Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
The MGM Story
Presented by Katy Lipson for Aria Entertainment and Szpiezak Productions
The World Premiere!
THE MGM STORY traces the history of the golden age of song and dance and tells the tale of how the studio fostered the talent of stars including Judy Garland and Gene Kelly and composers such as Cole Porter, Irving Berlin and many more.
This brand new musical revue will take you back to those timeless classics, with songs from Singin’ in the Rain, An American in Paris, The Wizard of Oz and many more, featuring a brand new book by Chris Burgess and musical arrangements by Andy Collyer.
Set on a disused film set, see how the world of the MGM musicals comes alive. Directed and choreographed by Matthew Cole, with a West End cast and band, we welcome you to the world of….. THE MGM MUSICALS!
GOTTA SING, GOTTA DANCE! IT’S A NIGHT OUT AT THE MOVIES – LIVE ON STAGE
—
WRITTEN BY: CHRIS BURGESS
DIRECTOR AND CHOREOGRAPHER: MATTHEW COLE
MUSICAL ARRANGEMENTS: ANDY COLLYER
MUSICAL DIRECTION: CHARLIE INGLES
DESIGNER: EMILY BESTOW
LIGHTING DESIGNER: JAMES SMITH
CASTING DIRECTOR: BENJAMIN NEWSOME
TECHNICAL PRODUCTION MANAGER: CHRIS SILVESTER
This production is not affiliated or related to the Metro-Goldwyn-Mayer Media company
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
A date for your diary!
Waterlow 125
Park Life 1891 – 2016
Everyone is invited on Saturday 17 September 2016 to a ‘Lark in the Park‘ to celebrate the 125th anniversary of the opening of the Park in 1891. The Friends of Waterlow Park are holding a Victorian-themed fete, and descendants of the original benefactor, Sir Sydney Waterlow, will help launch all manner of fun and games reflecting the Park’s history. All welcome and entry is free.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Highgate Horticultural Society’s Autumn Flower Show, come along and look at the marvellous exhibits and then pause for a cup of tea and a slice of cake! We also have plant and produce stalls, a raffle and auction of some of the prizewinning exhibits. For details how to join the society or how to enter take a look at our website www.highgatehorticulturalsociety.org.uk
The MGM Story
Presented by Katy Lipson for Aria Entertainment and Szpiezak Productions
The World Premiere!
THE MGM STORY traces the history of the golden age of song and dance and tells the tale of how the studio fostered the talent of stars including Judy Garland and Gene Kelly and composers such as Cole Porter, Irving Berlin and many more.
This brand new musical revue will take you back to those timeless classics, with songs from Singin’ in the Rain, An American in Paris, The Wizard of Oz and many more, featuring a brand new book by Chris Burgess and musical arrangements by Andy Collyer.
Set on a disused film set, see how the world of the MGM musicals comes alive. Directed and choreographed by Matthew Cole, with a West End cast and band, we welcome you to the world of….. THE MGM MUSICALS!
GOTTA SING, GOTTA DANCE! IT’S A NIGHT OUT AT THE MOVIES – LIVE ON STAGE
—
WRITTEN BY: CHRIS BURGESS
DIRECTOR AND CHOREOGRAPHER: MATTHEW COLE
MUSICAL ARRANGEMENTS: ANDY COLLYER
MUSICAL DIRECTION: CHARLIE INGLES
DESIGNER: EMILY BESTOW
LIGHTING DESIGNER: JAMES SMITH
CASTING DIRECTOR: BENJAMIN NEWSOME
TECHNICAL PRODUCTION MANAGER: CHRIS SILVESTER
This production is not affiliated or related to the Metro-Goldwyn-Mayer Media company
A new weekly Sunday farmers market for the community.
We’re delighted to be hosted by St Joseph’s Catholic Primary School.
St Joseph’s are especially delighted to celebrate the opening of the Market with the School’s 10th anniversary in September of the ‘St Joseph’s Children’s Garden’ project, enabling children in the Community to sell their garden produce and share their growing expertise.
