★★★★
“The most irresistibly silly, fun and unexpected cabaret show. Hosted by Norway’s finest clowns Anna Marie Simonsen and Marie Kallevik Straume”
— Instafest review
After sold-out shows at the 2024 Edinburgh Fringe, Naughty Cabaret is coming to London Clown Festival — a queer, feminist cabaret packed with energy, clowning, and comedy.
Every performance features a fresh, ever-changing line-up spanning clown, circus, music, burlesque, character comedy, and more.
Naughty Cabaret has wowed audiences in Australia, Edinburgh, London, and Norway, with past guest performers including Lara Ricote, Elf Lyons, Siblings, Frankie Thompson, Paulina Lenoir, Hannah Camilleri, Ella The Great, Lucy Hopkins, and Dairy King.
Hosted by “Queens of the ridiculous” (Wee Review), Anna Marie Simonsen and Marie Kallevik Straume—also seen in the “irresistibly silly” ★★★★ (The Guardian) clown comedy Troll.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
“Victoria Melody should be a national treasure, a household name.”
— Time Out
Award-winning theatre-maker Victoria Melody, directed by the legendary Mark Thomas, blends storytelling, comedy, elaborate costumes, and historical re-enactment to celebrate Britain’s ordinary heroes.
Shining a light on food bank workers, volunteers, and community organisers, it explores the people who quietly keep the country running. Through immersive research and first-hand experience — becoming a musketeer included — Victoria uncovers the passion, struggle, and humour in everyday lives.
With her signature wit and curiosity, she invites audiences to see the world differently, offering a joyful and unexpected take on who really shapes Britain.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
★★★★
“One of comedy’s most skilled performers… this is an exquisite, erudite, well-crafted show”
— Evening Standard
★★★★
“His shows are a joy to watch”
— The Guardian
“He is one amazing comedian”
—Time Out
From the comedian who invented the phrase ‘No Planet B’, Rob Newman brings a new show about future cities, lost beavers, philistine Bingo callers, Dorothy Parker’s Multiverse Diaries and A Man Called Clive.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Jacksons Lane presents a brand-new strand of free live music events in our bar this Summer, curated by Highgate musician Steve Somerset. Each month will see Steve and his band The Lost Weekend perform alongside special guests. Arrive early to bag a seat!
Admission free, donations welcome on the night.
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
“One of Britain’s outstanding poets”
— Sir Paul McCartney
“Fantastically entertaining. As a writer of comic prose Clarke is the match of anyone alive, and his turns of phrase are as sharp as his suits”
— The Times
A literary phenomenon and ‘Godfather of Punk Poetry‘, John Cooper Clarke has shaped music, literature, and fashion. From his iconic poem I Wanna Be Yours — a global hit with the Arctic Monkeys — to Evidently Chickentown featuring in The Sopranos, his influence is undeniable.
Rising from Salford’s working men’s clubs to sharing stages with Joy Division, The Clash, and the Sex Pistols, John became one of punk’s most important figures. His sharp-witted performances blend classic verse, new material, and hilarious riffs on modern life.
With a 2025 tour set for major venues like the London Palladium and Co-op Live, this is a rare chance to see a living legend up close at Jacksons Lane.
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.