being an artist and the transforming pregnant body. Queen was conceived and shot during the artist’s pregnancy and first months of parenthood.

Queen was first presented at BALTIC 39 and was produced in the context of the Warwick Stafford Fellowship. BL CK B X: Kathryn Elkin is Elkin’s first solo show in London.

Kathryn Elkin (Belfast, 1983) is an artist working with performance, video and writing. Her idiosyncratic, self-reflexive and at times hilariously absurd video works deal with roleplaying and improvising, often resembling simplified versions of music videos and TV talk shows. In her work, Elkin fuses biographical memory with shared cultural memory (popular music, television and cinema), offering a comparison of the way in which we experience art to the ways and means it is understood culturally.
Elkin is a graduate of Glasgow School of Art (2005) and Goldsmiths College (2012) and former LUX Associate Artist (2013). She is currently based in Berwick Upon Tweed.

From the comfort of your home, follow in a virtual tour in Charles Dickens’ footsteps in a walk from Highgate to the hamlet of North End on the border with Hampstead and Hampstead Garden Suburb. We will follow some of Bill Sikes escape route after murdering Nancy in Oliver Twist, see houses that Dickens stayed in; learn about his friendship with philanthropist Baroness Angela Burdett-Coutts; view the house that inspired Steerforth’s mother’s house in David Copperfield and peep into Highgate Cemtrey where several members of the Dickens family were buried and follow the Gordon rioters in Barnaby Rudge towards Lord Mansfield’s country estate at Kenwood (Caen Wood). We will pay a visit o the Spaniard’s Inn featured in the Pickwick Papers and continue with Bill Sikes’ journey in Oliver Twist from Highgate Hill across the grounds of Kenwood towards Northend and Hendon. We finish in North End where we view the 17th farmhouse that Dickens lodged in after the death of his sister in law Mary Hogarth.