A celebration of London life through the ages, with readings, riotous anecdotes and live music. Dickens, Emmeline Pankhurst, Pepys, Blake, Boswell, Ian Dury, Dostoevsky and Virginia Woolf are among those featured. The actors are Daniel Dresner and Kate Walsh, who is about to join Radio 4 as a continuity announcer; music is by Bow and Bellows (violin, vocals, horn, accordion).
Free and open to all but do phone to book your place. In these lively debates, prominent and informed speakers argue their points of view on issues of current importance. They are ‘seconded’ by pupils from local schools, and audience members also have the opportunity to sway the opinion of those attending.
The motion: This House Believes that Gender Equality is Unachievable
Proposing: Ann Hussey, QC and barrister specialising in family law
Opposing: Vicky Pryce, economist and former joint head of the UK government economic service
singing for humanity
sunday songfest
We are currently living in a refugee crisis unseen since the Second World War with approximately 65.3 million people now refugees, seeking asylum or internally displaced. Therefore we have decided to give these 2 concerts in aid of one of the most important charities in the world at the moment, working with refugees, Help Refugees.
1st concert 5pm:
Rachel Mildon – Soprano
Antoine Carrier – Tenor
Mozart, Purcell, Haydn, Beethoven, Brahms, Massenet, Verdi, Debussy, Chausson, Faure, Delius, Albeniz, Britten and more
2nd concert 7.45:
Lana Quaid, Ashley Racov – Soprano,
Roy Neilie – Tenor
Marcus Andrew Brentley – Baritone,
Anthony Philips – Bass baritone
Mozart, Bach, Mendelsohn, Schubert, Verdi, Donizetti, Offenbach, Bizet, Gurney, Ravel, Bernstein, Sondheim and more
Pianist – Richard Black
Musical direction – Idit Arad
From Help Refugees’ mission statement:
“Help Refugees is not simply another aid organisation. We work where governmental and other non-governmental bodies can (or will) not, filling the gaps and providing emergency aid and vital services to those affected by the global refugee crisis. We act fast to get aid and services directly and immediately to the people who need it most by identifying the most effective grassroots groups, local people, individual volunteers and refugees themselves active in the crisis and providing them with funding and support, enabling them to focus their time and energy on the vital work they do every day. Help Refugees are also operational where needed across Europe providing our experienced teams to maintain quality services and uphold dignity for refugees.”
To read more please go to their official website: www.helprefugees.org.uk
“For many years I have admired Idit as both a singer and a teacher of singing: she brings to all her musicmaking a lively professionalism and integrity, coupled with the gift of communication which inspires others to aspire to the same high standards. I have witnessed her in action as a teacher and have seen how quickly she can achieve positive results with committed students by pinpointing the specific areas of development relevant to each individual singer – the singers themselves are frequently surprised at the speed of their progress under Idit’s tuition. I enthusiastically recommend Idit as an exceptional teacher who commands international respect.”
Michael Pollock. (Consultant coach: English National Opera Harewood Artists; regular guest coach for National Opera Studio, Royal Academy Opera, Royal College of Music International Opera School (London); Royal Welsh College of Music and Drama (Cardiff, Wales); North Sea Vocal Academy (Denmark), etc)
http://singingteacherinlondon.co.uk/
Time: 17:00 to 19:45
Venue: Lauderdale House
Tickets are valid for one or both of the concerts
| Price band | A | B |
| Standard | £10.00 | |
| Concession | £5.00 | |
| Child |
to book
Box office: 0798230943
Email: idit.arad.0925@gmail.com
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+