“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

Brainfools is back at Jacksons Lane this autumn with a one-off scratch night! Get ready to witness circus artists showcase their works-in-progress. These nights provide a rare opportunity for performers to test new material, receive live feedback, and refine their pieces based on audience reactions. 

“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

“If it’s good enough for Shakespeare, it’s good enough for us.”

Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!

Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?

Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.

Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott

Directed by Mark Giesser

Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk

Playful, beautiful and highly skilled, Natalie Inside Out is a unique collaboration between world-class hand-balancer Natalie Reckert and digital artist Mark Morreau, using technology and video projections to turn our conventional ideas of circus upside down and inside out. Literally. 

Do psychopaths rule the world? How do we define normal? Are you friends with a psychopath? Are you worried YOU might be one?

Sunday 13 October at 11.30am & 2pm
Tickets: £14 | Suitable for ages 4+

M6 Theatre presents A Tiger’s Tale, a fantastical production by award-winning playwright Mike Kenny. Based on the true story of Fenella, the Holmfirth Tiger, this high-spirited show features circus, puppetry, live music, and song. Follow the unbelievable journey of acrobats and their adopted tiger cub from South Africa to West Yorkshire. 

Migrants: UK from 500 to 2024

After a sold-out debut, Queer Euphoria returns this autumn with even more excitement. Curated by Associate Artist Zaki Musa, this showcase celebrates the boundless creativity and talent of queer visionaries in circus and cabaret. Each act is a bold testament to the creative vision of queer artists, defying convention and challenging the status quo. 

Sunday 20 October at 11am & 2pm 
Tickets: £14 | Suitable for ages 1+ 
 
Join Ray, International Bubbleologist and Guinness World Record Holder, on his quest to complete the bubble game and create the ultimate bubble. This fast-paced show is brimming with high energy and surprises as Ray uses various gases to craft incredible bubble sculptures, effects, and magical displays.

Visually stunning, Gobbess seamlessly transitions from commanding on-stage performances to poetic storytelling, all while performing graceful aerial dance on a suspended hoop. It’s a captivating experience that promises to leave you spellbound. 

Sat 26 – Sun 27 October 11am & 2pm
Tickets: £16 | Aimed at 5+

Winners of the Best Children’s Presentation at the Adelaide Fringe Festival and runners-up for the Children’s Choice Award at the Edinburgh Fringe Festival, the Trash Test Dummies take wheelie bins to new heights. 

Enjoy side-splitting slapstick comedy, daring acrobatics, and dexterous juggling in an imaginative adventure that’s anything but garbage. With ballet, balloons, and “adept unadulterated mischief” (The Times), this show promises an hour of non-stop hilarity! 

Sat 26 – Sun 27 October 11am & 2pm
Tickets: £16 | Aimed at 5+

Winners of the Best Children’s Presentation at the Adelaide Fringe Festival and runners-up for the Children’s Choice Award at the Edinburgh Fringe Festival, the Trash Test Dummies take wheelie bins to new heights. 

Enjoy side-splitting slapstick comedy, daring acrobatics, and dexterous juggling in an imaginative adventure that’s anything but garbage. With ballet, balloons, and “adept unadulterated mischief” (The Times), this show promises an hour of non-stop hilarity! 

Tues 29 – Thurs 31 October 11am & 2pm
Tickets: £15 | Age guidance 4 – 11

Which dinosaur had teeth as big as a banana? Which dinosaur weighed the same as 10,000 cats? And what could a CHICKEN possibly be doing in The Great Big Dinosaur Show?! 

Join poet Simon Mole and musician Gecko for a family show full of poems, raps and songs about all your favourite prehistoric protagonists (and some you haven’t heard of yet!). Come and get your groove on to some Jurassic Classics! 

Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett

“How far would you go to find the perfect cure?”

Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation. 

Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play? 

Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.

Reviews for the Brighton, Edinburgh, and London runs: 

★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1

★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS

★★★★

“A chilling production…fascinating and entertaining”
THE UPCOMING

★★★★

“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY

Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.

Running Time: 1hr45m

Age Guidance: 12+

Tues 29 – Thurs 31 October 11am & 2pm
Tickets: £15 | Age guidance 4 – 11

Which dinosaur had teeth as big as a banana? Which dinosaur weighed the same as 10,000 cats? And what could a CHICKEN possibly be doing in The Great Big Dinosaur Show?! 

Join poet Simon Mole and musician Gecko for a family show full of poems, raps and songs about all your favourite prehistoric protagonists (and some you haven’t heard of yet!). Come and get your groove on to some Jurassic Classics! 

Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett

“How far would you go to find the perfect cure?”

Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation. 

Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play? 

Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.

Reviews for the Brighton, Edinburgh, and London runs: 

★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1

★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS

★★★★

“A chilling production…fascinating and entertaining”
THE UPCOMING

★★★★

“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY

Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.

Running Time: 1hr45m

Age Guidance: 12+

Tues 29 – Thurs 31 October 11am & 2pm
Tickets: £15 | Age guidance 4 – 11

Which dinosaur had teeth as big as a banana? Which dinosaur weighed the same as 10,000 cats? And what could a CHICKEN possibly be doing in The Great Big Dinosaur Show?! 

Join poet Simon Mole and musician Gecko for a family show full of poems, raps and songs about all your favourite prehistoric protagonists (and some you haven’t heard of yet!). Come and get your groove on to some Jurassic Classics! 

Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett

“How far would you go to find the perfect cure?”

Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation. 

Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play? 

Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.

Reviews for the Brighton, Edinburgh, and London runs: 

★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1

★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS

★★★★

“A chilling production…fascinating and entertaining”
THE UPCOMING

★★★★

“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY

Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.

Running Time: 1hr45m

Age Guidance: 12+

Fri 1 – Sat 2 November at 7.30pm

Closing out Black History Month UK, Sadie Sinner & The Cocoa Butter Club present the inaugural staging of The Black Burlesque Festival — a two-night spectacular featuring the provocative, playful, and powerful Black burlesque stars of our stages. 

Adorn your finest attire to witness international movers, shakers, and rule-breakers, alongside home-grown UK talent. Our change-makers are recognised worldwide for taking top titles in this exciting and intricate art form!  

This celebration of triumphs, tenacity, and talent honours the diaspora of Black burlesque artists and offers a glimpse into the future of burlesque, where the melanated are celebrated. 

Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett

“How far would you go to find the perfect cure?”

Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation. 

Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play? 

Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.

Reviews for the Brighton, Edinburgh, and London runs: 

★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1

★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS

★★★★

“A chilling production…fascinating and entertaining”
THE UPCOMING

★★★★

“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY

Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.

Running Time: 1hr45m

Age Guidance: 12+

Fri 1 – Sat 2 November at 7.30pm

Closing out Black History Month UK, Sadie Sinner & The Cocoa Butter Club present the inaugural staging of The Black Burlesque Festival — a two-night spectacular featuring the provocative, playful, and powerful Black burlesque stars of our stages. 

Adorn your finest attire to witness international movers, shakers, and rule-breakers, alongside home-grown UK talent. Our change-makers are recognised worldwide for taking top titles in this exciting and intricate art form!  

This celebration of triumphs, tenacity, and talent honours the diaspora of Black burlesque artists and offers a glimpse into the future of burlesque, where the melanated are celebrated.