Transmission Residency Series
Jacksons Lane’s annual residencies and work-in-progress sharings of new circus and physical theatre returns, with tickets just £1
Itch
Gildas Aleksa
Saturday 31 Aug at 4pm
Tickets: £1
https://www.jacksonslane.org.uk/events/itch/
We weren’t here before we were born, and we won’t be here after we die.
It’s terrifying, but at least we’re in this together.
Itch is a new circus and theatre show that tackles our fear of death and the existential anxiety that grips us all. Blending philosophical and psychoanalytical ideas with juggling, acro dance and aerial dancing, Itch invites us to confront the ultimate truth of our mortality.
Jeremy Sassoon’s MOJO
Saturday 31st August 7.30pm
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Handmade in Highgate are the designer/maker fairs held at the beautiful, historic Highgate Literary and Scientific Institution.
This is the first of two late summer/ autumn/winter fairs.
Each fair will feature up to 30 of the finest designer/maker and contemporary crafts people working today. Exhibitors are local, from the UK and (occasionally) from overseas. All are passionate about producing wonderful work in their specific discipline and in different price ranges.
The fun starts on Friday 6 September from: 5pm – 8pm
Saturday 7 September: 10am – 6pm
Sunday 8 September: 11am – 5pm
Entrance is FREE and everyone is welcome
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Handmade in Highgate are the designer/maker fairs held at the beautiful, historic Highgate Literary and Scientific Institution.
This is the first of two late summer/ autumn/winter fairs.
Each fair will feature up to 30 of the finest designer/maker and contemporary crafts people working today. Exhibitors are local, from the UK and (occasionally) from overseas. All are passionate about producing wonderful work in their specific discipline and in different price ranges.
The fun starts on Friday 6 September from: 5pm – 8pm
Saturday 7 September: 10am – 6pm
Sunday 8 September: 11am – 5pm
Entrance is FREE and everyone is welcome
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Sunday 8 September at 11am & 2pm
Tickets: £14 | Suitable for ages 2-6
Join Shoe Baby on a fantastical sing-along journey as this baby explores the sea, the air, and the zoo – all from the comfort of a shoe! and featuring music by Tom Gray of Gomez, this 30-minute show is perfect for children aged 2-6.
After the show, enjoy 20 minutes of play and fun activities including a shoe shop, a giant shoe, and a make-a-town scene.
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Handmade in Highgate are the designer/maker fairs held at the beautiful, historic Highgate Literary and Scientific Institution.
This is the first of two late summer/ autumn/winter fairs.
Each fair will feature up to 30 of the finest designer/maker and contemporary crafts people working today. Exhibitors are local, from the UK and (occasionally) from overseas. All are passionate about producing wonderful work in their specific discipline and in different price ranges.
The fun starts on Friday 6 September from: 5pm – 8pm
Saturday 7 September: 10am – 6pm
Sunday 8 September: 11am – 5pm
Entrance is FREE and everyone is welcome
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
Rosy’s onstage career is built on her gleeful frankness about her sex life with men. Now newly single at forty, and advising her teenage daughter about relationships, Rosy wonders if revisiting hyper-macho desires could restore her sexual power, or if there’s a more uncomfortable truth to face.
“A startling, laugh out loud funny and erudite examination of age, relationships and female sexuality” — What’s On Stage
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Sunday 22 September at 11am & 2pm
Tickets: £14 | Suitable for ages 3-8
Welcome to The Museum of Marvellous Things, where the impossible happens! Discover stars in jars, catch moons like balloons and dance with Doo-Dahs in cages. Because this is a museum like no other – it’s made from the magic of your imagination – and you get to bring it alive.
With giant puppets, magical effects, interactive storytelling, live original music and a chance to make your own special puppet.
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
This exhibition, Cuillin Bantock’s fourth at Highgate Gallery, will be the culmination of sixty five years of
experience as a visual artist.
Bantock’s work is all landscape-based. Life-long familiarity with a particular coastal sand-dune system in North
Wales is a persistent point of reference. His choice of media is wide-ranging and includes oil paint, acrylic, gouache,
conte and linocut. His approach has shifted from representation to abstraction, but he strongly believes that all
art must relate to something outside itself.
The exhibition will show two types of work: Indian Ink drawings, and watercolour paintings.
The Indian ink drawings are from the 2022 series ‘Forty-one approaches to a View’. The ‘view’ is of a particular
duneland studied repeatedly from the same spot. The emphasis has been on making quite simple statements
about that particular space. The first studies that Bantock made of this terrain (also in Indian ink) date from 1961.
It was only while making the recent drawings in 2022 that he realised that other artists, in their later years,
had adopted a similar approach; for example Hokusai, with his ‘Thirty Six Views of Mount Fuji’.
The watercolours were made between 2020 and 2024. These are derived from the same landscape as the
ink drawings, but with a particular emphasis on pictorial space (through flatness) and pictorial light
(through colour), but handled abstractly without reference to specific locales. To some extent the watercolours
are a new departure for Bantock. His only previous experience with the medium was very occasional figurative
work (again, of duneland). He describes watercolour as ‘the most challenging medium of all.’
The two bodies of work are united by a perennial search for clarity of execution and expression, and pictorial economy
free of didacticism, leaving room for spontaneity.
Cuillin Bantock has enjoyed a rich and varied career as artist, scientist, educator and writer. He is an Oxford-trained
zoologist who worked as a professional biologist for 20 years, and later studied at Camberwell College of Art. He has
written and lectured extensively on a wide range of subjects, including science, wildlife conservation, art and artists.
His work has been exhibited widely over many years, and is held in a large number of private and corporate collections.
Highgate Gallery is delighted to be hosting this exhibition, which Bantock has decided – as he approaches
his ninetieth birthday – shall be his last with us.
Gallery open: Wed – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 -17.00
Brainfools is back at Jacksons Lane this autumn with a one-off scratch night! Get ready to witness circus artists showcase their works-in-progress. These nights provide a rare opportunity for performers to test new material, receive live feedback, and refine their pieces based on audience reactions.
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk