Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Migrants: UK from 500 to 2024

Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Christine Watson: Journeys Through Colour

Pastels, Prints and Paintings

Christine Watson’s paintings, pastels and prints explore the essential qualities of cities, towns and villages

around the Mediterranean, places where bright daylight intensifies the richness of colours and the darkness

of shadows.

Christine’s work examines the passageways and stairways of towns and villages in Greece and the traditional

settlements of Morocco. Walls and roofs, windows and doors, streets and alleyways – the fabric of

habitation – are revealed as they are, aged by wear and weather. Her aim is to depict the relationship

between  spaces and surfaces without sentiment or nostalgia.

“I employ different media to reflect on the abstract qualities of these places, their light and shade, their

textures and colours. Each piece of work represents part of my journey through a town or village, inspired

by restless curiosity to seek out what is around the corner or up the stairs – maybe the perfect image for a   painting, pastel or print or even a pot of gold!”, she says.

Pastels and paintings highlight the colours characteristic of each location, using palettes that have endured

through the centuries. Pink and brown madder are the dominant colours of Marrakesh, reflecting the

surrounding mountains; yellow ochre and raw sienna are the principal hues of Fez, while Chefchaouen is

celebrated for its vibrant blues. And although Greek settlements are associated with blue-painted timber

work and whitewashed walls, closer scrutiny reveals much more richness. In Christine’s mezzotints, by

contrast, tone takes over from colour and serves to explore light and shade, textures and surfaces.

Christine Watson studied fine art at Winchester, The Slade and the British School at Rome, since when she

has exhibited widely. She is an elected member of the Pastel Society and an associate member of both  the

Society of Women Artists and the Society of Graphic Fine Art.

Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 11 October 2024 18:00-20:30

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Halloween Spooky Walks

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Sun-Moon is named so meaning the real and surreal of the drawings selected for the show, where the real is inspired by sunlight, and surreal by the mysterious kingdom of the Moon.
These are small size, A5 to A4 drawings in pen, pencil and a touch of pastel on paper – white, grey or brown.

Check opening times with Lauderdale House as Private Events often close the house at short notice.

Members of the Highgate Watercolour Group look forward to welcoming visitors to the beautiful historic setting of Lauderdale House, where 20 artists will exhibit around 200 framed works on paper at their 2024 exhibition.

Members of the Highgate Watercolour Group look forward to welcoming visitors to the beautiful historic setting of Lauderdale House, where 20 artists will exhibit around 200 framed works on paper at their 2024 exhibition.

Award winning trumpet player and vocalist Pete Horsfall joins us for a very special evening performance

Pete’s unique engagement and eclectic approach to the jazz tradition has seen him featured regularly as a guest on BBC Radio 2, BBC Radio 3 and Jazz FM. As a trumpet soloist he has performed at a huge array of prestigious venues and festivals throughout the world including London’s Royal Albert Hall, New York’s Lincoln Center, Paris’ Duc Des Lombards, The North Sea Jazz Festival and Ronnie Scott’s Jazz Club amongst many others.

Pete has performed and recorded with acts including Kansas Smitty’s, Guy Barker, Jamie Cullum, Clare Teal,  Kurt Elling, Jim Mullen, De La Soul, DJ Premier and Friendly Fires. As a passionate jazz educator, Pete has led workshops and masterclasses at The Guildhall School of Music & Drama

Members of the Highgate Watercolour Group look forward to welcoming visitors to the beautiful historic setting of Lauderdale House, where 20 artists will exhibit around 200 framed works on paper at their 2024 exhibition.

Members of the Highgate Watercolour Group look forward to welcoming visitors to the beautiful historic setting of Lauderdale House, where 20 artists will exhibit around 200 framed works on paper at their 2024 exhibition.