Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Save the date for this wonderful event.
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Alces Productions presents
The Lady With A Dog
The Chekhov story that the writer Vladimir Nabokov called ‘one of the greatest stories ever written’ returns to the UK stage in a full-length bittersweet romantic comedy transported to Jazz Age Britain.
Damian Granville is a banker and devoted family man with an unconventional way of taking his summer holidays: he travels alone and looks for a woman to seduce. This particular year he spots a beautiful young lady walking a white Pomeranian dog. How can he resist? He’s a skillful player and sure of success. Except Anne Dennis isn’t quite what he bargains for.
★★★★★ “Mark Giesser… recognises the responsibilities of taking on Chekhov demands and, with a dancer’s grace, solves them perfectly.” – Broadway World.
Previous shows by Alces Productions at Upstairs at the Gatehouse: Sirens of the Silver Screen; Strike Up the Band; Once Upon a Mattress; Call Me Madam; Luck Be a Lady; How To Build a Better Tulip.
Written and Directed by Mark Giesser
Choreographer: Xena Gusthart
Running Time: 2 hours (TBC)
AIM Theatre presents
Just Barking
by Joe Wiltshire Smith
Performed in rep with That Day on the 18th & 20th October
Stumbling back into her flat drunk at 10:30am, Tammy, a trainee nurse, decides to confess EVERYTHING to camera. To confront some demons, co-workers, postmen… this could take a while… You think you know her, but maybe you don’t know half of it.
Tammy’s life is a frantic mess of drink, insomnia and patient drama, with the usual hangover worse than death the next day – ’til one night, coming home from work, she get’s some self-help advice from the most unlikely of gurus… in fact, he’s a Chihuahua.
A richly black comedy, this one-woman, drastic reimagining of Gogol’s ‘Diary of a Madman’ investigates the strain on healthcare, the toxic cycle of hustle culture, the deafening toll on mental health and the rediscovery of the self.
Running Time: TBC (One act with no interval)
Alces Productions presents
The Lady With A Dog
The Chekhov story that the writer Vladimir Nabokov called ‘one of the greatest stories ever written’ returns to the UK stage in a full-length bittersweet romantic comedy transported to Jazz Age Britain.
Damian Granville is a banker and devoted family man with an unconventional way of taking his summer holidays: he travels alone and looks for a woman to seduce. This particular year he spots a beautiful young lady walking a white Pomeranian dog. How can he resist? He’s a skillful player and sure of success. Except Anne Dennis isn’t quite what he bargains for.
★★★★★ “Mark Giesser… recognises the responsibilities of taking on Chekhov demands and, with a dancer’s grace, solves them perfectly.” – Broadway World.
Previous shows by Alces Productions at Upstairs at the Gatehouse: Sirens of the Silver Screen; Strike Up the Band; Once Upon a Mattress; Call Me Madam; Luck Be a Lady; How To Build a Better Tulip.
Written and Directed by Mark Giesser
Choreographer: Xena Gusthart
Running Time: 2 hours (TBC)
Alces Productions presents
The Lady With A Dog
The Chekhov story that the writer Vladimir Nabokov called ‘one of the greatest stories ever written’ returns to the UK stage in a full-length bittersweet romantic comedy transported to Jazz Age Britain.
Damian Granville is a banker and devoted family man with an unconventional way of taking his summer holidays: he travels alone and looks for a woman to seduce. This particular year he spots a beautiful young lady walking a white Pomeranian dog. How can he resist? He’s a skillful player and sure of success. Except Anne Dennis isn’t quite what he bargains for.
★★★★★ “Mark Giesser… recognises the responsibilities of taking on Chekhov demands and, with a dancer’s grace, solves them perfectly.” – Broadway World.
Previous shows by Alces Productions at Upstairs at the Gatehouse: Sirens of the Silver Screen; Strike Up the Band; Once Upon a Mattress; Call Me Madam; Luck Be a Lady; How To Build a Better Tulip.
Written and Directed by Mark Giesser
Choreographer: Xena Gusthart
Running Time: 2 hours (TBC)
Alces Productions presents
The Lady With A Dog
The Chekhov story that the writer Vladimir Nabokov called ‘one of the greatest stories ever written’ returns to the UK stage in a full-length bittersweet romantic comedy transported to Jazz Age Britain.
Damian Granville is a banker and devoted family man with an unconventional way of taking his summer holidays: he travels alone and looks for a woman to seduce. This particular year he spots a beautiful young lady walking a white Pomeranian dog. How can he resist? He’s a skillful player and sure of success. Except Anne Dennis isn’t quite what he bargains for.
★★★★★ “Mark Giesser… recognises the responsibilities of taking on Chekhov demands and, with a dancer’s grace, solves them perfectly.” – Broadway World.
Previous shows by Alces Productions at Upstairs at the Gatehouse: Sirens of the Silver Screen; Strike Up the Band; Once Upon a Mattress; Call Me Madam; Luck Be a Lady; How To Build a Better Tulip.
Written and Directed by Mark Giesser
Choreographer: Xena Gusthart
Running Time: 2 hours (TBC)
Garden Suburb Theatre presents
Murder With Ghosts
12 – 15 October
A spine tingling, rollercoaster of suspense, spooks and laughter as eerie encounters unfold at Quittendon Manor in this hilarious murder mystery spoof.
A killer is on the loose at Lady Cholmondley’s weekend house party and only the spirits can save her in this ghastly ghostly comedy. …You’ll die laughing!
Running Time: TBC
Garden Suburb Theatre presents
Murder With Ghosts
12 – 15 October
A spine tingling, rollercoaster of suspense, spooks and laughter as eerie encounters unfold at Quittendon Manor in this hilarious murder mystery spoof.
A killer is on the loose at Lady Cholmondley’s weekend house party and only the spirits can save her in this ghastly ghostly comedy. …You’ll die laughing!
Running Time: TBC
Garden Suburb Theatre presents
Murder With Ghosts
12 – 15 October
A spine tingling, rollercoaster of suspense, spooks and laughter as eerie encounters unfold at Quittendon Manor in this hilarious murder mystery spoof.
A killer is on the loose at Lady Cholmondley’s weekend house party and only the spirits can save her in this ghastly ghostly comedy. …You’ll die laughing!
Running Time: TBC
Garden Suburb Theatre presents
Murder With Ghosts
12 – 15 October
A spine tingling, rollercoaster of suspense, spooks and laughter as eerie encounters unfold at Quittendon Manor in this hilarious murder mystery spoof.
A killer is on the loose at Lady Cholmondley’s weekend house party and only the spirits can save her in this ghastly ghostly comedy. …You’ll die laughing!
Running Time: TBC
Garden Suburb Theatre presents
Murder With Ghosts
12 – 15 October
A spine tingling, rollercoaster of suspense, spooks and laughter as eerie encounters unfold at Quittendon Manor in this hilarious murder mystery spoof.
A killer is on the loose at Lady Cholmondley’s weekend house party and only the spirits can save her in this ghastly ghostly comedy. …You’ll die laughing!
Running Time: TBC
Garden Suburb Theatre presents
Murder With Ghosts
12 – 15 October
A spine tingling, rollercoaster of suspense, spooks and laughter as eerie encounters unfold at Quittendon Manor in this hilarious murder mystery spoof.
A killer is on the loose at Lady Cholmondley’s weekend house party and only the spirits can save her in this ghastly ghostly comedy. …You’ll die laughing!
Running Time: TBC
The Brownings Through Casa Guidi Windows
by Harry Meacher
A Fundraiser in Aid of Upstairs at the Gatehouse
Venice – 12th December 1889.
The great English poet Robert Browning is dying. In his last hours he summons the spirit of his beloved wife Elizabeth Barrett Browning (“Ba”).
Together they explore their lives in Casa Guidi. the apartment they shared in Florence.
Judi Bowker (Elizabeth Barrett Browning) and Harry Meacher (Robert Browning) star in an intimate portrayal of one of the most poignant love stories of all time.
This performance is kindly presented as a fundraiser for Upstairs at the Gatehouse. All proceeds go towards the theatre’s maintenance and upgrades.
