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With Margaret Hodge MP and Leonard Hoffman

Mezzo-soprano, Stella Seaton-Sims and her accompanist will treat the French Circle to an evening of wonderful singing.

George McGhee, former BBC Controller of Programmes, introduces extracts from some wonderful dancing partnerships from the career of the man Nureyev called, ‘the greatest dancer in American history.’

As part of an going series I am hosting for 2015 celebrating Irish culture, history, politics and literature, I will be interviewing Jesse Norman about the life of Edmund Burke, in the Boogaloo Pub, Highgate.

USA 2012, 105 mins. Dir. Yaron Zilberman

This year’s Children’s Book Fair on Saturday 28th February at HLSI welcomes special guest Clara Vulliamy (Martha & the Bunny Brothers, Small, Tom & Small, Lucky Wish Mouse, Dixie O’Day), following in the footsteps of previous guests including Alex T. Smith, Anthony Browne, Michael Rosen, Allan Ahlberg, Helen Oxenbury and, of course, Clara’s mother, Shirley Hughes.
There will be secondhand books for sale, children’s activities, home-made cakes and biscuits and Clara’s books will be sold by Muswell Hill Children’s Bookshop. Clara will be on stage at 11 to read from her books and to draw for us, and she’ll stay to sign copies of her books.
The Fair runs from 10 until 1 at Highgate Literary & Scientific Institution, 11 South Grove, Pond Square, N6 6BS.

One of our members, Christine Knight, will talk to us about the painter David. 8pm at l0A

The third Highgate Debate to be held at Highgate Literary & Scientific Institution tackles the issue

of current drugs policy. Our two prominent speakers take opposing positions, roughly equating

to a ‘tender’ or a ‘tough’ approach to users. Molly Meacher will argue for a more liberal drugs

policy, while Will Blair will oppose any change. As with previous debates, they will be supported

by seconders from local 6th forms. Members of the audience will then be invited to make

contributions from the floor. The Debates will be free and open to the general public, as well as

HLSI members.

THE DEBATE ‘DRUGS POLICY: TOUGH OR TENDER?’

WHEN Thursday 5 March 2015, 8.00pm, doors open at 7.30pm

WHERE Highgate Literary & Scientific Institution, 11 South Grove, London N6 6BS

HOW Free and open to all, but to be sure of a place please book.

Please Note: Places not taken by 7.45pm may be offered to others

Reservations may be made in person, by phone or by email:

tel: 020 8340 3343; email: admin@hlsi.net

For further information please contact Kathy Dallas: gkzwdallas@aol.com

Liz has created a collection of paintings of plants in close detail: uprooted, revealing their complex structures and individual history, and full of visual delight. Although not intended as a scientific study, the paintings bring us to a new relationship with nature.

Liz Miranda’s life as an artist has an international flavour. She was born in Iran, studied in England and France, worked, taught and exhibited, mainly in Brazil, and then returned to England to paint, etch, bring up a family and teach. She continues to teach, concentrating on painting from direct observation. In 2010 Liz exhibited at the Highgate Gallery and in this show her work is, as always, in oil on canvas or wood.

For the past few years Liz has been painting plants in close detail. She likes to work with the whole shape of each plant but also wants to focus on its component parts – roots, stalks, seed-heads, pods, the changes of colour, the texture and thickness of stem with the position on it of the leaves and nodes.

However realistic, her works are not illustrations. Liz wants them to be true but accuracy is not the goal: they are paintings. Painting is the second stage of freezing the potential development of these natural forms; though they were already denied growth when uprooted from the soil.

Her subjects range from modest London weeds to exotic plants, flowers, trees and grasses of the tropics. All are closely observed to reveal their individual integrity.

Open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Admission free

Liz has created a collection of paintings of plants in close detail: uprooted, revealing their complex structures and individual history, and full of visual delight. Although not intended as a scientific study, the paintings bring us to a new relationship with nature.

Liz Miranda’s life as an artist has an international flavour. She was born in Iran, studied in England and France, worked, taught and exhibited, mainly in Brazil, and then returned to England to paint, etch, bring up a family and teach. She continues to teach, concentrating on painting from direct observation. In 2010 Liz exhibited at the Highgate Gallery and in this show her work is, as always, in oil on canvas or wood.

For the past few years Liz has been painting plants in close detail. She likes to work with the whole shape of each plant but also wants to focus on its component parts – roots, stalks, seed-heads, pods, the changes of colour, the texture and thickness of stem with the position on it of the leaves and nodes.

However realistic, her works are not illustrations. Liz wants them to be true but accuracy is not the goal: they are paintings. Painting is the second stage of freezing the potential development of these natural forms; though they were already denied growth when uprooted from the soil.

Her subjects range from modest London weeds to exotic plants, flowers, trees and grasses of the tropics. All are closely observed to reveal their individual integrity.

Open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Admission free

Liz has created a collection of paintings of plants in close detail: uprooted, revealing their complex structures and individual history, and full of visual delight. Although not intended as a scientific study, the paintings bring us to a new relationship with nature.

Liz Miranda’s life as an artist has an international flavour. She was born in Iran, studied in England and France, worked, taught and exhibited, mainly in Brazil, and then returned to England to paint, etch, bring up a family and teach. She continues to teach, concentrating on painting from direct observation. In 2010 Liz exhibited at the Highgate Gallery and in this show her work is, as always, in oil on canvas or wood.

For the past few years Liz has been painting plants in close detail. She likes to work with the whole shape of each plant but also wants to focus on its component parts – roots, stalks, seed-heads, pods, the changes of colour, the texture and thickness of stem with the position on it of the leaves and nodes.

However realistic, her works are not illustrations. Liz wants them to be true but accuracy is not the goal: they are paintings. Painting is the second stage of freezing the potential development of these natural forms; though they were already denied growth when uprooted from the soil.

Her subjects range from modest London weeds to exotic plants, flowers, trees and grasses of the tropics. All are closely observed to reveal their individual integrity.

Open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Admission free

Liz has created a collection of paintings of plants in close detail: uprooted, revealing their complex structures and individual history, and full of visual delight. Although not intended as a scientific study, the paintings bring us to a new relationship with nature.

Liz Miranda’s life as an artist has an international flavour. She was born in Iran, studied in England and France, worked, taught and exhibited, mainly in Brazil, and then returned to England to paint, etch, bring up a family and teach. She continues to teach, concentrating on painting from direct observation. In 2010 Liz exhibited at the Highgate Gallery and in this show her work is, as always, in oil on canvas or wood.

For the past few years Liz has been painting plants in close detail. She likes to work with the whole shape of each plant but also wants to focus on its component parts – roots, stalks, seed-heads, pods, the changes of colour, the texture and thickness of stem with the position on it of the leaves and nodes.

However realistic, her works are not illustrations. Liz wants them to be true but accuracy is not the goal: they are paintings. Painting is the second stage of freezing the potential development of these natural forms; though they were already denied growth when uprooted from the soil.

Her subjects range from modest London weeds to exotic plants, flowers, trees and grasses of the tropics. All are closely observed to reveal their individual integrity.

Open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday

Admission free