Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
It’s girls on top in this rip-roaring, trail-blazing night to remember! Hosted by the inimitable and award-winning Sh!t Theatre, Flappers brings together some of the most exciting talent from circus, comedy and live art. A range of acts will be announced over the coming weeks (keep your eyes fixed on us) and oh yes, did we mention they’re all female?
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
If you like food, you’ll love this…
Internationally acclaimed comedian George Egg is also a rather fanatical self-taught cook with a somewhat anarchic approach to making meals. As obsessed with culinary matters as he is with comedic ones, and finding himself dissatisfied with the quality and cost of takeaways and room-service meals while touring the stand-up comedy clubs of the world, George embarks on a project to take matters into his own surprisingly capable hands.
A surreal and absurd mix of stand-up comedy and striking innovation – in the words of Jay Rayner – “You’ll never look at a Corby trouser press in the same way again”
“It’s an hilarious show, with surprisingly good food.” The Times
“It is refreshing to encounter a performer who really is unique.” The Telegraph
“Absolutely glorious.” The Scotsman
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Closing the festival in screwball style, join Ireland’s most emotional dancers as they share their bullet proof secret to life and happiness! A motivational, semi-nude, breathtakingly funny show, Sean and Seamus dance and bicker their way through an hour of physical and meta-physical comedy.
“if Michael Flatley and Jim Carey had a sadomasochistic love child they would be it” Elle Magazine
“THIS SHOW WILL CHANGE YOUR LIFE; OR AT LEAST MAKE YOU LAUGH. WHAT MORE COULD YOU WANT?”
THE IRISH TIMES
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We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
Also a prize draw!
Mondays @ the Mills: The geography of wine |
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| 3 July 2017
The geography of wine Phil Harrison, Highgate School Talks take place on Mondays at 7pm in the AV Room in the Mills Centre. Refreshments, including wine, are available from 6.30 pm and afterwards. |
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Serenata celebrate the music of Brahms this April at Lauderdale House.
This concert will feature an eclectic programme of Lieder, Duets & Piano Music by the Classical Romanticist, which will include the original scoring of the Love-Song Waltzes and a special arrangement of Wiegenlied, as well as the Gipsy Songs and selected Hungarian Dances.
Serenata will perform Aimez-vous Brahms? on Friday 27 April 2018 at 7:30pm.
Tickets are £12 (£8 concessions) and will be available on the door or from: 22 Chestnut Avenue N8 8NY (020 8348 2983).
Brahms’ gorgeous, stirring Ein Deutsches Requiem is one of the great choral works, full of warm, rich harmonies. Inspired perhaps by the deaths of his mother, and his friend and fellow composer Robert Schumann, its music evokes comfort, loss, fear, peace and joy. Unlike other well known requiems, Brahms’ is not so much a mass for the dead as an offering of solace to those who mourn.
Jane Hopkins conducts Voxcetera, with soprano Ellie Sperling and baritone Jamie Sperling, using Iain Farrington’s acclaimed arrangement of the score for chamber ensemble. It promises to be both a grand and intimate experience.
There will be a bar open before and after the performance, and Voxcetera hopes you’ll stay to join us for wine and cake when the music finishes.
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Voxcetera is a north London-based choir performing regularly in north and central London. Recent activity includes concerts at St Martin-in-the-fields, East Finchley Arts Festival, tours to southern Germany and recording work for Unicef’s Generations campaign. Its most recent Highgate concert was for Christmas 2018, in St Josephs RC Church.
In another little step back to the ethos of the London Novello Ensemble – which is the presentation of great music outside the formal constraints of the concert hall – Murray and Gavin present the two opposites of late 19th century romanticism along with music by Delius, Vitali and Sarasate, and a selection of popular tangos including Piazzolla’s famous ‘Libertango’
Gavin Davies studied the violin with Marta Eitler and at the Royal College of Music with Jaroslav Vanecek and Natasha Boyarsky. He combines a freelance orchestral career with ensembles such as the London Philharmonic and BBC Concert orchestras with regular chamber music and solo performances.
Murray Hipkin is a fulltime member of the music staff at English National Opera, where he has conducted The Mikado, The Gondoliers, The Pirates of Penzance, Kismet, Carousel, Chess and Man of la Mancha. He is musical director of the Pink Singers and the North London Chorus and he recently finished filming Anyone Can Sing for ENO/Sky Arts in the role of music supervisor and accompanist.
Programme to include:
Brahms – Sonata No. 1 in G
Liszt – Romance
Delius – Sonata No. 3
Vitali – Chaconne
Sarasate – Zigeunerweisen
Tangos by Albeniz, Gade, and Piazzolla
Advanced booking is advised as we will be limiting capacity in order to ensure socially distanced seating is available for those who require it. In accordance with normal practice, we respectfully ask that you do a lateral flow test – available free from www.gov.uk/order-coronavirus-lateral-flow-tests.com in the 48 hours prior to the concert – but please do get in touch for a full refund if you get a positive result!
This page is for the performance at Pond Square Chapel, Highgate on 9th December.
To buy tickets for the performance at St Paul’s Lorrimore Square, Kennington on 6th December, please click on this link: Brahms and Liszt in Kennington 6 December
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.