Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016
Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.
Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.
A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.
Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.
Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.
A catalogue will accompany the show.
To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016
Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.
Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.
A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.
Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.
Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.
A catalogue will accompany the show.
To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016
Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.
Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.
A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.
Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.
Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.
A catalogue will accompany the show.
To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016
Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.
Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.
A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.
Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.
Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.
A catalogue will accompany the show.
To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016
Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.
Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.
A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.
Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.
Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.
A catalogue will accompany the show.
To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016
Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.
Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.
A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.
Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.
Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.
A catalogue will accompany the show.
To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
Paintings by Ron Delavigne 1919-2013
Curated by Jason Sumray
15-28 April 2016
Ron Delavigne’s extraordinary images were defined by his experiences as a Far East POW from 1942 to 1945. Trained at St Martins, his paintings always had a strong brooding mood and he was highly regarded by his contemporaries for his fine draughtsmanship and sensitivity. This exhibition concentrates on his late work which is characterised by its increasingly spare and focussed imagery. What finally surfaced from deep within were haunting, inexplicable images that spoke indirectly. Not specifically ‘war paintings’, but images that had emerged from an artist who had been forced to look at the core of things and has witnessed humanity stripped down and laid bare.
Despite some early success with a solo show at the Alwin Gallery, London and his work collected by some prominent figures, Delavigne shunned the art world and preferred a quiet, almost hermitic existence, his paintings known only to a few. This is the first time these works have been seen in public.
A reccurring theme in Delavigne’s work was his haunting images of owls perched on a post. It was, perhaps, an image that stood in for the suppressed memory of experience. At the age of 79, he transformed it, for one time only, to a decapitated head on a stick with flies buzzing around: the gruesome punishment he had witnessed in Changi jail. The painting ‘The Time of Silence’ is now in the Imperial War Museum Collection. A full size reproduction will form part of the Highgate show. Visitors to the exhibition will be also be able to listen to Delavigne’s moving testament recorded for the Imperial War Museum in 1998.
Delavigne’s troubled imagery was rendered in the English romantic landscape tradition to which he had his stylistic roots. Although certainly influenced by Goya’s etchings and Black Paintings, Delavigne was never an overt expressionist. It seems that he couldn’t help but instil his disturbing images with a quiet English poetry. The potent mix of subtle lyricism with stark imagery is compelling. There is an exhilarating mix of delicacy and rawness, beauty and bleakness.
Ron Delavigne lived his whole life in Highgate and died aged 94 in 2013. His gravestone, in the form of an artist’s palette, is in Highgate Cemetery. It is, of course, entirely appropriate to hold this exhibition in Highgate, where his widow Rita Delavigne continues to live.
A catalogue will accompany the show.
To coincide with ‘Paintings of Ron Delavigne 1919 -2013’ the Gallery is excited to host a Discussion Event on Sunday 17 April, 5-7pm, exploring the theme of Art, War and the Role of Memory. We are delighted to have as guest panellists Richard Cork: art historian, critic, broadcaster and exhibition curator, (‘A Bitter Truth: Avant-garde and the Great War: book and accompanying exhibition at RA)
Dr Glenn Sujo: writer, artist, educator and curator (‘Legacies of Silence: The Visual Arts and Holocaust Memory:’ book and accompanying exhibition at Imperial War Museum).
John Keane: painter, Gulf War artist, father was POW on Burma-Siam railway.
Albyn Leah Hall: novelist and psychotherapist. It will be chaired by Estelle Lovatt: FRSA – Independent art critic & art history Lecturer BBC Radio & TV.
Tickets: £10 on the door (£5 HLSI members) or reserve in advance on 020 8340 3343 or at admin@hlsi.net
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.
This will take place on Monday May 9 led by Zeb Soanes and Ruth Hazeldine featuring insights into the lives of famous literary figures in Highgate. The walk will include readings by Zeb Soanes, BBC Newsreader.
Price, including a cream tea, is £12. Places are limited. Please apply by April 30 with s.a.e to Ruth Hazeldine 52 Jacksons Lane, N6 5SX. Phone 020 8340 5446 for more info.
Full details will be sent with your ticket. Cheques made out to Highgate Society.
“A History Of Gardening In 40 Objects” A talk by Christopher Woodward, Director of the Garden Museum
Monday 9th May at 6.45pm at The Highgate Society 10a South Grove
Followed by the Friends of Waterlow Park AGM.
7PM Talk by John Caird ” My Life in Highgate” Guest Speaker John Caird is an Honorary Associate Director of the Royal Shakespeare Company, a regular director with the Royal National Theatre and Highgate resident of over 20 years.
Break for light refreshments
8.15 The Highgate Society’s Annual General Meeting
Members and Non members welcome
Spring is trying very hard to spring into action, and it’s time for us all to get our act together!
So, dust off your laptop, tablet or that smartphone you have pretty much given up on and bring it along to Coffee & Computers.
Friday 13 May is your chance to reconnect with the rest of the world, just head to Highgate School for an afternoon of digital fun and information.
If you have no idea about any of this, but would like to find out
COFFEE & COMPUTERS IS FOR YOU
Join us for our free informal one-to-one computer familiarisation sessions over a nice cup of coffee. We do tea as well!
If you don’t yet possess any electronic gadgets, don’t worry, we do and we’d love you to come and play with them.
“I wish I’d gotten into this ages ago, keeps me entertained long into the night!” says 72 year old Coffee & Computers friend, who now follows every twist and turn of Arsenal Football Club from his armchair – or wherever he happens to be.
Give Stuart a call on 020 8347 2411 (quoting Coffee & Computers) or email us on highgatecc@hotmail.com and give us an idea of what you want to know more about.
People have asked if they can buy stuff from us. The answer is no, we’re not here to sell you anything. We just show you what fun you can have with a computer, tablet or smartphone and how easy it is!
The world is at your fingertips. Literally!
It’s all free, and we look forward to saying hello.
Warm regards
The Coffee & Computers volunteers
Music in Highgate Home
The Jubilee Quartet
22nd May 2016 7.30pm
The Jubilee Quartet ” … proceeded inexorably to final, exquisite beauty”. ‘The Strad’
These words describe to perfection the talents of Tereza Privratska (violin 1), Julia
Loucks (violin 2}, Stephanie Edmundson (viola) and Lauren Steel (cello).
ON SUNDAY MAY 22nd these inspiring young musicians will be thrilling us with works
by Stravinsky, Mozart, Haydn and Beethoven.
During the Interval, wine, soft drinks and canapes will be served.
Do book early to avoid disappointment.
Tickets £16 members, £18 non-members
Cheques payable to the Highgate Society. Please send s.a.envelope to the Highgate
Society at 10a South Grove, London N6 6BS
The address will be sent to ticket holders.