12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
Remembering Blossom Dearie
Zoe Francis (voice), Jim Mullen (guitar), Barry Green (piano) & Mick Hutton (d bass)
Zoe Francis is “a singer to listen out for. She communicates a love and understanding of classic American song with the lightest of touches. A classy set.” – The Guardian.
Tonight she weaves new magic and wit into the repertoire of Blossom Dearie, the legendary 1950’s and 60’s American pianist/singer who was a well-loved regular at Ronnie Scott’s, where Zoe also sold out earlier this year. Zoe’s harmonic knowledge, immaculate articulation, and ‘grip’ on time – an absolute essential for jazz musicians – wins her the admiration of her three brilliant colleagues, who are all heavyweight names on the British jazz scene.
Lauderdale House Thursday 17 May 2018, 20:00 (Doors open 20:30)
Standard£12.00
Concession£10.00
Student£7.00
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.