Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Migrants: UK from 500 to 2024
Wednesday 16th October 2024
7.30 pm (doors open 7.00 pm)
10A South Grove N6 6BS and on Zoom
Entry £7.50 including a glass of wine (£3 on Zoom)
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
~A new way to experience classical music~
Immerse yourself in tranquility with a unique blend of serene sounds.While we will have some yoga mats available at the venue, we always encourage people to bring along any yoga mats pillows and blankets to make themselves as comfortable as possible.
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Audience reviews:
“The best Friday evening I’ve had in a long time” “The best (& most relaxing) way to end a hard week” “Unusual, peaceful, regenerative“
“Calmness in the city” “Relaxing after a long week” “Effective sleep therapy” “Restorative” “Relaxing enchanting oasis”
“The music was extremely calming and almost like a remix of classical and meditation music. The singing and piano pieces were beautiful. I definitely felt that tingling sensation when listening to the perfect song during the session”
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Christine Watson: Journeys Through Colour
Pastels, Prints and Paintings
Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages
around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness
of shadows.
Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional
settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of
habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship
between spaces and surfaces without sentiment or nostalgia.
“I employ different media to reflect on the abstract qualities of these places, their light and shade, their
textures and colours. Each piece of work represents part of my journey through a town or village, inspired
by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a painting, pastel or print or even a pot of gold!”, she says.
Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured
through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the
surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is
celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber
work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by
contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.
Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she
has exhibited widely. She is an elected member of the Pastel Society and an associate member of both the
Society of Women Artists and the Society of Graphic Fine Art.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Halloween Spooky Walks
Join us on our quest to gather objects from a host of creepy characters to protect us against The Darkness!
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.
Check opening times with Lauderdale House as Private Events often close the house at short notice.
Members of the Highgate Watercolour Group look forward to welcoming visitors to the beautiful historic setting of Lauderdale House, where 20 artists will exhibit around 200 framed works on paper at their 2024 exhibition.
The exhibition across two gallery floors will include artwork from the group’s visits across north London, painting en plein air in Highgate, Camley Street Natural Park, Regent’s Canal, Stephens House & Gardens and Primrose Hill, plus landscapes from further afield. A colourful display of expressive floral paintings, contemplative Still Lifes, and curious scenes of the natural world will also be on show, with a Small Works section comprising miniature masterpieces at minimum cost. With diverse themes and a range of artistic styles, we hope there will be something for all to enjoy.
To request an invitation to the Private View on 6 November, please email highgatewatercolour@gmail.com – come and meet the artists, and be the first to see the show!
Exhibiting Artists:
Feroze Antia | Chris Baker | Freda Blayney | Maureen Bocking | Cathy Burkinshaw | Christian Cook | Ruth Edwards | Jacqueline Freeman | Edmund Gordon | Peter Hassell | Ruijin Hu | Shirley Hodgson | Sue Lees | Brenda McDowell | Judith Pedersen | Maggie Pettigrew | Andrew Riley | Marilyn Southey | Morley Speed | Vanessa Whinney
IMPORTANT NOTICE
The exhibition is scheduled to open daily from 12noon–4pm, however it is important to check with Lauderdale House before your visit, as the exhibition may be closed at short notice. Contact Lauderdale House on 020 8348 8716.