Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
Cathy Stocker presents her latest portraits – drawings of friends and family, each created in a single sitting. This is an interesting insight into this intimate process of artist and sitter, capturing the moment.
Long Gallery
Opening hours are Wed to Fri: 11am to 4pm and Sun 10am to 5pm.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.
Children’s Drawing & Painting Classes
Our children’s art classes run on a termly basis, providing children aged 5-8 with an introduction to the basics of drawing and painting.
Each week children will build on their skills learnt in previous weeks, developing their confidence and ability.
Taught by experienced, supportive, and friendly teacher Aynur Erdal, this class is the perfect opportunity to introduce your child to the world of art.
We welcome any students wishing to join after the beginning of the term and charge a pro rata rate of £17.50 per class until the end of the term. Please contact the office on 020 8348 8716 to book or if you have any queries about the class.
You are also welcome to book an initial trial class at £17.50 ahead of booking the whole term- please call on 020 8348 8716, and we will be happy to help.