Produce will include; Freshly pressed juice, soft fruit and top fruit in season, vegetables and salads. Organic & free range meat, raw milk, cheese, plants & flowers, handmade preserves, herbs, pies, cakes and bread, wet fish and shellfish, free range eggs.
Something for everyone.
All farms are based within 100 miles of London and everyone is visited before they sell with us. Secondary producers such as jam makers have to use a minimum of 50% local ingredients and we ask bakers to use seasonal ingredients and free range/organic eggs. We’ll do our best to include locally based producers, anyone interested should get in touch with us as soon as possible.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
The MGM Story
Presented by Katy Lipson for Aria Entertainment and Szpiezak Productions
The World Premiere!
THE MGM STORY traces the history of the golden age of song and dance and tells the tale of how the studio fostered the talent of stars including Judy Garland and Gene Kelly and composers such as Cole Porter, Irving Berlin and many more.
This brand new musical revue will take you back to those timeless classics, with songs from Singin’ in the Rain, An American in Paris, The Wizard of Oz and many more, featuring a brand new book by Chris Burgess and musical arrangements by Andy Collyer.
Set on a disused film set, see how the world of the MGM musicals comes alive. Directed and choreographed by Matthew Cole, with a West End cast and band, we welcome you to the world of….. THE MGM MUSICALS!
GOTTA SING, GOTTA DANCE! IT’S A NIGHT OUT AT THE MOVIES – LIVE ON STAGE
—
WRITTEN BY: CHRIS BURGESS
DIRECTOR AND CHOREOGRAPHER: MATTHEW COLE
MUSICAL ARRANGEMENTS: ANDY COLLYER
MUSICAL DIRECTION: CHARLIE INGLES
DESIGNER: EMILY BESTOW
LIGHTING DESIGNER: JAMES SMITH
CASTING DIRECTOR: BENJAMIN NEWSOME
TECHNICAL PRODUCTION MANAGER: CHRIS SILVESTER
This production is not affiliated or related to the Metro-Goldwyn-Mayer Media company
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
A fantastic new food market selling fresh produce and hot and cold street food!!! Situated in the front playground at St Michael’s. School, North Road, N6 4BG
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
The MGM Story
Presented by Katy Lipson for Aria Entertainment and Szpiezak Productions
The World Premiere!
THE MGM STORY traces the history of the golden age of song and dance and tells the tale of how the studio fostered the talent of stars including Judy Garland and Gene Kelly and composers such as Cole Porter, Irving Berlin and many more.
This brand new musical revue will take you back to those timeless classics, with songs from Singin’ in the Rain, An American in Paris, The Wizard of Oz and many more, featuring a brand new book by Chris Burgess and musical arrangements by Andy Collyer.
Set on a disused film set, see how the world of the MGM musicals comes alive. Directed and choreographed by Matthew Cole, with a West End cast and band, we welcome you to the world of….. THE MGM MUSICALS!
GOTTA SING, GOTTA DANCE! IT’S A NIGHT OUT AT THE MOVIES – LIVE ON STAGE
—
WRITTEN BY: CHRIS BURGESS
DIRECTOR AND CHOREOGRAPHER: MATTHEW COLE
MUSICAL ARRANGEMENTS: ANDY COLLYER
MUSICAL DIRECTION: CHARLIE INGLES
DESIGNER: EMILY BESTOW
LIGHTING DESIGNER: JAMES SMITH
CASTING DIRECTOR: BENJAMIN NEWSOME
TECHNICAL PRODUCTION MANAGER: CHRIS SILVESTER
This production is not affiliated or related to the Metro-Goldwyn-Mayer Media company
A new weekly Sunday farmers market for the community.
We’re delighted to be hosted by St Joseph’s Catholic Primary School.
St Joseph’s are especially delighted to celebrate the opening of the Market with the School’s 10th anniversary in September of the ‘St Joseph’s Children’s Garden’ project, enabling children in the Community to sell their garden produce and share their growing expertise.
Produce will include; Freshly pressed juice, soft fruit and top fruit in season, vegetables and salads. Organic & free range meat, raw milk, cheese, plants & flowers, handmade preserves, herbs, pies, cakes and bread, wet fish and shellfish, free range eggs.
