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  Image:  Archer:  felt collage 35x35cms. C. Sue Pearl 2020. All rights reserved.

For their next exhibition at Highgate Gallery, ‘The Northern Line’, East Finchley Open Artists are creating images that relate to a Northern Line station of their choice.  Each work will respond to the chosen station’s name, and artists have already selected a wide range of stations for inspiration including Colliers Wood, Oval, Angel and High Barnet.

Expect some interesting interpretations and commentary.  The exhibition will comprise an exciting variety of wall-hung work including paintings, pastels, prints ceramics, glass, textiles and automata.

All artists have prepared new works especially for the exhibition.  Among them Pat Marvell has created an exciting glass piece titled ‘White Hot Embers in Colliers Wood’ which was originally the site of charcoal-making kilns.  Laura Fishman has made an abstract acrylic painting, ‘Golders Green, Green to Gold’, exploring the richness of greens and yellows mingling with swirls of red which hint at the richness of the foliage of the nearby Golders Green Park.  Meanwhile Cathy Burkinshaw has chosen Woodside Park as one of her inspirations.  She has many fond memories of the station: “It was so pretty when we first moved to Woodside Park, surrounded by trees with a really large tree in the forecourt.”  How times have changed.

Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers.

Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year.

For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk

Exhibition continues until 25 November.  Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

  Image:  Archer:  felt collage 35x35cms. C. Sue Pearl 2020. All rights reserved.

For their next exhibition at Highgate Gallery, ‘The Northern Line’, East Finchley Open Artists are creating images that relate to a Northern Line station of their choice.  Each work will respond to the chosen station’s name, and artists have already selected a wide range of stations for inspiration including Colliers Wood, Oval, Angel and High Barnet.

Expect some interesting interpretations and commentary.  The exhibition will comprise an exciting variety of wall-hung work including paintings, pastels, prints ceramics, glass, textiles and automata.

All artists have prepared new works especially for the exhibition.  Among them Pat Marvell has created an exciting glass piece titled ‘White Hot Embers in Colliers Wood’ which was originally the site of charcoal-making kilns.  Laura Fishman has made an abstract acrylic painting, ‘Golders Green, Green to Gold’, exploring the richness of greens and yellows mingling with swirls of red which hint at the richness of the foliage of the nearby Golders Green Park.  Meanwhile Cathy Burkinshaw has chosen Woodside Park as one of her inspirations.  She has many fond memories of the station: “It was so pretty when we first moved to Woodside Park, surrounded by trees with a really large tree in the forecourt.”  How times have changed.

Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers.

Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year.

For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk

Exhibition continues until 25 November.  Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.

  Image:  Archer:  felt collage 35x35cms. C. Sue Pearl 2020. All rights reserved.

For their next exhibition at Highgate Gallery, ‘The Northern Line’, East Finchley Open Artists are creating images that relate to a Northern Line station of their choice.  Each work will respond to the chosen station’s name, and artists have already selected a wide range of stations for inspiration including Colliers Wood, Oval, Angel and High Barnet.

Expect some interesting interpretations and commentary.  The exhibition will comprise an exciting variety of wall-hung work including paintings, pastels, prints ceramics, glass, textiles and automata.

All artists have prepared new works especially for the exhibition.  Among them Pat Marvell has created an exciting glass piece titled ‘White Hot Embers in Colliers Wood’ which was originally the site of charcoal-making kilns.  Laura Fishman has made an abstract acrylic painting, ‘Golders Green, Green to Gold’, exploring the richness of greens and yellows mingling with swirls of red which hint at the richness of the foliage of the nearby Golders Green Park.  Meanwhile Cathy Burkinshaw has chosen Woodside Park as one of her inspirations.  She has many fond memories of the station: “It was so pretty when we first moved to Woodside Park, surrounded by trees with a really large tree in the forecourt.”  How times have changed.

Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers.

Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year.

For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk

Exhibition continues until 25 November.  Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

On the occasion of Ellie Kyungran Heo’s solo exhibition Plantarians (2017-2020), LUX and the London Korean Film Festival present a botanical lecture and artistic exploration reflecting on encounters between scientists, artists and nature through text, moving image and sound.