AIM Theatre presents
That Day
by Ben Hannigan
Performed in rep with Just Barking on the 19th & 21st October
A confused introvert trying to write a song. A dream-like girl that appears out of nowhere and a very stern mother that only wants what’s best for her son. This gripping yet hilarious play that touches on isolation, mental health, family life in unprecedented times, and very entertaining life experiences
Running Time: TBC (One act with no interval)
AIM Theatre presents
Just Barking
by Joe Wiltshire Smith
Performed in rep with That Day on the 18th & 20th October
Stumbling back into her flat drunk at 10:30am, Tammy, a trainee nurse, decides to confess EVERYTHING to camera. To confront some demons, co-workers, postmen… this could take a while… You think you know her, but maybe you don’t know half of it.
Tammy’s life is a frantic mess of drink, insomnia and patient drama, with the usual hangover worse than death the next day – ’til one night, coming home from work, she get’s some self-help advice from the most unlikely of gurus… in fact, he’s a Chihuahua.
A richly black comedy, this one-woman, drastic reimagining of Gogol’s ‘Diary of a Madman’ investigates the strain on healthcare, the toxic cycle of hustle culture, the deafening toll on mental health and the rediscovery of the self.
Running Time: TBC (One act with no interval)
AIM Theatre presents
That Day
by Ben Hannigan
Performed in rep with Just Barking on the 19th & 21st October
A confused introvert trying to write a song. A dream-like girl that appears out of nowhere and a very stern mother that only wants what’s best for her son. This gripping yet hilarious play that touches on isolation, mental health, family life in unprecedented times, and very entertaining life experiences
Running Time: TBC (One act with no interval)
Escape Artists Theatre Company presents
Bess – The Other Houdini
The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?
It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.
Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.
When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.
As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?
Running Time: TBC
Escape Artists Theatre Company presents
Bess – The Other Houdini
The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?
It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.
Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.
When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.
As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?
Running Time: TBC
Escape Artists Theatre Company presents
Bess – The Other Houdini
The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?
It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.
Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.
When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.
As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?
Running Time: TBC
Escape Artists Theatre Company presents
Bess – The Other Houdini
The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?
It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.
Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.
When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.
As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?
Running Time: TBC
Escape Artists Theatre Company presents
Bess – The Other Houdini
The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?
It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.
Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.
When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.
As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?
Running Time: TBC
Escape Artists Theatre Company presents
Bess – The Other Houdini
The startling true story of Harry Houdini’s beloved wife and her breakdown in the aftermath of his death. The world knew Bess as Houdini’s loyal partner, both on and off stage, his inspiration, his guiding star – Or was their perfect marriage their greatest illusion?
It is 1929, the height of the Spiritualist frenzy. Houdini, the world’s first Superstar, has been dead two years and all attempts to contact him have failed. Yet surely if anyone can break through from the Other Side, it’s Harry.
Meanwhile his widow, Bess, his beloved partner both offstage and on, is alone and lost, her fragile health already stretched thin by years of living in daily fear as her husband was buried alive, flung manacled into icy rivers and dangled upside down ten stories high in a strait jacket. Now she is deeply in debt, struggling with addiction and desperate to stay in the public eye.
When she is accused of rigging a séance, and with the press hounding her as a fraud, she is forced to flee to a private sanitarium. Does she truly believe her husband has reached out to her from the Beyond? Or, haunted as she is by her own memories and hallucinations, can she even tell the difference? Her doctor is up-to-date with the latest treatments but neither he, nor her celebrity-obsessed nurse, nor her hovering family, can make the slightest dent in her despair.
As she battles with her own demons, she stumbles upon devastating clues about Houdini’s secret life, leading to the revelation that their perfect marriage may have been the greatest illusion of them all. But if everything she built her life upon was only for show, how will she be able to survive Life after Harry?
Running Time: TBC
Join us, once again, for an evening of Magic at the Gatehouse presented by an exciting line-up of top magicians. Witness miracles manifest before your eyes in an intimate cabaret configuration that puts you at the heart of the magic.
Guests already confirmed include John Archer, Harry De Cruz, and Tom Brace.
***
“John Archer’s reputation in the magic world is among the very best. I’d recommend him unreservedly.”
– DERREN BROWN on JOHN ARCHER
“Head and shoulders above the rest.”
– DYNAMO on HARRY DE CRUZ
“Charmed, amazed, and delighted in equal measure.”
– JAMES O’BRIEN on TOM BRACE