PRESENTED BY COLLABORATIVE ARTISTS
25th – 30th April 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
An odyssey through 20th century European chansons
From the Russian cabaret artist Alexander Vertinsky to Edith Piaf via the music of the Comedian Harmonists in the early 1930’s, Daniel Donskoy will perform German, Yiddish, French and Russian chansons, accompanied by Inga Davis-Rutter and her trio. Each evening will also include guest performances by London’s most acclaimed West End performers.
A Song Goes Round the World is transferring from St. James Studio after its premiere in May 2016, that was received with great critical acclaim.
***** ‘Truly Magical’ – Views from the Gods
**** ‘An outstanding mastery’ – Jonathan Baz
Donskoy’s background is as eclectic as the programme of this evening. He was born in Russia and raised in 1990’s Berlin, before coming to London via several years in Tel Aviv. A Song Goes Round the World is Donskoy’s first solo show; further acting credits include BBC4’s Detectorists, the ITV1 Drama Victoria as well as playing Jim O’Connor in Tennessee Williams’ Glass Menagerie at Nottingham Playhouse.
“In times of uncertainty relating to the European Union, this is a chance to bring Europe together through music – even if just for one evening”, says Donskoy.
The evening will include songs from life in the poor Parisian faubourgs, Yiddish theatre tales of loss and joy, songs sung by Russian political prisoners of the Tsar, witty German cabaret and much more.
Collaborative Artists’ latest major production You Won’t Succeed On Broadway, If You Don’t Have Any Jews was nominated for Best Off-West End Production at the 2016 WhatsOnStage awards.
TICKETS
£18 / £16 concessions
Fresh from their appearance in the London International Mime Festival, Silver Lining present their brand new cabaret night inspired by historical women from Anne Frank to Rosa Parks to Madonna. With the full force of their trademark energy, this all-female cast overcome obstacles and perform amazing feats in a celebration of strength, wisdom and female legacy.
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays. Exhibition continues until 11 May.
A fantastic new food market selling fresh produce and hot and cold street food!!! Situated in the front playground at St Michael’s. School, North Road, N6 4BG
Team Bella have joined forces with Kula Yoga to bring you yoga like you’ve never experienced. Expect live music, confetti and lots of fun.
A 60 minute yoga class accompanied by live music will be followed by the chance to shop the Bella Kinesis collection. The class will be led by our ambassador, Sasha Ford, founder of Kula Yoga Events.
All proceeds from the event will go to the Mann Deshi Foundation, which works to educate women in rural India so that they can start their own businesses.
Date & Time:
Saturday, 29th April 6 – 8pm
Location:
Jacksons Lane
269A Archway Road
Highgate
London N6 5AA
PRESENTED BY COLLABORATIVE ARTISTS
25th – 30th April 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
An odyssey through 20th century European chansons
From the Russian cabaret artist Alexander Vertinsky to Edith Piaf via the music of the Comedian Harmonists in the early 1930’s, Daniel Donskoy will perform German, Yiddish, French and Russian chansons, accompanied by Inga Davis-Rutter and her trio. Each evening will also include guest performances by London’s most acclaimed West End performers.
A Song Goes Round the World is transferring from St. James Studio after its premiere in May 2016, that was received with great critical acclaim.
***** ‘Truly Magical’ – Views from the Gods
**** ‘An outstanding mastery’ – Jonathan Baz
Donskoy’s background is as eclectic as the programme of this evening. He was born in Russia and raised in 1990’s Berlin, before coming to London via several years in Tel Aviv. A Song Goes Round the World is Donskoy’s first solo show; further acting credits include BBC4’s Detectorists, the ITV1 Drama Victoria as well as playing Jim O’Connor in Tennessee Williams’ Glass Menagerie at Nottingham Playhouse.
“In times of uncertainty relating to the European Union, this is a chance to bring Europe together through music – even if just for one evening”, says Donskoy.
The evening will include songs from life in the poor Parisian faubourgs, Yiddish theatre tales of loss and joy, songs sung by Russian political prisoners of the Tsar, witty German cabaret and much more.
Collaborative Artists’ latest major production You Won’t Succeed On Broadway, If You Don’t Have Any Jews was nominated for Best Off-West End Production at the 2016 WhatsOnStage awards.
