LUCID BODY BASICS, a physical acting process for everyone
Lucid Body is a process of self exploration designed for actors but accessible for anyone who wants to reconnect with their body and explore the habits that are locking them into unwanted patterns.
When a person is connected to their body we feel it – we sense their intentions, emotions, we feel their presence in the room, they seem alive and in the moment.
In January and February 2015 we are offering a six-week Basics class to explore the fundamental elements of this challenging Psycho-Physical Integration Process.
We will work to:
Create a safe and challenging environment for deep exploration.
Draw awareness to, and break, the postural habits and emotional patterns that bind us.
Use our unique physical and emotional impulses in our creativity.
Connect breath to body.
Gain an in-depth understanding of the Seven Energy Centres of the body.
Let go of control and anticipation.
Live and work in the moment.
You don’t need to be an actor to participate, but you do need a brave heart, a willingness to play and some comfortable clothes to do movement work in.
Immediately following this course, we are offering a four-week Advanced course which can be taken separately or in conjunction with this Basics course. See website for special pricing package when booking Basics and Advanced together.
Raniah Al-Sayed currently teaches Lucid Body at Italia Conti Academy of Theatre Arts, The Drama Studio London and Arts Educational Schools London. She trained as an actor, firstly as a young artist at the BRIT School and, later, at The Michael Howard Studios NY where she met Lucid Body Founder Fay Simpson. After completing her teacher training with Fay, Raniah returned to her childhood city to found Lucid Body London. She continues to act, write and direct while teaching in schools and privately.
LUCID BODY BASICS, a physical acting process for everyone
Lucid Body is a process of self exploration designed for actors but accessible for anyone who wants to reconnect with their body and explore the habits that are locking them into unwanted patterns.
When a person is connected to their body we feel it – we sense their intentions, emotions, we feel their presence in the room, they seem alive and in the moment.
In January and February 2015 we are offering a six-week Basics class to explore the fundamental elements of this challenging Psycho-Physical Integration Process.
We will work to:
Create a safe and challenging environment for deep exploration.
Draw awareness to, and break, the postural habits and emotional patterns that bind us.
Use our unique physical and emotional impulses in our creativity.
Connect breath to body.
Gain an in-depth understanding of the Seven Energy Centres of the body.
Let go of control and anticipation.
Live and work in the moment.
You don’t need to be an actor to participate, but you do need a brave heart, a willingness to play and some comfortable clothes to do movement work in.
Immediately following this course, we are offering a four-week Advanced course which can be taken separately or in conjunction with this Basics course. See website for special pricing package when booking Basics and Advanced together.
Raniah Al-Sayed currently teaches Lucid Body at Italia Conti Academy of Theatre Arts, The Drama Studio London and Arts Educational Schools London. She trained as an actor, firstly as a young artist at the BRIT School and, later, at The Michael Howard Studios NY where she met Lucid Body Founder Fay Simpson. After completing her teacher training with Fay, Raniah returned to her childhood city to found Lucid Body London. She continues to act, write and direct while teaching in schools and privately.
LUCID BODY BASICS, a physical acting process for everyone
Lucid Body is a process of self exploration designed for actors but accessible for anyone who wants to reconnect with their body and explore the habits that are locking them into unwanted patterns.
When a person is connected to their body we feel it – we sense their intentions, emotions, we feel their presence in the room, they seem alive and in the moment.
In January and February 2015 we are offering a six-week Basics class to explore the fundamental elements of this challenging Psycho-Physical Integration Process.
We will work to:
Create a safe and challenging environment for deep exploration.
Draw awareness to, and break, the postural habits and emotional patterns that bind us.
Use our unique physical and emotional impulses in our creativity.
Connect breath to body.
Gain an in-depth understanding of the Seven Energy Centres of the body.
Let go of control and anticipation.
Live and work in the moment.
You don’t need to be an actor to participate, but you do need a brave heart, a willingness to play and some comfortable clothes to do movement work in.
Immediately following this course, we are offering a four-week Advanced course which can be taken separately or in conjunction with this Basics course. See website for special pricing package when booking Basics and Advanced together.
Raniah Al-Sayed currently teaches Lucid Body at Italia Conti Academy of Theatre Arts, The Drama Studio London and Arts Educational Schools London. She trained as an actor, firstly as a young artist at the BRIT School and, later, at The Michael Howard Studios NY where she met Lucid Body Founder Fay Simpson. After completing her teacher training with Fay, Raniah returned to her childhood city to found Lucid Body London. She continues to act, write and direct while teaching in schools and privately.
LUCID BODY BASICS, a physical acting process for everyone
Lucid Body is a process of self exploration designed for actors but accessible for anyone who wants to reconnect with their body and explore the habits that are locking them into unwanted patterns.
When a person is connected to their body we feel it – we sense their intentions, emotions, we feel their presence in the room, they seem alive and in the moment.
In January and February 2015 we are offering a six-week Basics class to explore the fundamental elements of this challenging Psycho-Physical Integration Process.
