LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
Tugging at the Sea
LegalAliens Theatre
Sat 6 Jul & Sun 7 Jul at 7:30PM
Tickets: £10
https://www.jacksonslane.org.uk/events/tugging-at-the-sea/
Following the success of Ali In Wonder(Eng)land, LegalAliens Theatre returns to Jacksons Lane with another surreal, hilarious, yet deeply touching piece devised and created by 25 participants in their free classes for refugees and migrants. Using fragmented narrative, physical theatre, songs, and direct testimonies, Tugging At The Sea prompts audiences to recognize the absurdity of propaganda against asylum seekers. Collaborating with visual artist Bern O’Donoghue, the stage will be adorned with paper boats, celebrating shared humanity. 
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
Tugging at the Sea
LegalAliens Theatre
Sat 6 Jul & Sun 7 Jul at 7:30PM
Tickets: £10
https://www.jacksonslane.org.uk/events/tugging-at-the-sea/
Following the success of Ali In Wonder(Eng)land, LegalAliens Theatre returns to Jacksons Lane with another surreal, hilarious, yet deeply touching piece devised and created by 25 participants in their free classes for refugees and migrants. Using fragmented narrative, physical theatre, songs, and direct testimonies, Tugging At The Sea prompts audiences to recognize the absurdity of propaganda against asylum seekers. Collaborating with visual artist Bern O’Donoghue, the stage will be adorned with paper boats, celebrating shared humanity.
London Clown Festival
We’re delighted to be a venue for the acclaimed London Clown Festival for the first time. Here are six shows that are influenced by mime, circus and physical comedy. Don’t miss this eclectic mix of performers who embody the principals of this timeless art form from countries all over the world – this is clowning for the 21st century.
Pomp and Cirque-umstance No 3.1 by Ella the Great
Richard Melanin The Third is a showman. Even in his own home. He can make magic in mundanity and splendour in simplicity. But he’s been saving his greatest stunt for a rainy day…
Internationally acclaimed clown Ella The Great “lights up the stage” (Scotsman) in an inventive debut-hour of visual comedy and circus, which sheds new light on the visionary mind of one of London’s most beloved artists.
London Clown Festival
We’re delighted to be a venue for the acclaimed London Clown Festival for the first time. Here are six shows that are influenced by mime, circus and physical comedy. Don’t miss this eclectic mix of performers who embody the principals of this timeless art form from countries all over the world – this is clowning for the 21st century.
Luke Rollason, Luke Rollason, Let Down Your Hair by Luke Rollason
Luke Rollason, Luke Rollason ,Let Down Your Hair Trumpets: parp parp parp paaarp!
Fringe favourite and Disney Prince heartthrob of Extraordinary (Disney+) Luke Rollason descends from his ivory (fairtrade) tower to glisten your eyes with this monument to creativity and fantasy. Take a swan dive into this physical comedy fantasia of Kings and Clowns, and one absolutely hideous duck.
London Clown Festival
We’re delighted to be a venue for the acclaimed London Clown Festival for the first time. Here are six shows that are influenced by mime, circus and physical comedy. Don’t miss this eclectic mix of performers who embody the principals of this timeless art form from countries all over the world – this is clowning for the 21st century.
Troll by Marie Kallevik Straume & Anna Marie Simonsen
Troll is an “irresistibly silly” (★★★★ The Guardian) two-troll clown comedy about connection, scape(goat)ing and being misunderstood. Fed up with years of misrepresentation, villainization and exclusion, two trolls find themselves at Jacksons Lane, ready and desperate to tell their side of the story and the truth about those three goats.
Inspired by Norwegian folklore, Troll is a critically-acclaimed comedy and heartwarming mash-up of music, storytelling, audience interaction, physical theatre and clown.
London Clown Festival
We’re delighted to be a venue for the acclaimed London Clown Festival for the first time. Here are six shows that are influenced by mime, circus and physical comedy. Don’t miss this eclectic mix of performers who embody the principals of this timeless art form from countries all over the world – this is clowning for the 21st century.
Lost Cabaret: A cacophony of clowns by Lost Cabaret International Clown Collective
★★★★ ENTERTAINMENT NOW
“Lost Cabaret is a magical world to be utterly treasured”
A ridiculous clown variety show featuring the visually absurd, the whimsically witty and the wildly beautiful.
Foolishness wrapped in a warm hug, Lost Cabaret is an alt-comedy garden of enchantment that began in London circa 2012 and was instrumental for the growth of many clown artists that you all love today. Lost has bloomed in venues all across the world, selling out festivals from Edinburgh to Adelaide and loads of cities in between.
Edinburgh Fringe Previews
Three bold and hilarious performances that are destined to take over Fringe this summer.
Ironing Board Man
Jody Kamali
Saturday 20 Jul at 7.30pm
Tickets: £10
https://www.jacksonslane.org.uk/events/ironing-board-man/
Jody Kamali is Jeremy Irons in IRONING BOARD MAN!
One man. Eight ironing boards. One epic soundtrack. Watch in awe as Jody cleverly transforms these everyday household items into the tools of an epic, action-packed Hollywood romance. Ironing Board Man is an inventive physical comedy show that “demands applause” (The Scotsman).
Nominated for Best Comedy Show Buxton Fringe 2022 and Best Show Brighton Fringe 2021.