Free, Book here

The first part of the event will be a lecture by biology educator Dawn Sanders, discussing human encounters with plants. In this lecture, Sanders will take three perspectives: a scientific encounter between Charles Darwin and carnivorous plants; meetings between vegetal and human mortality; and openings between artists and plants.

Following the lecture, artist Ellie Kyungran Heo will present her engagement with ‘Oxford Ragwort’ in collaboration with composer Atzi Muramatsu who will perform a new composition live in response to Heo’s field research. The performance draws on Heo’s ongoing project The Ragwort that traces the historical journey of ‘Oxford Ragwort’ from its native homeland and explores compatibility and co-prosperity between the migrant plants and people. In this performance, attendees are invited to partake in an encounter with plants through texts.

Dawn Sanders is an associate professor in the Faculty of Education at the University of Gothenburg, Sweden. She led the interdisciplinary (art, science, education) research team in the Swedish Research Council funded project: Beyond Plant Blindness: Seeing the importance of plants for a sustainable world.

Atzi Muramatsu is an award winning multi-disciplinary composer living in Edinburgh. His works encompass music for concerts, dance, poetry, exhibited arts and films. His music features in three BAFTA winning films. www.atzi.co.uk

Ellie Kyungran Heo is an artist who explores social/ecological solidarity, conflict and coexistence through time-based media, installation and interdisciplinary research. www.elliekyungran.com

Supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival.

Ellie Kyungran Heo’s solo exhibition Plantarians (2017-2020) continues until 11 December.

Evacuation: A Child’s Experience of War. A semi-staged performance of the wartime poems by the N2 Poet, Dennis Evans, with music composed and played by Caroline Soresby.                                                                                                                                                                                                      On Wenlock Edge: the song cycle by Vaughan Williams and readings from A.E Housman’s Shropshire Lad (as remembered and written while living in North Road, Highgate).                                                                                                                                                                                                                  With Nicholas Bowater (tenor) and Carole Hancock (reader) directed by Tim Brierley.

                                 Admission by programme on the door: £10 (to include a glass of wine) with proceeds to Highgate United Reformed Church Funds. 

  Image:  Archer:  felt collage 35x35cms. ©Sue Pearl 2020. All rights reserved.

 For their next exhibition at Highgate Gallery, ‘The Northern Line’, East Finchley Open Artists are creating images that relate to a Northern Line station of their choice.  Each work will respond to the chosen station’s name, and artists have already selected a wide range of stations for inspiration including Colliers Wood, Oval, Angel and High Barnet.

Expect some interesting interpretations and commentary.  The exhibition will comprise an exciting variety of wall-hung work including paintings, pastels, prints ceramics, glass, textiles and automata.

All artists have prepared new works especially for the exhibition.  Among them Pat Marvell has created an exciting glass piece titled ‘White Hot Embers in Colliers Wood’ which was originally the site of charcoal-making kilns.  Laura Fishman has made an abstract acrylic painting, ‘Golders Green, Green to Gold’, exploring the richness of greens and yellows mingling with swirls of red which hint at the richness of the foliage of the nearby Golders Green Park.  Meanwhile Cathy Burkinshaw has chosen Woodside Park as one of her inspirations.  She has many fond memories of the station: “It was so pretty when we first moved to Woodside Park, surrounded by trees with a really large tree in the forecourt.”  How times have changed.

Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers.

Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year.

For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk

Exhibition continues until 25 November.  Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility.   Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website 

  Image:  Archer:  felt collage 35x35cms. C. Sue Pearl 2020. All rights reserved.

For their next exhibition at Highgate Gallery, ‘The Northern Line’, East Finchley Open Artists are creating images that relate to a Northern Line station of their choice.  Each work will respond to the chosen station’s name, and artists have already selected a wide range of stations for inspiration including Colliers Wood, Oval, Angel and High Barnet.

Expect some interesting interpretations and commentary.  The exhibition will comprise an exciting variety of wall-hung work including paintings, pastels, prints ceramics, glass, textiles and automata.

All artists have prepared new works especially for the exhibition.  Among them Pat Marvell has created an exciting glass piece titled ‘White Hot Embers in Colliers Wood’ which was originally the site of charcoal-making kilns.  Laura Fishman has made an abstract acrylic painting, ‘Golders Green, Green to Gold’, exploring the richness of greens and yellows mingling with swirls of red which hint at the richness of the foliage of the nearby Golders Green Park.  Meanwhile Cathy Burkinshaw has chosen Woodside Park as one of her inspirations.  She has many fond memories of the station: “It was so pretty when we first moved to Woodside Park, surrounded by trees with a really large tree in the forecourt.”  How times have changed.

Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers.

Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year.

For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk

Exhibition continues until 25 November.  Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

  Image:  Archer:  felt collage 35x35cms. C. Sue Pearl 2020. All rights reserved.

For their next exhibition at Highgate Gallery, ‘The Northern Line’, East Finchley Open Artists are creating images that relate to a Northern Line station of their choice.  Each work will respond to the chosen station’s name, and artists have already selected a wide range of stations for inspiration including Colliers Wood, Oval, Angel and High Barnet.

Expect some interesting interpretations and commentary.  The exhibition will comprise an exciting variety of wall-hung work including paintings, pastels, prints ceramics, glass, textiles and automata.

All artists have prepared new works especially for the exhibition.  Among them Pat Marvell has created an exciting glass piece titled ‘White Hot Embers in Colliers Wood’ which was originally the site of charcoal-making kilns.  Laura Fishman has made an abstract acrylic painting, ‘Golders Green, Green to Gold’, exploring the richness of greens and yellows mingling with swirls of red which hint at the richness of the foliage of the nearby Golders Green Park.  Meanwhile Cathy Burkinshaw has chosen Woodside Park as one of her inspirations.  She has many fond memories of the station: “It was so pretty when we first moved to Woodside Park, surrounded by trees with a really large tree in the forecourt.”  How times have changed.

Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers.

Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year.

For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk

Exhibition continues until 25 November.  Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

  Image:  Archer:  felt collage 35x35cms. C. Sue Pearl 2020. All rights reserved.

For their next exhibition at Highgate Gallery, ‘The Northern Line’, East Finchley Open Artists are creating images that relate to a Northern Line station of their choice.  Each work will respond to the chosen station’s name, and artists have already selected a wide range of stations for inspiration including Colliers Wood, Oval, Angel and High Barnet.

Expect some interesting interpretations and commentary.  The exhibition will comprise an exciting variety of wall-hung work including paintings, pastels, prints ceramics, glass, textiles and automata.

All artists have prepared new works especially for the exhibition.  Among them Pat Marvell has created an exciting glass piece titled ‘White Hot Embers in Colliers Wood’ which was originally the site of charcoal-making kilns.  Laura Fishman has made an abstract acrylic painting, ‘Golders Green, Green to Gold’, exploring the richness of greens and yellows mingling with swirls of red which hint at the richness of the foliage of the nearby Golders Green Park.  Meanwhile Cathy Burkinshaw has chosen Woodside Park as one of her inspirations.  She has many fond memories of the station: “It was so pretty when we first moved to Woodside Park, surrounded by trees with a really large tree in the forecourt.”  How times have changed.

Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers.

Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year.

For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk

Exhibition continues until 25 November.  Highgate Gallery open Tues-Fri 1-5pm, Sat 11am-4pm, Sun 11am-5pm; closed Mon.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility.   Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

North London’s annual festival which brings together distinguished chamber musicians from around the world for a celebration of  chamber music in venues around Highgate.

North London’s annual festival which brings together distinguished chamber musicians from around the world for a celebration of  chamber music in venues around Highgate.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

North London’s annual festival which brings together distinguished chamber musicians from around the world for a celebration of  chamber music in venues around Highgate.

North London’s annual festival which brings together distinguished chamber musicians from around the world for a celebration of  chamber music in venues around Highgate.

North London’s annual festival which brings together distinguished chamber musicians from around the world for a celebration of  chamber music in venues around Highgate.

Insieme’s Festive Midwinter Musical Feast

Join our chamber opera ensemble Insieme for a FIESTA of opera, song and instrumental merry music making to celebrate the turn of the year and the return of their full company.

Continuing their creative residence at Lauderdale House, Insieme present a seasonal concert series featuring their signature combination of strings, woodwind, piano, voice and spoken word. Committed to increasing access to high quality classical music and reaching new audiences, Insieme are known for their engaging and imaginative concert and opera programming.

They have been creating and producing concert/opera performances and music/performing arts workshops since 2009. Insieme (Italian for ‘Together’) are a mixed group of singers and instrumentalists who share their love of music and words in performances, which combine chamber and vocal works in solos and small ensemble repertoire for the recital room and theatre.

Featuring Lekeu’s Nocturne for Tenor and strings, Delibes’ Lakme duet, Bach’s double violin concerto, Piazolla’s ‘Winter’, and items by Tchaikovsky, Gershwin, Mozart, Arvo Pärt and Verdi – with audience participation.

—–

Performers:

Tenor: Brian Parsons

Soprano: Anna Fitzgerald

Baritone: Joe Corbett

Mezzo: Johanna Byrne

Violin: Mona Kodama & Guillem Calvo

Viola: Juan Drown

Piano: Clare Clements

Cello: Clíona ní Choileán

North London’s annual festival which brings together distinguished chamber musicians from around the world for a celebration of  chamber music in venues around Highgate.

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

The class is suitable for beginners and is friendly and inclusive. Style is Hatha yoga with various influences – gentle, but still delivering strength and flexibility.   Come and try a class to enhance your sense of wellbeing, release stress and tension and to experience deep relaxation. Mats provided, free parking (for now, but check signs!) no need to book – just turn up. The class is in the beautiful church – it’s set back a bit and has big blue doors. The class is mixed level/mixed ability/mixed age. I am a registered BWY teacher and fully insured. For more info about me/my yoga, have a look at my website 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website. 

LUX is delighted to present the first UK solo exhibition by South Korean artist Ellie Kyungran Heo, featuring her latest moving image project Plantarians (2017-2020), in partnership with the London Korean Film Festival. 

Ellie Kyungran Heo’s work considers the ethics of coexistence, attending to the underlying environmental conflicts in everyday lives. Her reframing of encounters between humans and nature reveals an intricate web of interdependence and questions anthropocentric perspectives. Punctuated by humour and irony, Heo’s works are filled with social and ecological entanglements, in which the multiplicity of discourse is celebrated.

Heo’s observational approach to documentary is often interposed with staged gestures which hint at the artist’s uncertainty and open-ended curiosity, offering a self-reflexive mode of filmmaking as a way of coexisting. With its distinctive sensitivity and rigour, Heo’s film, as Gareth Evans writes, “resists easy co-option. It resists for a little while the ongoing erasures. It says like all works of worth, ‘this was’, ‘this is’, ‘remember’”.

Plantarians (2017-2020) is a rumination on entangled relationships between humans and plants in urban spaces. Divided into episodes, each follows individuals who cultivate, eat and accompany plants in celebration and grief. These everyday activities become strangely unfamiliar through unhurried attention to the moments of survival and resilience of plants between the cracks, on the peripheries of gardens and within human-made surroundings. The subtle shift in perspective elicits a sense of ambivalence, imagining how plants might endure, interact with and be vulnerable to the interruptions inflicted upon them. Plantarians poses a fundamental question around interdependent relations, both conflicting and intimate, and how we co-inhabit this planet with all living beings.

The exhibition at LUX features a collection of short films, photography and video installation that form the latest iteration of the Plantarians episodes, accompanied by a commissioned essay and related programmes.

The first iteration of Plantarians was screened at LUX in 2017. This time, the project returns to the site as an expansive body of work, marking the occasion of welcoming Heo’s films to the LUX Collection. Plantarians has been developed during Hospitalfield Summer Residency 2017; Summer Lodge Residency, Nottingham Trent University 2018; Jan van Eyck Academie Residency 2019-2020 and supported by The Elephant Trust and Arts Council Korea. 

The exhibition is supported by the London Korean Film Festival and presented in the context of the Artist Video Strand for the 16th edition of the festival. 

Related Events: 

• A Plant/Human Encounter | Sat 20 November / 3pm at LUX
  • A botanical lecture and artistic exploration event hosted by Dawn Sanders (Botanical educator and researcher, University of Gothenburg), Atzi Muramatsu (Multi-disciplinary composer) and exhibiting artist Ellie Kyungran Heo. More information will be released on the LKFF and LUX websites.

• Online Screening | 27 – 28 November on the LUX Website

  • Ellie Kyungran Heo’s earlier work Island (2015) will be available on the LUX website.