We will work to:
Create a safe and challenging environment for deep exploration.
Draw awareness to, and break, the postural habits and emotional patterns that bind us.
Use our unique physical and emotional impulses in our creativity.
Connect breath to body.
Gain an in-depth understanding of the Seven Energy Centres of the body.
Let go of control and anticipation.
Live and work in the moment.
You don’t need to be an actor to participate, but you do need a brave heart, a willingness to play and some comfortable clothes to do movement work in.
Immediately following this course, we are offering a four-week Advanced course which can be taken separately or in conjunction with this Basics course. See website for special pricing package when booking Basics and Advanced together.
Raniah Al-Sayed currently teaches Lucid Body at Italia Conti Academy of Theatre Arts, The Drama Studio London and Arts Educational Schools London. She trained as an actor, firstly as a young artist at the BRIT School and, later, at The Michael Howard Studios NY where she met Lucid Body Founder Fay Simpson. After completing her teacher training with Fay, Raniah returned to her childhood city to found Lucid Body London. She continues to act, write and direct while teaching in schools and privately.
LUCID BODY BASICS, a physical acting process for everyone
Lucid Body is a process of self exploration designed for actors but accessible for anyone who wants to reconnect with their body and explore the habits that are locking them into unwanted patterns.
When a person is connected to their body we feel it – we sense their intentions, emotions, we feel their presence in the room, they seem alive and in the moment.
In January and February 2015 we are offering a six-week Basics class to explore the fundamental elements of this challenging Psycho-Physical Integration Process.
We will work to:
Create a safe and challenging environment for deep exploration.
Draw awareness to, and break, the postural habits and emotional patterns that bind us.
Use our unique physical and emotional impulses in our creativity.
Connect breath to body.
Gain an in-depth understanding of the Seven Energy Centres of the body.
Let go of control and anticipation.
Live and work in the moment.
You don’t need to be an actor to participate, but you do need a brave heart, a willingness to play and some comfortable clothes to do movement work in.
Immediately following this course, we are offering a four-week Advanced course which can be taken separately or in conjunction with this Basics course. See website for special pricing package when booking Basics and Advanced together.
Raniah Al-Sayed currently teaches Lucid Body at Italia Conti Academy of Theatre Arts, The Drama Studio London and Arts Educational Schools London. She trained as an actor, firstly as a young artist at the BRIT School and, later, at The Michael Howard Studios NY where she met Lucid Body Founder Fay Simpson. After completing her teacher training with Fay, Raniah returned to her childhood city to found Lucid Body London. She continues to act, write and direct while teaching in schools and privately.
LUCID BODY BASICS, a physical acting process for everyone
Lucid Body is a process of self exploration designed for actors but accessible for anyone who wants to reconnect with their body and explore the habits that are locking them into unwanted patterns.
When a person is connected to their body we feel it – we sense their intentions, emotions, we feel their presence in the room, they seem alive and in the moment.
In January and February 2015 we are offering a six-week Basics class to explore the fundamental elements of this challenging Psycho-Physical Integration Process.
We will work to:
Create a safe and challenging environment for deep exploration.
Draw awareness to, and break, the postural habits and emotional patterns that bind us.
Use our unique physical and emotional impulses in our creativity.
Connect breath to body.
Gain an in-depth understanding of the Seven Energy Centres of the body.
Let go of control and anticipation.
Live and work in the moment.
You don’t need to be an actor to participate, but you do need a brave heart, a willingness to play and some comfortable clothes to do movement work in.
Immediately following this course, we are offering a four-week Advanced course which can be taken separately or in conjunction with this Basics course. See website for special pricing package when booking Basics and Advanced together.
Raniah Al-Sayed currently teaches Lucid Body at Italia Conti Academy of Theatre Arts, The Drama Studio London and Arts Educational Schools London. She trained as an actor, firstly as a young artist at the BRIT School and, later, at The Michael Howard Studios NY where she met Lucid Body Founder Fay Simpson. After completing her teacher training with Fay, Raniah returned to her childhood city to found Lucid Body London. She continues to act, write and direct while teaching in schools and privately.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Eight weeks of fundamental Lucid Body principles offered to those wishing to work with:
mind-body integration
energy release and unblocking
exploration of the layers of Self
character improvisation
conflict as part of the nature of drama
active space on stage and in life
the language of the Chakras
Class Fee: £225/ Course £203/ Concession
When: 11 January – 29 February, Mondays 6:30 – 9:15 PM
Where: Jacksons Lane, 269a Archway Rd, N6 5AA
Event Page: http://www.lucidbodylondon.com/basics
We’re finally returning to the standard eight-week format for Basics, which will allow us to cover all the pillars of the work as well as create a final project.
This class is open to those with or without any Lucid Body experience.
Glorious and good-natured music for a summer evening: acclaimed London chamber choir Voxcetera have invited the brilliant Edinburgh ensemble Rudsambee to join them for a joint concert of choral musical, ranging from Tudor anthems to the present day.