TICKETS
£18 / £16 concessions
Fresh from their appearance in the London International Mime Festival, Silver Lining present their brand new cabaret night inspired by historical women from Anne Frank to Rosa Parks to Madonna. With the full force of their trademark energy, this all-female cast overcome obstacles and perform amazing feats in a celebration of strength, wisdom and female legacy.
A new weekly Sunday farmers market for the community.
We’re delighted to be hosted by St Joseph’s Catholic Primary School.
St Joseph’s are especially delighted to celebrate the opening of the Market with the School’s 10th anniversary in September of the ‘St Joseph’s Children’s Garden’ project, enabling children in the Community to sell their garden produce and share their growing expertise.
Produce will include; Freshly pressed juice, soft fruit and top fruit in season, vegetables and salads. Organic & free range meat, raw milk, cheese, plants & flowers, handmade preserves, herbs, pies, cakes and bread, wet fish and shellfish, free range eggs.
Something for everyone.
All farms are based within 100 miles of London and everyone is visited before they sell with us. Secondary producers such as jam makers have to use a minimum of 50% local ingredients and we ask bakers to use seasonal ingredients and free range/organic eggs. We’ll do our best to include locally based producers, anyone interested should get in touch with us as soon as possible.
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday.
Exhibition continues until 11 May.
Now in his twilight years, Geoff struggles with his memory and the patchwork of his past. One day at the bottom of his garden he is visited by two magical friends who help him to recall the old days in the shoe shop, reliving the hard times, the good times and the magic! The show features original toe-tapping music, laugh-out-loud characters, puppetry and even a little bit of real magic. Just like a comfy old slipper, The Elves and the Shoemaker is a story sure to make old and young alike feel all warm and cosy inside.
For ages 4+
Now in his twilight years, Geoff struggles with his memory and the patchwork of his past. One day at the bottom of his garden he is visited by two magical friends who help him to recall the old days in the shoe shop, reliving the hard times, the good times and the magic! The show features original toe-tapping music, laugh-out-loud characters, puppetry and even a little bit of real magic. Just like a comfy old slipper, The Elves and the Shoemaker is a story sure to make old and young alike feel all warm and cosy inside.
For ages 4+
COLLABORATIVE ARTISTS PRESENTS
25th – 30th April 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
An odyssey through 20th century European chansons
From the Russian cabaret artist Alexander Vertinsky to Edith Piaf via the music of the Comedian Harmonists in the early 1930’s, Daniel Donskoy will perform German, Yiddish, French and Russian chansons, accompanied by Inga Davis-Rutter and her trio. Each evening will also include guest performances by London’s most acclaimed West End performers.
A Song Goes Round the World is transferring from St. James Studio after its premiere in May 2016, that was received with great critical acclaim.
***** ‘Truly Magical’ – Views from the Gods
**** ‘An outstanding mastery’ – Jonathan Baz
Donskoy’s background is as eclectic as the programme of this evening. He was born in Russia and raised in 1990’s Berlin, before coming to London via several years in Tel Aviv. A Song Goes Round the World is Donskoy’s first solo show; further acting credits include BBC4’s Detectorists, the ITV1 Drama Victoria as well as playing Jim O’Connor in Tennessee Williams’ Glass Menagerie at Nottingham Playhouse.
“In times of uncertainty relating to the European Union, this is a chance to bring Europe together through music – even if just for one evening”, says Donskoy.
The evening will include songs from life in the poor Parisian faubourgs, Yiddish theatre tales of loss and joy, songs sung by Russian political prisoners of the Tsar, witty German cabaret and much more.
Collaborative Artists’ latest major production You Won’t Succeed On Broadway, If You Don’t Have Any Jews was nominated for Best Off-West End Production at the 2016 WhatsOnStage awards.