Something for everyone.
All farms are based within 100 miles of London and everyone is visited before they sell with us. Secondary producers such as jam makers have to use a minimum of 50% local ingredients and we ask bakers to use seasonal ingredients and free range/organic eggs. We’ll do our best to include locally based producers, anyone interested should get in touch with us as soon as possible.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
The MGM Story
Presented by Katy Lipson for Aria Entertainment and Szpiezak Productions
The World Premiere!
THE MGM STORY traces the history of the golden age of song and dance and tells the tale of how the studio fostered the talent of stars including Judy Garland and Gene Kelly and composers such as Cole Porter, Irving Berlin and many more.
This brand new musical revue will take you back to those timeless classics, with songs from Singin’ in the Rain, An American in Paris, The Wizard of Oz and many more, featuring a brand new book by Chris Burgess and musical arrangements by Andy Collyer.
Set on a disused film set, see how the world of the MGM musicals comes alive. Directed and choreographed by Matthew Cole, with a West End cast and band, we welcome you to the world of….. THE MGM MUSICALS!
GOTTA SING, GOTTA DANCE! IT’S A NIGHT OUT AT THE MOVIES – LIVE ON STAGE
—
WRITTEN BY: CHRIS BURGESS
DIRECTOR AND CHOREOGRAPHER: MATTHEW COLE
MUSICAL ARRANGEMENTS: ANDY COLLYER
MUSICAL DIRECTION: CHARLIE INGLES
DESIGNER: EMILY BESTOW
LIGHTING DESIGNER: JAMES SMITH
CASTING DIRECTOR: BENJAMIN NEWSOME
TECHNICAL PRODUCTION MANAGER: CHRIS SILVESTER
This production is not affiliated or related to the Metro-Goldwyn-Mayer Media company
The orchestra of I Maestri begins its 16th season with a programme of Brahms, Sarasate and Schumann. Music that reflects nature’s seasonal change from Summer to Autumn; nature turns from being fruitful and full of vitality to a more calm pace and state of resting. Soon it will be harvest and a time to enjoy nature’s bounty.
A return to nature is the theme for this evenings programme as the music carries a pastoral mood, sounds of the romantic idealisms of rustic beauty, with Gypsy Airs and Idyll’s of a time once before.
We will be joined by returning soloists Leora Cohen – Violin and Thomas Gregory – Cello
I Maestri is a unique organisation that helps talented young conductors and soloists explore their skills and learning with an orchestra through a programme of workshops, masterclasses and public performances.
Conductors: Miguel Esteban and George Hlawiczka
Venue: Highgate United Reformed Church, Pond Square Chapel, South Grove, Highgate, London. N6 6BA
Concert programme:
Brahms Tragic Overture, Op. 81
Sarasate Carmen Fantasy, Op. 25
Schumann Cello Concerto, Op. 129
Brahms Symphony No. 2, Op. 73
Performance begins at 6:30pm
Tickets: Adult £12 and Concessions £9 (on the door)
Advance tickets: Adult £9 and Concessions £7
(10% booking fee applicable)
Box Office opens at 5:45pm
Please note that tickets will not be posted out and need to be collected from the Box Office on the day of the performance.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Opera Loki
SUNG IN ENGLISH
Music by Wolfgang Amadeus Mozart
English translation by Jeremy Sams
Director: Laura Attridge
Musical Director: Iwan Davies
Producer: Jane Gray
28th September – 2nd October 2016
Wednesday, Friday & Saturday 7.30pm & Sunday at 4pm
(NO PERFORMANCE THURSDAY 29th)
Opera Loki brings popular opera to intimate venues and focuses on a new generation of operatic talent, affording emerging artists the opportunity to perform to audiences in France and the UK while still at the early stages of their professional careers. Performances are in English and accompanied by piano.
Wednesday 28th September 7.30pm
£16 / £14 concessions
Friday 30th September & Saturday 1st October 7.30pm
£18 / £16 concessions
Sunday 2nd October 4pm
£16 / £14 concessions
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
The preview event for CONSTRUCTS.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.