Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Travel to Kenya this half term and follow in Handa’s footsteps as she journeys to see her best friend Akeyo, in the next village. Handa is taking 7 delicious fruits as a surprise – but 7 different animals have 7 very different ideas… could you resist the sweet-smelling guava? How about a ripe red mango or a tangy purple passion fruit?
A blend of physical performance, puppetry, live music and song combine to create an intimate, magical production with audience participation. Come and share in the magical tangerine surprise!
Ages 2-6
“A SHORT, SUNSHINY LITTLE SHOW WITH A DELICIOUS CITRUS FINISH.” CRITICS’ CHOICE TIME OUT
10.30AM, 12PM, 2PM & 3PM (3PM TUE & FRI ONLY)
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Christopher Harris, Jockey Rider
Jamaican Intuitives 13-26 October
This exhibition is a rare opportunity to see a unique Jamaican branch of contemporary art which was first acknowledged post-independence and which continues to flourish. There are no pretty beach scenes; no ‘tourist’ art. The work is challenging and powerful.
Until Jamaican Independence in 1962, the larger part of Jamaica’s art establishment took only European and North American style art seriously. This was a legacy of colonialism. With Independence, the importance of the arts and of acknowledging and exhibiting Jamaican artists was recognised in helping to shape a national cultural identity.
It was the late Dr David Boxer, Director and Chief Curator of the National Gallery of Jamaica for over 35 years, who coined the word ‘Intuitive’ – now an official art term. He defined the context in which these remarkable artists’ accomplishments should be considered:
‘These artists paint and sculpt intuitively. They are not guided by fashion. Their vision is pure and sincere, untarnished by art theories and philosophies, principles and movements. They are, for the most part self-taught…. Their visions (and many of them are true visionaries) as released through paint or wood, are expressions of their individual relationships with the world around them – and the worlds within.’
All five artists in this show were born and (have) spent their lives in Jamaica. Their work has been part of major exhibitions at the National Gallery of Jamaica, and has been shown across the Caribbean, the US and Europe.
- Christopher Harris was born in 1974. He was one of the fourteen selected exhibitors in the prestigious Young Talent V Competition at the National Gallery of Jamaica in 2010. Encouraged to draw from an early age by his father, a farmer and a portraitist, Christopher’s work connects to his Ashanti forefathers.
- Kingsley Thomas was born in 1941. He worked in Kingston as a journalist for the now closed Jamaica Daily News before moving back home to rural Portland. A number of his lyrical paintings and sculptures refer to stories he covered as a journalist.
- Leonard Daley 1930 – 2006. Partly surreal, partly realist, Daley’s images tap into Jamaica’s collective consciousness and history. In 1999, at the opening of Daley’s one-man show at the University of the West Indies, Dr David Boxer declared him to be ‘one of the truly great natural painters of the century.’ Daley was awarded the prestigious Bronze Musgrave Medal in 2002.
- Evadney Cruickshank, born c1950. Evadney started painting after observing her then partner, the artist Sylvester Woods, at work. Her narrative paintings record daily life in her rural community – Pocomania services (an African-based religion), street dances, clearing up after hurricane damage. Her dry sense of humour infuses her work.
- Birth ‘Ras Dizzy’ Livingstone c1932 – 2008. Ras Dizzy first came to public attention in the 1960s as a Rastafarian poet/philosopher selling his writings on the University of the West Indies campus. A remarkable colourist, he portrayed himself in his paintings as a prize-winning boxer, a judge, a horse race jockey. A poetic insight was written on the reverse of each work.
Opening Party on Sunday 15th October 2-5 pm featuring the Koromanti Mento Band. Mento is Jamaica’s folk music and the precursor to ska and reggae. The High Commissioner, His Excellency Mr Seth George Ramocan, will be guest of honour. Jamaican Intuitives is part of the official Jamaica55 celebrations.
Exhibition continues until 26 October.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Join us for Harington Annual Spring Plant Sale.
As well as buying all your summer bedding and window box plants, hanging baskets, herbs, chutneys and jams, there will be refreshments served by the Friends of the Harington Scheme in our walled garden. Fingers crossed for sunshine!
- Bedding Plants
- Hanging Baskets
- Perennials
- Herbs
- Refreshments
- Homemade Produce
Daisy is doing her best to keep her chin up and her head down – but as the first anniversary of her mum’s death approaches she begins to realise grief isnʼt something she can put aside indefinitely, and whether she’s willing to admit it or not, things aren’t fine.
From the silly to the sublime to the scary to the ridiculous, Daisy wrestles (sometimes literally) with her grief – Ian, a 6-foot invisible bald guy with a lot of luggage – eventually discovering that by letting him into her world she is able to reconnect with the memory of her mother.
Combining physical comedy with striking aerial acrobatics and an original, constantly moving aerial set, the debut live show from She Said Jump draws on theatre clown, circus and puppetry to tackle the themes of grief and bereavement with a light and playful touch.
Suitable for ages 8+
Suitable for ages 3 – 5
Two hapless storytellers with their big boxes of story and their terrible rhymes share
the magic of shadows, live songs and the unique, loveable puppets TouchedTheatre are renowned for in this totally unique tale of friendship and courage. Join us on a brilliant puppetry adventure to find the mysterious monster that’s made everyone else run away.
Created specially for younger audiences by an award-winning team.
A sure-fire hit for all your little monsters and their friends.
Suitable for ages 3 – 5
Two hapless storytellers with their big boxes of story and their terrible rhymes share
the magic of shadows, live songs and the unique, loveable puppets TouchedTheatre are renowned for in this totally unique tale of friendship and courage. Join us on a brilliant puppetry adventure to find the mysterious monster that’s made everyone else run away.
Created specially for younger audiences by an award-winning team.
A sure-fire hit for all your little monsters and their friends.
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!