TICKETS
£18 / £16 concessions
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
karen lane presents the music of nancy wilson & cannonball adderley
thursday 4 may
With Martin Hathaway | alto, Steve Fishwick | trumpet
Graham Harvey |piano, Simon Woolf | bass, Matt Fishwick | drums
Arriving from Australia in 2000 after performing at many of the big Asian Festivals, Karen has released five albums to critical acclaim. She’s worked with some of our finest musicians including Tom Cawley, Andy Hamill and Robin Aspland and has found herself performing in exotic places she’d never imagined she’d see including Sicily, Portafino, Nice, Monte Carlo, Berlin, Cape Town and Bucharest.
Her visit to Lauderdale House will be a unique date on the London scene when she recreates the music of Nancy Wilson. Had she not coincided with the advent of rock and soul, Nancy Wilson would have been considered one of the greatest female jazz singers of them all. Luckily she did record a number of albums with one of the greatest jazz musicians of all time, Cannonball Adderley and Karen thinks it’s high time Nancy’s music was reassessed. This is going to be a concert you should not miss!
“.. a fine and distinctive singer” Dave Gelly, The Observer
“.. as accomplished.. as I have heard this year” Peter Quinn, Jazzwise
Time: 20:30
Venue: Lauderdale House
£7 STUDENT CONCESSION
| Price band | A | B |
| Standard | £12.00 | |
| Concession | £10.00 | |
| Child | £7.00 |
Concessions are available for students, people on benefit and over 60s. Proof must be provided when collecting tickets.
to book
Box office: 0208 348 8716
Email: enquiries@lauderdale.org.uk
Website: www.lauderdalehouse.org.uk
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Heritage Plant Fair at St Michaels School Highgate
Some of the nurseries attending:
Rose Cottage Plants, Edulis, Little Heath Nursery, Fibrex, Daisy Roots and many more.
This event is a fund raiser for Plant Heritage and the National Collections throughout the UK http://www.plantheritage.com
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays. Exhibition continues until 11 May.
A fantastic new food market selling fresh produce and hot and cold street food!!! Situated in the front playground at St Michael’s. School, North Road, N6 4BG
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
1941. Egypt. WWII. An escaped German officer. A two day chase across the brutal Sahara. A triumphant capture. A hero’s return.
1991. England. Jack reigns from the armchair of his rest home, a local legend. Decorated veteran of Tobruk. Former river warden, boxer, horse whisperer, boat builder, charmer, prolific father and husband to a very unhappy wife. Dementia is eroding his mind. As the Gulf War rages, the past drags him back to the scorched sands. Inspired by the writer’s grandfather.
Following its critically acclaimed debut at this year’s Edinburgh Festival, Open Sky present Scorched, using new writing, visual physical theatre, period music and an innovative set to create the workings of a mind sinking into the sands of time. “Striking theatrical invention” The Stage
A new weekly Sunday farmers market for the community.
We’re delighted to be hosted by St Joseph’s Catholic Primary School.
St Joseph’s are especially delighted to celebrate the opening of the Market with the School’s 10th anniversary in September of the ‘St Joseph’s Children’s Garden’ project, enabling children in the Community to sell their garden produce and share their growing expertise.
Produce will include; Freshly pressed juice, soft fruit and top fruit in season, vegetables and salads. Organic & free range meat, raw milk, cheese, plants & flowers, handmade preserves, herbs, pies, cakes and bread, wet fish and shellfish, free range eggs.
Something for everyone.
All farms are based within 100 miles of London and everyone is visited before they sell with us. Secondary producers such as jam makers have to use a minimum of 50% local ingredients and we ask bakers to use seasonal ingredients and free range/organic eggs. We’ll do our best to include locally based producers, anyone interested should get in touch with us as soon as possible.
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday.
Exhibition continues until 11 May.
Gomito have discovered a brand new type of creature: the treemole. Mischievous Chester takes centre stage in this celebration of individuality and togetherness for ages 2-5. Told with puppets, original music and imaginative antics, this show is full of humour, thrills, spills, near misses and great escapes. This is a story about discovering new places and making friends, while encouraging everyone to have at least one adventure a day.
Gomito have discovered a brand new type of creature: the treemole. Mischievous Chester takes centre stage in this celebration of individuality and togetherness for ages 2-5. Told with puppets, original music and imaginative antics, this show is full of humour, thrills, spills, near misses and great escapes. This is a story about discovering new places and making friends, while encouraging everyone to have at least one adventure a day.
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online