
Think about a classroom. How is everyone sat? Everyone is sat at their desks, facing the same way. What is left deals with spatial structures that shape human communication culture. We see it in theatres, while waiting to be served at counters, the hierarchy in a courtroom, in school and church, as well as from advertising screens in underground stations. All these spaces not only demand, but also structure the gaze attention of bodies in space.
International award-winning dance and circus company Overhead Project bring their new show What is Left to the UK. Mixing contemporary dance with group acrobatics, the show explores our relationship with different spaces and how they influence our communication.
Reminiscent of a catwalk or military parade, five performers occupy the space and are simultaneously consumed by it. A rhythmic, energetic, sometimes intimate, and exhilarating performance.
Contains: nudity

Expect a heady mix of love, drugs and Islam. This unique and complex take on circus, performed on two Chinese poles, is emotionally candid with moments of humour and joy set to a banging soundtrack.
The Chosen Haram deals with themes of sexuality, faith, addiction and connection. The story of two gay men and their chance meeting through a dating app, portraying the highs and lows of their relationship and the barriers they face, social, cultural and personal in seeking happiness and personal fulfilment.
The Chosen Haram is based on a combination of lead artist Sadiq Ali’s personal experience, as well as interviews with members of the LGBTQ+ community who identify as (ex) Muslim. The show is an exploration into the personal struggles faced by many people whose upbringing contradicts their personal truths, and how this can lead to self-destructive behaviour.
Something that is “Haram” is forbidden by Islam.
The Chosen Haram returns to Jacksons Lane following it’s sell out run in February 2022 as part of the London International Mime Festival.

s.o.l.o, which stands for Situations of Ones Life’s Obsessions, is a multimedia, and multi-discipline, circus theatre performance which creates a moment which we all experience together.
Australia-born and Belgium-based performer Simon-James Reynolds initially trained as a gymnast, working towards the Olympics. But in the run up to London 2012, a change in his family’s financial circumstances meant he had to set those dreams aside. Based on Simon-James’ personal experiences, s.o.l.o depicts a life, its struggles, losses and hopes that we must all face: solo.
Sur Mesure is a collective of musicians, instrument makers, woodworkers and circus performers. Together they work on new creations. The collective consists of making performances, but they also have a wood workshop where all kinds of furniture are made.
Guerrilla Gardening
Events 2023
Sat 22nd April: 2:30-4pm: Meet at Jacksons Lane Community Centre, N6 5AA
to help with their garden (EARTH DAY EVENT)
Mon 8th May (bank holiday): 2:30-4pm: Meet outside 10A South Grove, N6 6BS to garden in Pond Square
(BIG HELP OUT EVENT)
July, September, October and November events: Details to be confirmed. We
are happy to assist other groups in starting up clean-up events in their local
areas of Highgate, as we did last year. Please let us know!
We will provide rubbish bags and a limited number of gardening tools.
Please bring protective gloves, secateurs and forks if you have these.

From the peaceful pleasures of Ratty’s beloved river bank to the fearful frights and wicked weasels of the Wild Wood, join Mole and Ratty on their marvellous adventures, along with gruff old Badger and magnificent Mr. Toad.
“Their beautifully crafted micro-shows are like collector’s items.” The Stage
A beautiful new adaptation of Kenneth Grahame’s much-loved classic by award winning theatre company Box Tale Soup, featuring wonderful puppetry, innovative theatre and a charming original score.
“They are wonderful.” The Times
Suitable for ages 4+
Two shows: 11 am and 2pm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm

When Belle is feeling down she slips into her grandfather’s basement and discovers his old dusty instruments. But far from being junk, the Instrumentals are pure funk, and they teach Belle to ‘get down’ in a whole new way. Bursting to life with brilliant puppetry and bold music, The Instrumentals is full of love and laughter, about the memories we hold and how we celebrate life.
This is a show for all children with characters, story and inspiration from the African-Caribbean diaspora. It’s full of uplifting original music with soulful sounds and seventies grooves. Combined with innovative puppetry and lots of comedy, this fun musical journey will have audiences dancing in the aisles!
Suitable for ages 4+
Two shows at 11 am and 2 pm.
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Guest speaker: Dan Carrier
Journalist for the Camden New Journal
and previously for the Guardian and
Evening Standard. He is author of Untold
London: Stories from Time Trodden
Streets, Doctor Zipp’s Amazing
Octo-Com and his recent book Locks,
Bolts and Bars – a Life Inside. In his
spare time he is a DJ for Boogaloo Radio.
Doors open at 6.45pm and the meeting will commence at 7pm
ADMISSION FREE
Members and non-members welcome
Jacksons Lane,
269a Archway Road, London N6 5AA
One to one help with computers tablets and phones!
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Save the date for this wonderful event.
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
One to one help with computers tablets and phones!
One to one help with computers tablets and phones!
It’s a sticky situation. A kaleidoscope of circus, acrobatics, dance and live music combine to tell the story of Queen Bee and Worker Bee who must work together to rebuild their hive after being destroyed by a bushfire. But things never quite go to plan. Join the bees in their buzzy adventure.
Suitable for ages 3+
Performances at 11am & 2pm

A secret organisation known as the Ancient Guild of TaleTenders are on a mission to save stories – and they need your help. Develop creative and literacy skills through performance, games, and creative play, while exploring Roald Dahl’s extraordinary stories, including The BFG and The Twits along the way.
Suitable for ages 5+
Alces Productions presents
The Lady With A Dog
The Chekhov story that the writer Vladimir Nabokov called ‘one of the greatest stories ever written’ returns to the UK stage in a full-length bittersweet romantic comedy transported to Jazz Age Britain.
Damian Granville is a banker and devoted family man with an unconventional way of taking his summer holidays: he travels alone and looks for a woman to seduce. This particular year he spots a beautiful young lady walking a white Pomeranian dog. How can he resist? He’s a skillful player and sure of success. Except Anne Dennis isn’t quite what he bargains for.
★★★★★ “Mark Giesser… recognises the responsibilities of taking on Chekhov demands and, with a dancer’s grace, solves them perfectly.” – Broadway World.
Previous shows by Alces Productions at Upstairs at the Gatehouse: Sirens of the Silver Screen; Strike Up the Band; Once Upon a Mattress; Call Me Madam; Luck Be a Lady; How To Build a Better Tulip.
Written and Directed by Mark Giesser
Choreographer: Xena Gusthart
Running Time: 2 hours (TBC)
AIM Theatre presents
Just Barking
by Joe Wiltshire Smith
Performed in rep with That Day on the 18th & 20th October
Stumbling back into her flat drunk at 10:30am, Tammy, a trainee nurse, decides to confess EVERYTHING to camera. To confront some demons, co-workers, postmen… this could take a while… You think you know her, but maybe you don’t know half of it.
Tammy’s life is a frantic mess of drink, insomnia and patient drama, with the usual hangover worse than death the next day – ’til one night, coming home from work, she get’s some self-help advice from the most unlikely of gurus… in fact, he’s a Chihuahua.
A richly black comedy, this one-woman, drastic reimagining of Gogol’s ‘Diary of a Madman’ investigates the strain on healthcare, the toxic cycle of hustle culture, the deafening toll on mental health and the rediscovery of the self.
Running Time: TBC (One act with no interval)
Alces Productions presents
The Lady With A Dog
The Chekhov story that the writer Vladimir Nabokov called ‘one of the greatest stories ever written’ returns to the UK stage in a full-length bittersweet romantic comedy transported to Jazz Age Britain.
Damian Granville is a banker and devoted family man with an unconventional way of taking his summer holidays: he travels alone and looks for a woman to seduce. This particular year he spots a beautiful young lady walking a white Pomeranian dog. How can he resist? He’s a skillful player and sure of success. Except Anne Dennis isn’t quite what he bargains for.
★★★★★ “Mark Giesser… recognises the responsibilities of taking on Chekhov demands and, with a dancer’s grace, solves them perfectly.” – Broadway World.
Previous shows by Alces Productions at Upstairs at the Gatehouse: Sirens of the Silver Screen; Strike Up the Band; Once Upon a Mattress; Call Me Madam; Luck Be a Lady; How To Build a Better Tulip.
Written and Directed by Mark Giesser
Choreographer: Xena Gusthart
Running Time: 2 hours (TBC)
Meet the unlikely duckling hero, and hear the story of a duck who was different! This much-loved classic tale has been adapted by Sandal Sticks Theatre into an interactive storytelling performance, featuring song and puppetry. A heart-warming tale for all the family.
Suitable for ages 3+