London Clown Festival
We’re delighted to be a venue for the acclaimed London Clown Festival for the first time. Here are six shows that are influenced by mime, circus and physical comedy. Don’t miss this eclectic mix of performers who embody the principals of this timeless art form from countries all over the world – this is clowning for the 21st century.
Tomatoes Don’t Fly by Jose Parra
Ignacio has discovered something that could change his life forever. But he doesn’t know how to tell his partner Maria. As he prepares a tomato soup at home, he enters another dimension where he becomes both a children’s clown in crisis and an inspirational speaker. Ignacio will learn something that will help him take the next step in his life.
Edinburgh Fringe Previews
Three bold and hilarious performances that are destined to take over Fringe this summer.
Fame Hungry
Louise Orwin
Wednesday 24 Jul at 7.30pm
Tickets: £10
https://www.jacksonslane.org.uk/events/fame-hungry/
FAMEHUNGRY is a helter-skelter nose-dive into the TikTok universe, the attention economy and what it means to be an artist now. Fusing performance art and very real and very live TikTok Experiences, join award-winning performance artist Louise Orwin as she cosplays as a TikToker in a real-life experiment hunting for fame and fortune.
London Clown Festival
We’re delighted to be a venue for the acclaimed London Clown Festival for the first time. Here are six shows that are influenced by mime, circus and physical comedy. Don’t miss this eclectic mix of performers who embody the principals of this timeless art form from countries all over the world – this is clowning for the 21st century.
Mel McGlensey is Motorboat by Mel McGlensey
WINNER: Best Comedy weekly award Adelaide Fringe Festival 2024
Batten down the hatches and seal your porthole! It’s time for the silliest, most outrageous, naughty and nautical show ever made about someone who is part boat, part woman… and full clown.
Come with Motorboat on a sea voyage of self-discovery, silliness and stupidity.
Edinburgh Fringe Previews
Three bold and hilarious performances that are destined to take over Fringe this summer.
Silly Little Things
Trygve Wakenshaw
Saturday 27 Jul at 7.30pm
Tickets: £10
https://www.jacksonslane.org.uk/events/silly-little-things/
After a seven-year hiatus from the Fringe, Trygve Wakenshaw returns with his new hilarious mime-clown-comedy show. Light and silly, absurd and Dada, and a sort of autobiographical, introspective look at all the silly little things that can make or break a friendship.
Trygve Wakenshaw is an award-winning and internationally-recognised mime clown. In 2015 he was nominated for Best Comedy Show at the Edinburgh Comedy Awards and in 2017 he sold out at the Fringe with Trygve Versus A Baby.
Transmission Residency Series
Jacksons Lane’s annual residencies and work-in-progress sharings of new circus and physical theatre returns, with tickets just £1
Bending Reality
Nua Dance
Friday 2 Aug at 4pm
Tickets: £1
https://www.jacksonslane.org.uk/events/bending-reality/
By using play and wonder, dance, circus, video design, impossible perspectives and extreme physicality, Bending Reality encourages you to stay open to the idea that things and people might be different from what you originally thought.
Transmission Residency Series
Jacksons Lane’s annual residencies and work-in-progress sharings of new circus and physical theatre returns, with tickets just £1
Lotte
Akimbo Theatre
Friday 16 Aug at 4pm
Tickets: £1
https://www.jacksonslane.org.uk/events/lotte/
1920’s Berlin. Eleven years before Disney made Snow White, German filmmaker Lotte Reiniger pioneered multiplane shadow puppetry and animation.
Mixing theatre, dance, acrobatics, shadow puppetry and movement, Akimbo Theatre tell the story of Lotte Reiniger and her revolutionary work in film and animation, turning fairytales into feature-length magic.
Transmission Residency Series
Jacksons Lane’s annual residencies and work-in-progress sharings of new circus and physical theatre returns, with tickets just £1
Itch
Gildas Aleksa
Saturday 31 Aug at 4pm
Tickets: £1
https://www.jacksonslane.org.uk/events/itch/
We weren’t here before we were born, and we won’t be here after we die.
It’s terrifying, but at least we’re in this together.
Itch is a new circus and theatre show that tackles our fear of death and the existential anxiety that grips us all. Blending philosophical and psychoanalytical ideas with juggling, acro dance and aerial dancing, Itch invites us to confront the ultimate truth of our mortality.
Jeremy Sassoon’s MOJO
Saturday 31st August 7.30pm
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Sunday 8 September at 11am & 2pm
Tickets: £14 | Suitable for ages 2-6
Join Shoe Baby on a fantastical sing-along journey as this baby explores the sea, the air, and the zoo – all from the comfort of a shoe! and featuring music by Tom Gray of Gomez, this 30-minute show is perfect for children aged 2-6.
After the show, enjoy 20 minutes of play and fun activities including a shoe shop, a giant shoe, and a make-a-town scene.
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Rosy’s onstage career is built on her gleeful frankness about her sex life with men. Now newly single at forty, and advising her teenage daughter about relationships, Rosy wonders if revisiting hyper-macho desires could restore her sexual power, or if there’s a more uncomfortable truth to face.
“A startling, laugh out loud funny and erudite examination of age, relationships and female sexuality” — What’s On Stage
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk