What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 2
Wolfgang Amadeus Mozart Horn Quintet in E flat K.407 Ludwig van Beethoven duo for clarinet and bassoon No.3 in B flat WoO 27 Gabriel Fauré Piano Quartet No.2 in G minor Op.45
Sophia Jaffé & Natalie Klouda - violin Lena Fankhauser - viola Reinoud Ford - cello Fabian van de Geest - horn Amy Harman - bassoon Julian Bliss - clarinet Irina Botan - piano
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 3
Franz Schubert String Trio in B flat D.471 Natalie Klouda Piano Quintet (London premiere) Felix Mendelssohn Piano Trio No.1 in D minor Op.49
Jack Liebeck & Alexandra Raikhlina – violin Rosalind Ventris - viola Bartholomew LaFollette & Gemma Rosefield - cello Katya Apekisheva – piano
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 4
Wolfgang Amadeus Mozart Piano Quartet in E flat major K.493 Dora Pejačević Piano Quintet in B minor Op.40
Alexandra Raikhlina & Jack Liebeck – violin Rosalind Ventris - viola Bartholomew LaFollette & Gemma Rosefield - cello Katya Apekisheva - piano
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 5
Antonín Dvořák Bagatelles Op.47 Natalie Klouda Violin Sonata Schumann Piano Quartet in E flat Op.47
Alexander Sitkovetsky - violin Benjamin Gilmore - viola Ashok Klouda - cello Wu Qian - piano Borut Zagoranski - classical accordion
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 6
FUNDRAISING CONCERT IN SUPPORT OF FOOD BANK AID with special guest ROWAN ATKINSON
Exploring Schubert Extracts from Schubert's letters read by Rowan Atkinson set alongside two of his most sublime works for piano trio.
Franz Schubert Notturno in E flat for piano trio Op.148 D.897 Franz Schubert Piano Trio No.1 in B flat Op.99, D.898
Rowan Atkinson - speaker Benjamin Gilmore - violin Ashok Klouda - cello Simon Callaghan – piano
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 7
Ralph Vaughan-Williams Piano Quintet in C minor Felix Mendelssohn Sextet in D Op.110
Zahra Benyounes – violin Rosalind Ventris & Lena Fankhauser – viola Ashok Klouda – cello Chi-chi Nwanoku CBE – double bass Simon Callaghan - piano
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 8
Franz Joseph Haydn String Quartet in F minor Op.20 No.5 Joseph Boulogne ‘Chevalier Saint Georges’ String Quartet No.3 in G Wolfgang Amadeus Mozart Adagio & Rondo for glass harmonica and quartet K.617 (performed by accordion and string quartet) Selection of works by Astor Piazzolla for accordion and strings
Natalie Klouda & Zahra Benyounes – violin Rosalind Ventris & Lena Fankhauser – viola Ashok Klouda – cello Chi-chi Nwanoku CBE – double bass Borut Zagoranski – classical accordion
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 9
"Corelli to Jazz"
A rare opportunity to hear renowned violinist Thomas Gould and jazz pianist extraordinaire Gwilym Simcock as they join forces to take you on an improvisatory journey like no other. At the heart of the programme, the duo explore Corelli's Violin Sonatas and see what happens when the improvisatory nature of the writing is taken a step further...
Thomas Gould – violin Gwilym Simcock - piano
The 2022 festival represents HICMF’s 10th anniversary and is our most special to date. 10 concerts are packed into the 5-day festival from 7 – 11 December, with renowned musicians joining us from as far afield as the USA, Austria, Germany and Croatia. From Boulogne to Brahms, Piazzolla to Pejačević, and despite the lack of alliteration, even ‘Corelli to Jazz’, there is something for everyone to discover and enjoy!
Concert 10 GALA CONCERT
Johannes Brahms Piano Quintet in F minor Op.34 Felix Mendelssohn Octet in E flat Op.20
Katharine Gowers, Natalie Klouda, Thomas Gould & Sara Wolstenholme – violin Lena Fankhauser & Meghan Cassidy – viola Nathaniel Boyd & Ashok Klouda – cello Irina Botan - piano
Chamber choir Voxcetera returns to St. Michael’s, Highgate, for a thrilling concert featuring Camille Saint-Saëns’ Requiem and four pieces by one of the best-loved and most distinctive composers of the 20th century, Benjamin Britten.
Saint-Saëns’ compelling and accessibly beautiful 1878 Requiem moves from quiet simplicity to unearthly fortissimi to shake you to the core. Originally scored for a vast orchestra, this version arranged for harp, strings and organ maintains Saint-Saëns’ heightened expression and heartfelt sincerity, but with the intimacy of chamber music. The performance features soprano Angela Henckel who has performed with notable ensembles all over the world, and in UK venues including the Wigmore Hall, Queen Elizabeth Hall, St. Martin’s-in-the Fields and Symphony Hall, Birmingham, as well as on Radio 3.
Britten wrote in 1945, “One of my chief aims is to try to restore to the musical setting of the English Language a brilliance, freedom and vitality that have been curiously rare since the death of Purcell”. That vitality is abundant in his extraordinary cantata Rejoice in the Lamb, by turns as mad and as beautiful as the religious poems by Christopher Smart from which Britten took the text. Other short works on the menu are the joyful Jubilate Deo, the dramatic Missa Brevis in D, and Festival Te Deum which sets ethereal Gregorian chant against a progression of shifting organ chords.
A bar will be open before the concert and during the interval.
Get your sturdy footwear ready for
10:30 – 12:30 on Saturday, 15 April
Rain or shine, together we’ll enhance our shared open Hillcrest spaces … no matter if litter picking isn’t your speed, join in at the E.T. Event Tent at the Hillcrest Commons cul-de-sac for freshly brewed coffee or tea & biscuits … or bring some of your own favourite Saturday morning treats to share.
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
The Highgate International Chamber Music Festival is back for its 11th year, bringing together world-class musicians for a thoroughly varied programme of chamber music performed in the intimate, candle-lit setting of St Anne’s Church.
Join us for chamber music favourites by Beethoven and Brahms amongst others, set alongside lesser-known gems by Enescu and Richard Strauss. Rowan Atkinson CBE returns to the festival for an evening of Mozart to raise funds for Food Bank Aid, and The Julian Bliss Quintet makes it first appearance at HICMF for an afternoon of jazz focusing on the music of George Gershwin. It promises to be an exciting, thought-provoking and festive week of music topped off with mince pies and mulled wine.
We look forward to welcoming you there!
Concert 1
Joseph Haydn Piano Trio in Bb Hob XV:20
Richard Strauss Variations on a Bavarian Folk Song for string trio TrV109
Johannes Brahms Sextet No 2 Op.36
Sophia Jaffé, Braimah Kanneh-Mason, Natalie Klouda – violin
Meghan Cassidy, Ruth Gibson – viola
Robert Cohen, Ashok Klouda – cello
Irina Botan – piano
The Highgate International Chamber Music Festival is back for its 11th year, bringing together world-class musicians for a thoroughly varied programme of chamber music performed in the intimate, candle-lit setting of St Anne’s Church.
Join us for chamber music favourites by Beethoven and Brahms amongst others, set alongside lesser-known gems by Enescu and Richard Strauss. Rowan Atkinson CBE returns to the festival for an evening of Mozart to raise funds for Food Bank Aid, and The Julian Bliss Quintet makes it first appearance at HICMF for an afternoon of jazz focusing on the music of George Gershwin. It promises to be an exciting, thought-provoking and festive week of music topped off with mince pies and mulled wine.
We look forward to welcoming you there!
Concert 2
Gustav Mahler Piano Quartet in A minor
Vaughan Williams Nocturne & Scherzo
Wolfgang Amadeus Mozart String Quintet No 4 in G minor K.516
Sophia Jaffé, Braimah Kanneh-Mason – violin
Meghan Cassidy, Ruth Gibson – viola
Robert Cohen – cello
Irina Botan – piano
The Highgate International Chamber Music Festival is back for its 11th year, bringing together world-class musicians for a thoroughly varied programme of chamber music performed in the intimate, candle-lit setting of St Anne’s Church.
Join us for chamber music favourites by Beethoven and Brahms amongst others, set alongside lesser-known gems by Enescu and Richard Strauss. Rowan Atkinson CBE returns to the festival for an evening of Mozart to raise funds for Food Bank Aid, and The Julian Bliss Quintet makes it first appearance at HICMF for an afternoon of jazz focusing on the music of George Gershwin. It promises to be an exciting, thought-provoking and festive week of music topped off with mince pies and mulled wine.
We look forward to welcoming you there!
Concert 3
Maurice Ravel String Quartet in F
Felix Mendelssohn String Quartet No 6 in F minor, Op. 80
Natalie Klouda, Benjamin Nabarro – violin
Meghan Cassidy – viola
Ashok Klouda – cello
The Highgate International Chamber Music Festival is back for its 11th year, bringing together world-class musicians for a thoroughly varied programme of chamber music performed in the intimate, candle-lit setting of St Anne’s Church.
Join us for chamber music favourites by Beethoven and Brahms amongst others, set alongside lesser-known gems by Enescu and Richard Strauss. Rowan Atkinson CBE returns to the festival for an evening of Mozart to raise funds for Food Bank Aid, and The Julian Bliss Quintet makes it first appearance at HICMF for an afternoon of jazz focusing on the music of George Gershwin. It promises to be an exciting, thought-provoking and festive week of music topped off with mince pies and mulled wine.
We look forward to welcoming you there!
Concert 4
George Enescu Piano Quintet No 1
Johannes Brahms Clarinet Quintet in B minor Op.115
Braimah Kanneh-Mason, Benjamin Nabarro – violin
Meghan Cassidy – viola
Robert Cohen – cello
Julian Bliss – clarinet
Irina Botan – piano
The Highgate International Chamber Music Festival is back for its 11th year, bringing together world-class musicians for a thoroughly varied programme of chamber music performed in the intimate, candle-lit setting of St Anne’s Church.
Join us for chamber music favourites by Beethoven and Brahms amongst others, set alongside lesser-known gems by Enescu and Richard Strauss. Rowan Atkinson CBE returns to the festival for an evening of Mozart to raise funds for Food Bank Aid, and The Julian Bliss Quintet makes it first appearance at HICMF for an afternoon of jazz focusing on the music of George Gershwin. It promises to be an exciting, thought-provoking and festive week of music topped off with mince pies and mulled wine.
We look forward to welcoming you there!
Concert 5
HICMF will be helping to raise vital funds for the charity Food Bank Aid through this evening’s concert which explores Mozart’s music and life with readings by Rowan Atkinson CBE
Rowan Atkinson – narrator
Ailish Tynan – soprano
Sophia Jaffé, Natalie Klouda – violin
Meghan Cassidy – viola
Ashok Klouda – cello
Irina Botan – piano
The Highgate International Chamber Music Festival is back for its 11th year, bringing together world-class musicians for a thoroughly varied programme of chamber music performed in the intimate, candle-lit setting of St Anne’s Church.
Join us for chamber music favourites by Beethoven and Brahms amongst others, set alongside lesser-known gems by Enescu and Richard Strauss. Rowan Atkinson CBE returns to the festival for an evening of Mozart to raise funds for Food Bank Aid, and The Julian Bliss Quintet makes it first appearance at HICMF for an afternoon of jazz focusing on the music of George Gershwin. It promises to be an exciting, thought-provoking and festive week of music topped off with mince pies and mulled wine.
We look forward to welcoming you there!
Concert 6 - Jazz concert
The Genius of Gershwin
George Gershwin was a musician who bridged the worlds of jazz and classical music. Enamoured with both genres and convinced that each could bring something to the table, he mastered the art of combining jazz and classical to create his famous signature sound. In this programme The Julian Bliss Quintet presents their unique take on some of Gershwin’s most famous compositions with original arrangements and adaptations.
The Julian Bliss Quintet
Julian Bliss – clarinet
Martin Shaw – trumpet
Jason Rebello – piano
Ferg Ireland – bass
Ed Richardson – drums
The Highgate International Chamber Music Festival is back for its 11th year, bringing together world-class musicians for a thoroughly varied programme of chamber music performed in the intimate, candle-lit setting of St Anne’s Church.
Join us for chamber music favourites by Beethoven and Brahms amongst others, set alongside lesser-known gems by Enescu and Richard Strauss. Rowan Atkinson CBE returns to the festival for an evening of Mozart to raise funds for Food Bank Aid, and The Julian Bliss Quintet makes it first appearance at HICMF for an afternoon of jazz focusing on the music of George Gershwin. It promises to be an exciting, thought-provoking and festive week of music topped off with mince pies and mulled wine.
We look forward to welcoming you!
GALA CONCERT
Natalie Klouda Five Rings for String Quartet (2012)
Ludwig van Beethoven Piano Trio in E flat Op.1 No 1
Antonín Dvořák Piano Quintet No 2 in A Op. 81
Sophia Jaffé, Natalie Klouda
Meghan Cassidy – viola
Ashok Klouda – cello
Irina Botan – piano
Benjamin Britten’s much-loved work for voices and harp is the centrepiece of this year’s Christmas concert, which will also feature atmospheric sacred music from across the centuries and popular secular Christmas songs. You’ll also have the opportunity to raise the roof by joining in with a couple of well-known carols!
With Voxcetera chamber choir, Olivia Jageurs (harp), Paul Ayres (organ and piano), conducted by Jane Hopkins.
BAR: open from 7pm selling wine and mince pies.
Voxcetera returns to the beautiful St Michael’s Church with two dazzling works for choir and strings, written nearly 300 years apart.
Vivaldi: Gloria
In a crowded field, little beats this for exuberant Baroque joy. Yet it is full of variety, from the slow and tender “Et in terra pax” to the effervescent “Domine, Fili unigenite”, the choir accompanied throughout by sprightly strings, oboe and trumpet.
Ola Gjeilo: Sunrise Mass
“Most of my favourite composers are film composers working in America today” says the New York-based Norwegian composer Ola Gjeilo, and this thrilling mass pays tribute to the emotions, adrenaline and sense of wonder of film music. Scored for choir and strings and using traditional Latin texts, the 30-minute piece is strong on melody and rich in harmony, opening with gorgeous shimmering chords that emerge magically out of silence. It’s unmistakably modern, but it’s also in touch with early sacred music including Gregorian chant.
with:
Voxcetera chamber choir
Jane Hopkins, conductor
Ellie Sperling & Bethany Partridge, soloists
String orchestra, oboe, trumpet, organ
Voxcetera is a chamber choir celebrating sacred and secular music from medieval times to the present day under the direction of its founding conductor Jane Hopkins. The choir’s achievements include its popular Christmas concerts; performances with chamber ensembles of Fauré’s Requiem, Saint-Saëns’ Requiem and Brahms’ Ein deutsches Requiem, at St Michael’s Highgate; tours to Germany and Ireland; performances at St Martin-in-the-Fields, St. John Smith Square, St. Stephen Walbrook and East Finchley Arts Festival; appearances at the Science Museum, British Library and the Southbank Centre; and a variety of recording work.
On A Role presents
Enid Blyton – Noddy, Big-Ears, and Lashings of Controversy.
Wednesday 24 April
Virtually everybody of a certain age has read an Enid Blyton book. She was loved by children (except her younger daughter who hated her) but vilified by the BBC, teachers, critics and librarians.
She sold more than 600 million books, despite all her work being banned by the BBC and many libraries and schools for more than thirty years. She was accused of being a racist and of using such limited vocabulary that it actually hindered children’s reading progress.
Her love-life was interesting and she had numerous affairs including with her children’s nanny. She enjoyed playing golf so much that she bought a golf course near Swanage. She died of Alzheimer’s in 1968 aged 71, mourned by millions of readers all over the world.
Liz Grand (previous shows ‘The Second Best Bed’, ‘Where Is Mrs. Christie?’ and ‘Mrs. Churchill – My Life With Winston’) plays this remarkable and controversial woman and brings you her story.
★★★★★
“The show’s subject is brilliantly played by Liz Grand, already well-versed in portraying strong independent women.”
View From The Stalls
“Liz Grand delivers a great performance as Enid and manages to portray different aspects of her complex character: she is arrogant, and somewhat vindictive at times, more self-aware at others and ultimately rather pitiable.”
Behind The Arras
Running Time: 60 mins