SUMMER SCHOOL 2014
A whole week of popping, locking, tutting, Krumping, Breaking, Tricks, choreography and an end of week performance. Come and join us spinning, jumping, sliding, and moving. Our Summer School is a great way to meet new friends, improve your dance skills, keep you entertained all day and work towards a dance performance.
SUMMER SCHOOL 2014
A whole week of popping, locking, tutting, Krumping, Breaking, Tricks, choreography and an end of week performance. Come and join us spinning, jumping, sliding, and moving. Our Summer School is a great way to meet new friends, improve your dance skills, keep you entertained all day and work towards a dance performance.
SUMMER SCHOOL 2014
A whole week of popping, locking, tutting, Krumping, Breaking, Tricks, choreography and an end of week performance. Come and join us spinning, jumping, sliding, and moving. Our Summer School is a great way to meet new friends, improve your dance skills, keep you entertained all day and work towards a dance performance.
SUMMER SCHOOL 2014
A whole week of popping, locking, tutting, Krumping, Breaking, Tricks, choreography and an end of week performance. Come and join us spinning, jumping, sliding, and moving. Our Summer School is a great way to meet new friends, improve your dance skills, keep you entertained all day and work towards a dance performance.
SUMMER SCHOOL 2014
A whole week of popping, locking, tutting, Krumping, Breaking, Tricks, choreography and an end of week performance. Come and join us spinning, jumping, sliding, and moving. Our Summer School is a great way to meet new friends, improve your dance skills, keep you entertained all day and work towards a dance performance.
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
LGBT PLAYREADINGS 7.30pm | £3.50/£5 on door
Philippe Barbour Mon 13 Feb REPELLENT ACTS asks what life will be like for gay men in the future, should the backlash against ‘liberalism gone mad’ worsen.
Tim McArthur Wed 15 Feb CONTROL explores a relationship that blooms, then darkens. Who has the final control of the situation?
Christian Durham Thu 16 Feb FINDING THE BURNETT tells the story of 16 year old Tyler who lives with his father and is just coming out as gay.
Philip Lawrence Mon 20 Feb A PINK TRIANGLE follows two men in a complacent, loveless civil partnership in post-Brexit London.
Tim McArthur Wed 15 Feb CONTROL explores a relationship that blooms, then darkens. Who has the final control of the situation?
Christian Durham Thu 16 Feb FINDING THE BURNETT tells the story of 16 year old Tyler who lives with his father and is just coming out as gay.
Philip Lawrence Mon 20 Feb A PINK TRIANGLE follows two men in a complacent, loveless civil partnership in post-Brexit London.
Christian Durham Thu 16 Feb FINDING THE BURNETT tells the story of 16 year old Tyler who lives with his father and is just coming out as gay.
Philip Lawrence Mon 20 Feb A PINK TRIANGLE follows two men in a complacent, loveless civil partnership in post-Brexit London.
Philip Lawrence Mon 20 Feb A PINK TRIANGLE follows two men in a complacent, loveless civil partnership in post-Brexit London.
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
HGO presents a new production of Domenico Cimarosa’s masterpiece of opera buffa, ‘THE SECRET MARRIAGE’. ‘What a treat to bring Cimarosa’s sparkling, effervescent opera to life’, says director SINÉAD O’NEILL. ‘It was an immediate hit in 1792, and it’s easy to see why. Fast-paced, with direct, well-drawn characters, tangled love affairs, confusion and misunderstandings, it is light-hearted, touching, and charming.’
Directed by Sinéad O’Neill
Music Director Chris Hopkins
With the HGO Orchestra.
Jacksons Lane Theatre, 269A Archway Rd, London N6 AA
Concessions (£20) 16th and 17th only
Student Tickets (£11 or £13.50) first 5 performances only
General Admission £22
Premium Seats £27
16, 19, 20, 21, 22, 23, 24 November at 19:30
17 and 25 November at 16:00
24 November at 14:30
AROUND THE WORLD WITH HGO
A perfect summer evening – Sparkling opera, song and musical theatre from around the world with stars from HGO, North London’s leading opera company – Mozart, Handel, Puccini, Delibes and much much more!
Luci Briginshaw (soprano) – Donna Anna in ‘Don Giovanni’ (HGO 2015)
Beth Moxon (mezzo-soprano) – Nancy in ‘Albert Herring’ (HGO 2014)
Nick Pritchard (tenor) – Ferrando in ‘Così fan tutte’ (HGO 2012)
Dan D’Souza (baritone) – Count Robinson in ‘The Secret Marriage’ (HGO 2018)
with Juliane Gallant at the Steinway
“There are few more lovely places to present an informal concert…excellent acoustic…delightful interval….an immensely enjoyable evening” (Ham and High review of our 2016 concert)
Tickets: £25 (front nave/gallery), £20 (rear nave/gallery), £15 (side-aisles) on-line or at the door.
Wine and soft drinks available at the interval
UTOPIAN (t&c’s apply) is a surrealistic circus pop-culture queer positive experience. And it’s
absolute trash. Joined by their accomplice, Symoné takes you on an expedition inspired by
raves and power play, with a big pink pole, 6 inch skates, and gender nonconformity.
Join the world of psychedelic pilgrimage. You’ll be safe with us.
WARNING: This show may or may not contain autobiographical references about cults.
Suitable for ages 16+
Content warning: sexual content, nudity, drug references and language.
UTOPIAN (t&c’s apply) is a surrealistic circus pop-culture queer positive experience. And it’s
absolute trash. Joined by their accomplice, Symoné takes you on an expedition inspired by
raves and power play, with a big pink pole, 6 inch skates, and gender nonconformity.
Join the world of psychedelic pilgrimage. You’ll be safe with us.
WARNING: This show may or may not contain autobiographical references about cults.
Suitable for ages 16+
Content warning: sexual content, nudity, drug references and language.