The programme includes Samuel Barber and Morten Lauridsen‘s spinetingling arrangements of Sure On This Shining Night; anthems by Biebl, Byrd, Tallis and Weelkes; settings of Shakespeare songs by Shearing; James MacMillan‘s haunting and unmistakeably celtic The Galant Weaver; and folk songs by Reger.
Two great choirs, much great music, one lovely evening.
Rudsambee Company of Singers, conductor Ciara Coleman
Voxcetera, conductor Jane Hopkins
with Adam Johnson, piano
The opening concert in our 2016-2017 season has a sombre feel, commemorating the centenary of the Battle of the Somme. Starting with The Banks of Green Willow by George Butterworth, who was killed in action on 5th August 1916, aged 31, this work is complemented by Ronald Corp’s The Somme – A Lament. The mood lifts with the choral arrangement of Serenade to Music by Butterworth’s contemporary, Vaughan Williams and the programme closes with Brahms’s glorious German Requiem.
16th January
The New Junior School and Fibonacci
David Smith, former Head of Physics
Highgate’s magnificent new Junior School opened for business in September of last year. After exploring the history of the Junior School, David will describe the philosophy behind the new structure, making particular mention of the Leonardo Bonacci – known as Fibonacci – and the features around the building that his sequence inspired.
2018 marks the centenary of the birth of composer, conductor, author, music lecturer and pianist Leonard Bernstein, whose most famous scores include West Side Story, On the Town, Candide and On the Waterfront.
Commissioned from Bernstein by the Dean of Chichester Cathedral for the 1965 Southern Cathedrals Festival, the Chichester Psalms received its UK premiere on 31st July 1965 and has gone on to become a highly popular staple of choral societies to this day. Consisting of three short movements, the Chichester Psalms is sung in Hebrew.
Our programme of 20th- and 21st-century compositions is completed with choral works by Janacek, Morten Lauridsen and Vaughan Williams.
Get into the Christmas spirit with an evening of sacred music, popular festive songs and traditional carols from acclaimed choir Voxcetera.
Enjoy beautiful choral works spanning 400 years, from anthems by Byrd and Praetorius to contemporary composers including John Rutter, Eric Whitacre, Morten Lauridsen and Cecilia McDowall. And there’ll be dazzling arrangements of popular songs and carols such as Winter Wonderland, Have Yourself A Merry Little Christmas and Ding Dong Merrily on High.
It isn’t Christmas without a Christmas concert – so why not start the season in beautiful surroundings with joyous, tranquil and uplifting music.
Voxcetera chamber choir sings Gabriel Fauré’s much-loved, moving masterpiece, with soloists Ellie and Jamie Sperling, accompanied by violin, cello, harp and organ.
The concert will also feature Fauré’s Cantique de Jean Racine; a selection from Gustav Holst’s Choral Hymns from the Rig Veda, a collection of ancient Indian sacred texts; and Henry Balfour Gardiner’s dramatic Evening Hymn.
And you’ll hear beautiful music from contemporary composers: the hypnotic Northern Lights by Ola Gjeilo; and Paul Aryes’ sun-drenched love song Quanto sei bella.
Voxcetera is a north London-based chamber choir, directed by its founding conductor Jane Hopkins. Recent activity includes concerts at St Martin-in-the-fields, East Finchley Arts Festival, overseas tours and recording work.
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
Voxcetera returns to the beautiful St Michael’s Church with two dazzling works for choir and strings, written nearly 300 years apart.
Vivaldi: Gloria
In a crowded field, little beats this for exuberant Baroque joy. Yet it is full of variety, from the slow and tender “Et in terra pax” to the effervescent “Domine, Fili unigenite”, the choir accompanied throughout by sprightly strings, oboe and trumpet.
Ola Gjeilo: Sunrise Mass
“Most of my favourite composers are film composers working in America today” says the New York-based Norwegian composer Ola Gjeilo, and this thrilling mass pays tribute to the emotions, adrenaline and sense of wonder of film music. Scored for choir and strings and using traditional Latin texts, the 30-minute piece is strong on melody and rich in harmony, opening with gorgeous shimmering chords that emerge magically out of silence. It’s unmistakably modern, but it’s also in touch with early sacred music including Gregorian chant.
with:
Voxcetera chamber choir
Jane Hopkins, conductor
Ellie Sperling & Bethany Partridge, soloists
String orchestra, oboe, trumpet, organ
Voxcetera is a chamber choir celebrating sacred and secular music from medieval times to the present day under the direction of its founding conductor Jane Hopkins. The choir’s achievements include its popular Christmas concerts; performances with chamber ensembles of Fauré’s Requiem, Saint-Saëns’ Requiem and Brahms’ Ein deutsches Requiem, at St Michael’s Highgate; tours to Germany and Ireland; performances at St Martin-in-the-Fields, St. John Smith Square, St. Stephen Walbrook and East Finchley Arts Festival; appearances at the Science Museum, British Library and the Southbank Centre; and a variety of recording work.