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A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

The discussion will be led by Dr Joseph Barnard of Barnard Microsystems

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

To coincide with the exhibition ‘Paintings of Ron Delavigne 1919 -2013’ Highgate Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016

Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.

Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.

A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.

Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.

Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.

A catalogue will accompany the show.

To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Fun evening with great questions and team spirit please come along

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

A friendly and fun dance fitness class for children aged five to seven, based on ZumbaKids routines. We break down steps, add games and explore different regions of the globe.

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Sophie Levi and Tess Recordon – Contemporary Landcapes
13-26 May 2016

The sea, mountains, forests and the landmarks and parks of North West London can be seen in highly original, atmospheric oil paintings, in contrasting styles, by two established British artists.

While Levi works from life in her studio in Camden and outside in the elements, Recordon works from memory, creating work full of depth, movement and life with poured paint.

Both break down the divide between the self and the landscape. They exhibit widely.

Last year Recordon was Artist in Residence at Burgh House, Hampstead.
Touring exhibitions have included ‘British Landscapes’ ‘Mountains and Water’ and ‘Jungles of Borneo’.

In 2012 one of Levi’s paintings was shortlisted for the biggest art prize for a single work of art in the UK, the £30,000 Threadneedle Art Prize. In 2015 she took part in the Sky Arts Landscape Painter of The Year competition. In 2015 Andrew Marr sat for a portrait by Levi; he called her a ‘proper artist’.

Sophie Levi: 07812 124 226 sophie.levi@icloud.com www.sophielevi.com
Tess Recordon: 07870 96 3587 tess@tessrecordon.com www.tessrecordon.com

Highgate Gallery
11 South Grove
London N6 6BS

Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday