Once upon a time in a grey, colourless world, someone is scribbling. Follow our brave young heroine as she leaps, splatters, swirls, boogies and paints her world into a brighter place. Can our imaginative young artist vanquish the mighty shadow of greed? This is The Magic Paintbrush as never before.
For ages 3+
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
Once upon a time in a grey, colourless world, someone is scribbling. Follow our brave young heroine as she leaps, splatters, swirls, boogies and paints her world into a brighter place. Can our imaginative young artist vanquish the mighty shadow of greed? This is The Magic Paintbrush as never before.
For ages 3+
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
A fantastic new food market selling fresh produce and hot and cold street food!!! Situated in the front playground at St Michael’s. School, North Road, N6 4BG
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
Highgate Choral Society performs rarely heard works by two of Britain’s finest composers, Elgar‘s The Music Makers and Delius‘s Sea Drift.
Highgate Choral Society sings seminal works from two of Britain’s greatest composers.
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
A new weekly Sunday farmers market for the community.
We’re delighted to be hosted by St Joseph’s Catholic Primary School.
St Joseph’s are especially delighted to celebrate the opening of the Market with the School’s 10th anniversary in September of the ‘St Joseph’s Children’s Garden’ project, enabling children in the Community to sell their garden produce and share their growing expertise.
Produce will include; Freshly pressed juice, soft fruit and top fruit in season, vegetables and salads. Organic & free range meat, raw milk, cheese, plants & flowers, handmade preserves, herbs, pies, cakes and bread, wet fish and shellfish, free range eggs.
Something for everyone.
All farms are based within 100 miles of London and everyone is visited before they sell with us. Secondary producers such as jam makers have to use a minimum of 50% local ingredients and we ask bakers to use seasonal ingredients and free range/organic eggs. We’ll do our best to include locally based producers, anyone interested should get in touch with us as soon as possible.
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
A work-in-progress family friendly performance combining aerial circus and physical theatre. Join a princess like no other as she embarks on the biggest journey of her life – to the Moon!
With two performers and many more characters, this brilliantly comical story-telling performance explores the role of gender stereotypes within children’s theatre.
For ages 4+
Sunday, March 12 2017 at 7pm at Upstairs at the Gatehouse, Highgate, “Charles Dickens: A Life” one man show presented by actor Robert Powell in aid of the Harington Scheme’s “Herbie Hut” appeal.
Tickets £20 (includes a glass of wine) from Upstairs at the Gatehouse Box Office, 020 8340 3488 (credit/debit card fee 50p).
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Would you like a bit of friendly help with your phone, laptop or tablet? Just head to the Highgate School Library for an afternoon of free, informal one-to-one computer familiarisation sessions over a nice cup of coffee. We do tea as well. And cake!
If you don’t yet possess any electronic gadgets, don’t worry, we do and we’d love you to come and play with them.
“This is so wonderful! It’s easy – when you know how! Thank you” says 75 year old Highgate Coffee & Computers friend, who has just worked out how to move all his pictures from his phone to his tablet.
If you want more info, give Stuart a call on 020 8347 2411 (quoting Highgate Coffee & Computers). You can also email us on highgatecoffeeandcomputers@gmail.com to tell us what you want to know more about.
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
If you plan to come, it would be helpful to know, though it is not obligatory.
Warm regards
The Highgate Coffee & Computers volunteers
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Sandy and Bruno met in the seventies. She was fame hungry, he was doomed to follow her. As one hit wonders, this is a story of their big come-back. With Sandy’s determination and Bruno’s blissful devotion to her, they are here; not by popular demand, but by sheer defiance. With striking aesthetics and a rousing soundtrack, The Band is a quirky, humorous display of desperate ambition and blind affection.
